Philipp Fehl


Philipp Pinchas Fehl was an Austrian born American artist and art historian.

Early life

Fehl was born in Vienna, Austria, to Hugo Fehl and Friederike "Frieda" Fehl. He was the cousin of the renowned ballet photographer Fred Fehl. His older cousin, Paul Eisler, attended Gymnasium, and Fehl determined that he also wanted this classical higher education for gifted students.
Fehl became a refugee in 1938, eventually emigrating to the United States in 1941. He became an artist, author and lecturer at several universities. He retired as Professor Emeritus from the University of Illinois at Champaign-Urbana in 1990. In the same year he and his wife the classicist Raina Fehl, initiated the at the Vatican Library.
He was accepted and attended Bundes Real Gymnasium and continued to attend school after the Anschluß. After Matura,, he emigrated to England. He worked for a time in Birmingham as an apprentice commercial artist with the firm Stagg Displays before immigrating to the United States of America in 1940, becoming a citizen in 1943.
From 1940 to 1942, Fehl attended the School of the Art Institute of Chicago, where he studied painting. In 1943, he transferred to Stanford University, where he got his B.A. in Romance Languages. In 1948, Fehl received his M.A. in History of Art from Stanford University. Fehl was at the University of Chicago from 1948 to 1952. He was one of the graduate students participating in the Committee on Social Thought. In 1963 he received g a Ph.D. with a dissertation on "The Classical Monument: Reflections on the Connection Between Morality and Art in Greek and Roman Sculpture." In 1972 a version of this study was published by the New York University Press.

Career

Early work

From 1941 through 1942 he attended the School of the Art Institute of Chicago in Fine Arts, Painting. In 1943 he enrolled in the US Army. From 1945 to 1946 he worked as instructor to the Office of the Provost Marshal General's re-educational program for German Prisoners of War at Camp Butner, North Carolina. In 1945 he married Raina Fehl daughter of the writer Erich Fritz Schweinburg, also born in Vienna. After his discharge from the Army, he and Raina were given appointments as interrogators at the Nuremberg War Crimes Tribunal.
Through his work at the trials, he became well acquainted with a number of war criminals who had exercised direct influence on German art as well as others who committed crimes against humanity. He gives detailed descriptions of his work at the trials in the portion of his memoirs entitled "The Ghosts of Nuremberg",
The Atlantic Monthly, vol. 229, no. 3, March 1972, 70–80.
He returned to Stanford University, taking a B.A. in Romance Languages, French, and an M.A. in History of Art. His Master's Thesis, "A Stylistic Analysis of Some Propaganda Posters of World War II", 1948, showed the existence, and defined the formal manifestations of the international "Blut und Boden" style which governed the propaganda art of countries confronting each other in World War II. In 1948 he moved back to Chicago, where he continued his studies at the University of Chicago in painting and graphic arts as well as history of art. At the University of Chicago, he was friends with the now renowned philosopher, Seth Benardete and the comedians Severn Darden, Elaine May and Mike Nichols. In 1963 he obtained his Ph.D. from the University of Chicago; Philipp Fehl was one of the graduate students participating in the Committee on Social Thought, and his thesis, The Classical Monument: Reflections on the Connection Between Morality and Art, was written under the committee's aegis.

Teaching

He and his work are discussed in the comic-philosophical novel Harmony Junction by Goddard Graves.
While studying he also began to teach, 1949–1950 photography with the Youth Program of Temple Sinai, Chicago, 1951–1952 as director of The Bateman School, Chicago, 1951–1954 as a lecturer in art at University College, University of Chicago and 1951–1963 as an instructor in Home Studies, University of Chicago. He started academic teaching in 1951 as a lecturer at the University of Chicago and, after holding a number of other academic appointments and receiving numerous honours, retired in 1990 as Professor Emeritus from the University of Illinois.
He began to make pen and ink drawings of bird like characters dressed in the peruke and trousers of the 18th century. He called these drawings "capricci". The bulk of these capricci are now preserved in the Exile's archives at the German National Library, Deutsche Nationalbibliothek.
  • University College, University of Chicago. Lecturer, 1951–1954.
  • Department of Home Study, University of Chicago. Instructor, 1951–1963.
  • University of Kansas City, Kansas City, Missouri. Instructor, 1952–1954.
  • University of Nebraska, Lincoln. Assistant Professor, later associate professor, 1954–1963.
  • University of North Carolina at Chapel Hill. Associate Professor, later Professor, 1963–1969.
  • University of Illinois, Urbana-Champaign. Professor 1969 - 1990. Professor Emeritus, 1990-. Director, Summer Seminar for College Teachers, National Endowment for the Humanities, University of Illinois, 1978 and 1981.
  • Visiting appointments at
  • * University of California, Berkeley, 1960, 1963;
  • * Brown University, 1967; Trinity College at Rome, Summer 1971;
  • * Tel Aviv University, Winter, 1982; The Hebrew University, Jerusalem, Spring 1992.
  • * Central European University, Prague, Spring 1993.

