Pic-Nic
Pic-Nic was a Spanish teenage folk-pop and sunshine pop band formed in Barcelona in the mid-to-late 1960s, composed of lead singer Jeanette, guitarists Toti Soler and Al Cárdenas, drummer Jordi Barangé and bassist Isidoro "Doro" de Mentaberry. Although keyboardist Jordi Sabatés is often mentioned as a member of the band, he does not appear on any of the group's releases, having joined after their only published recording sessions had taken place. Pic-Nic was the successor to the short-lived group Brenner's Folk, originally founded by German-Venezuelan brothers Haakon and Vytas Brenner together with Soler, Barangé and Jeanette, an English girl who had recently moved to Spain after being raised in the United States. After releasing a four-song extended play for the label Edigsa in 1966, the Brenner brothers left the band, being replaced by Cárdenas and de Mentaberry.
With this new formation and after signing to major label Hispavox, the group changed its name to Pic-Nic and released their lead single, the Jeanette-penned "Cállate niña", in late 1967. The record was a big hit during the spring of 1968, remaining on the top of the Spanish singles chart for ten consecutive weeks. The success of the song led to it being recorded in English for the international market as an EP alongside three other tracks. Throughout 1968, the band released two more singles—"Amanecer" and "Me olvidarás"—as well as their first and only self-titled studio album. Most of Pic-Nic's songs were written by Jeanette with the aid of Rafael Turia, a radioman who managed the band. Famous producer Rafael Trabucchelli was in charge of the records' arrangements, which moved the group's original compositions away from a strictly folk style.
Pic-Nic soon broke up due to Jeanette's departure and the differences between Soler's vision and Hispavox's demands. In 1969, the label reissued their only album with a new track listing under the title Cállate niña. Following the group's dissolution, Soler formed the progressive rock band Om, enlisting de Mentaberry and Sabatés. On the other hand, Jeanette was recontacted by Hispavox and launched a successful solo career as a balladeer with the single "Soy rebelde" in 1971. Pic-Nic has since attained cult status and are celebrated for their California sound that set them apart from other local groups of their time. Their only full-length record was reissued in 2011 and has appeared in various critics' lists for the best Spanish pop music albums of all time.
History
Origins as Brenner's Folk
After moving to Barcelona, the German-born Venezuelan brothers Haakon and Vytas Brenner formed the Vytas Brenner Quartet together with guitarist Toti Soler and drummer Jordi Barangé. Soler and Barangé had previously been part of Els Xerracs, a band influenced by the Shadows that released its only EP in 1965. A neighbor of the Brenner brothers introduced the group to fifteen-year-old Jeanette, who played guitar and had written a few songs, among them "Cállate niña". Jeanette was born in London and spent her childhood in Los Angeles until her parents' 1962 divorce, at which point she moved with her Spanish mother to Barcelona, bringing with her a musical taste for Californian folk rock. The band connected with Jeanette's sound and incorporated her as a singer, changing the group's name to Brenner's Folk, since they were no longer a quartet. She told OC Weekly in 2017: "They loved that kind of music, that kind of music over here in Spain was completely unknown. It was new, it was something people didn't hear of before." The band rehearsed in the large, wooden basement of an old pharmacy located on Via Laietana avenue, which they soundproofed with egg cartons.In 1966, Brenner's Folk released their first and only extended play on the Nova Cançó record label Edigsa, which included four songs sung in Catalan: "Daurat oest", "Ho sé", "Clara lluna" and "Amor perdut". The release featured cover art by designer Jordi Fornás, and liner notes written by Jordi García-Soler that declared the influence of American folk music in the group and explained more about the genre. The EP was not commercially successful but today is regarded as a rarity that is highly valued by record collectors. It was remastered and reissued for the first time by Barcelonian label Wah Wah Records in 2018.