    Honors

  • 1952: Belgian-American Educational Foundation, Fellow, Brussels Art Seminar
  • 1952–1953: Warburg Institute of the University of London, Research Fellow
  • 1963–2000: Committee on Social Thought, University of Chicago, Associate
  • 1967–1968: American Academy in Rome, Art Historian in Residence
  • 1977–1978: National Endowment for the Humanities, Fellow
  • 1970–2000: University of Illinois, Center for Advanced Study – Associate
  • 1990–2000: University of Illinois, Center for Advanced Study – Resident Associate

    Offices

  • 1965–1969: American Council of Learned Societies, Committee for Awards in the Humanities
  • 1966–1969: Committee for the Administration of the Medieval and Renaissance Institute of Duke University and the University of North Carolina
  • 1965–1968: The Art Bulletin, Editor for Book Reviews
  • 1967–1971: College Art Association of America, Board of Directors
  • 1973–1975: American Institute of Archaeology f/k/a Central Illinois Archaeological Society, President
  • 1975–1977: American Institute of Archaeology f/k/a Central Illinois Archaeological Society, Board of Directors
  • 1975–1977: The Dunlap Society, Advisory Council
  • 1976–1978: Institute of International Education, Selection Committee for Kress Fellows
  • 1976–1978: Midwest Art History Society, Publication Committee
  • 1975–2000: Gazette des Beaux-Arts, Advisory Council
  • 1977- : NEH Division of Public Programs, Board of Reviewers for grant proposals
  • 1997–2000: International Survey of Jewish Monuments, President and Advisory Council
  • 1980–1983: Midwest Medieval Society of America, Board of Directors
  • 1983–1996: Dictionary of the History of Classical Archaeology, Consultant editor
  • 1968–1991: College Art Association of America, Art Bulletin Committee
  • 1982–1990: American Academy in Rome, Advisory Council
  • 1986–2000: Committee for the Advancement of Early Studies, Ball State University, Advisory Council
  • 1987–2000: Director, The Leopoldo Cicognara Program at the University of Illinois Library, dedicated to the study and promulgation of literary sources in the history of art

    Membership in Learned Societies

College Art Association of America, Renaissance Society of America, South Eastern Renaissance Society, Central Renaissance Society, American Society for Aesthetics and Art Criticism, Midwest Art History Society, Midwest Medieval Society of America, International Survey of Jewish Monuments.
Fehl was married to classicist Raina Fehl. He and Raina were married for 54 years. The Fehls lived primarily in Rome from 1990 until his death in 2000. He is buried at Prima Porta in Rome. Raina died in 2009. They had two daughters, Katharine "Kathy" Fehl" and Caroline "Lynn" Coulston.

Art

Capricci – Pen and Ink
''Oils''

Publications of works of art

Carolina Quarterly, Winter 1966, 21–27.
Sample Copy, University of North Carolina, Chapel Hill, North Carolina, 1968: "Series", 5 pages.
Lillabulero, Chapel Hill, North Carolina, VII, 1969, 86, 96, 100.
The Bird, Finial Press, Urbana, Illinois, 1970.
Capricci, selection and introduction by Wilfried Skreiner, Neue Galerie am Landesmuseum Joanneum, Graz, 1971. Also Published in German, same title.
Voyages, Chapel Hill, North Carolina, IV, 1971, nos. 1–2, 39, 63, 67; nos. 3–4, 64, 65, 85, 89, 163; V, 1973–1974, nos. 1–4, 109.
Au Verso, 1972, "Aging", 10 pages.
North Carolina Museum of Art Bulletin, XII, 1975, no. 4; 11.
Archaeological News, IV, 1975, no. 1; 7, 11.
Polity, Summer 1977, title page.
Birds of a Feather, University of Illinois Press, Champaign, Illinois, 1991.

Critiques and reproduction of drawings in newspapers

Daily Tar Heel,
The Courier,
The News-Gazette,
Kleine Zeitung, Kultur,
William and Mary News,
The Cavalier Daily,
Illini Week.
The Carolina Quarterly,
Lillibulero