Breakthrough with "Cállate niña"
Shortly after the release of their EP, the Brenner family decided to return to Venezuela and the rest of the band replaced them with Al Cárdenas and Isidoro "Doro" de Montaberry. This new iteration of Brenner's Folk was introduced to Madrid-based major label Hispavox thanks to Rafael Turia, a radioman at Barcelona's Radio Juventud that they had befriended and became their band manager. According to Lafonoteca's Roberto Macho, Turia was in charge of adapting the group's songs to Spanish. Pic-Nic recorded a demo at Radio Juventud's studios that greatly impressed Hispavox's Rafael Trabucchelli, who thought it was an American group. Trabucchelli was a pioneer of music production in Spain and "one of the most influential figures in Spanish music between 1965 and 1975". While working for Hispavox, he developed the "characteristic lush sound" of the record label, which resulted from "sophisticated orchestral arrangements and studio wizardy". He is now described as the "Spanish Phil Spector", and his Wall of Sound production style is known as the "Torrelaguna Sound", named after the Torrelaguna Street in Madrid, where Hispavox Studios was based.Trabucchelli flew the band to Madrid, signed them to Hispavox and changed their name to Pic-Nic for commercial reasons, as Brenner's Folk was too foreign of a name for Spanish audiences and the eponymous Brenners were no longer part of the group. "Cállate niña" was released as their debut single in November 1967. To promote the release, Pic-Nic appeared at the TVE program Tele Ritmo in Madrid. The single was a big hit and charted at the top spot of the national charts for ten consecutive weeks, becoming one of the most listened to songs in Spain during the spring of 1968 and the second best-selling single of the year in the country. After the success of their second single, "Amanecer", they got to record Pic-Nic, which would be their only LP record. In the United States, the album was released under the title Cállate niña by United Artists Records' subsidiary UA International. A review in Cashbox described it as "a most charming album, filled with sparkling, fresh lilting sounds". "Me olvidarás" was the band's last single, released in August 1968. The band also released the English-language EP Hush, Little Baby, which included versions of the songs that were on their first single, plus adaptations of "No digas nada" and "Música". By September 1968, Billboard reported that Pic-Nic would undergo a South American tour, though it never took place. The band took part in the film Agáchate, que disparan, starring Pili and Mili, which was filmed in 1968 and released on March 10, 1969.
Keyboardist Jordi Sabatés does not appear in any of Pic-Nic's releases, as he joined the band in its "second stage", although he did take part in later recording sessions that remain unreleased. He joined because of his close friendship with Toti Soler, with whom he shared musical tastes. Sabatés told Radio 3's José Miguel López in 2017: "We used to figure out João Gilberto's bossa novas that drove us crazy at that time, Oscar Peterson's solos... We'd go down the street and sing Slam Stewart's solo on Lionel Hampton's "Stardust". Well, because of our friendship I began to play the organ in Pic-Nic. I have wonderful recordings of that are not like the cliché of "Cállate niña", but rather songs in English, similar to Peter, Paul and Mary but much more modern. It was a time that I remember with special happiness."
Break-up and aftermath
Pic-Nic disbanded abruptly after Jeanette's family forced her to leave the group, as the nuns from her school alerted her mother that she was frequently missing class in order to fulfill her band obligations in Madrid. The singer recalled in 2017: "she was like in a shock like 'oh my god, my daughter is number one' and of course I was traveling and singing all over Spain. My mother said 'oh no, no way, you have to study, you have to go to school' she took me out of the group and she made me go to school.... In the end, there was no support from my mother. Not at all, she did not want me to sing." At the same time, Soler maintained a tense relationship with Hispavox executives, as he complained that they had no control over the songs. Soler was unhappy with Trabucchelli's arrangements, and wished the band had longer instrumental sections.According to La Vanguardia, the success of "Cállate niña" was such that it ended up disuniting the group, amid the pressures from the record company that wanted to continue exploiting the same "gold mine" at all costs. Despite the success that the group had during its existence, there were no great economic benefits for its members; one of the reasons may be that stated by Jeanette: "We signed a contract with hardly any advice. Some businessmen also made fun of us, perhaps because they saw us as children." Although Pic-Nic had already disbanded, Hispavox re-released their only studio album in 1969 under the name Cállate niña, since it was the title of their biggest hit. They also altered the order of the songs, including four new tracks: "Palabras, sonrisas, promesas", "Música", "Soy feliz" and "Oí tu voz".
After Jeanette's departure, the rest of the group briefly and unsuccessfully attempted to continue playing without her. Their last period was characterized by their live performances in a nightclub on the outskirts of Barcelona called Tropical and the development of a more modern sound that foreshadowed the formation of Om. The progressive rock project was founded by Soler after Pic-Nic's disbandment, together with Jordi Sabatés, Doro Montaberry and other musicians. They began their career as a backing band for other artists, including María del Mar Bonet and Pau Riba, with whom they recorded the album Dioptria in 1970. The following year, Om released their self-titled debut studio album on label Edigsa. Months after Pic-Nic's disbandment, Jeanette graduated high school and soon moved with the Hungarian athlete Laszio Kristofe to Vienna, where they wed and had a daughter. She was then contacted by Trabucchelli with the proposal to launch her solo career and so returned to Spain in 1971, recording the Manuel Alejandro-penned "Soy rebelde". Jeanette initially refused to sing it, as she wanted to keep the folk style she had with Pic-Nic, but agreed at Hispavox's insistence. The single was a major hit across the Spanish-speaking world, redefining her career as a world-famous romantic balladist. Jeanette's 1973 debut studio album, Palabras, promesas, included three reworkings of songs originally recorded with Pic-Nic: "Amanecer", "No digas nada" and "Él es distinto a ti".