Panic Room


Panic Room is a 2002 American thriller film directed by David Fincher. The film stars Jodie Foster and Kristen Stewart as a mother and daughter whose new home is invaded by burglars, played by Forest Whitaker, Jared Leto, and Dwight Yoakam. The script was written by David Koepp, whose screenplay was inspired by news coverage in 2000 about panic rooms.
The film was Fincher's fifth feature film, following Fight Club. Fincher and Koepp brought together a crew of people with whom each had worked with before. The house and its panic room were built on a Raleigh Studios lot. Nicole Kidman was originally cast as the mother, but she left after aggravating a previous injury. Her departure threatened the completion of the film, but Foster quickly replaced Kidman. The filmmakers used computer-generated imagery to create the illusion of the film camera moving through the house's rooms. Foster became pregnant during the shooting schedule, so filming was suspended until after she gave birth. The film's production cost.
The film was commercially released in the United States and Canada on, 2002 by Sony Pictures Releasing. The film grossed on its opening weekend. In the United States and Canada, it grossed. In other territories, it grossed for a worldwide total of. The film was positively reviewed by critics, who commended Fincher's direction and Foster's performance.

Plot

Recently divorced Meg Altman and her eleven-year-old daughter, Sarah, move into a four-story brownstone in New York City's Upper West Side. The house's previous owner, a reclusive millionaire, had installed a "panic room" to protect himself from intruders. The room is reinforced with concrete and steel and features a thick steel door. It also includes an extensive security system with multiple surveillance cameras and a public address system.
On Meg and Sarah's first night in the house, three men break in: Junior, the previous owner's grandson; Burnham, an employee of the home's security company, who built the panic room; and Raoul, a thug brought along to the break in by Junior, without Burnham's knowledge. They intend to steal bearer bonds locked inside a floor safe in the panic room.
When Meg wakes during the night, she sees the men on the security cameras and rushes to the panic room with Sarah. To force them out, the men pump propane gas into the room's air vents. Meg ignites the gas while she and Sarah cover themselves with fireproof blankets; the ignited propane leaves Junior badly burned. Meg taps into the main telephone line and calls her ex-husband, Stephen. As she tries to explain their situation, the intruders cut the line, ending the call.
When all attempts to breach the room fail, Junior gives up on the robbery but lets slip that there is more money in the safe than he initially disclosed. When he tries to leave, Raoul fatally shoots him and forces Burnham to continue with the robbery. Stephen arrives and is immediately taken hostage. Raoul severely beats him, ensuring that Meg sees it on the security camera. Sarah, a diabetic, suffers a seizure as her glucagon syringes are in her bedroom.
Raoul tricks Meg into thinking it is safe to temporarily leave the panic room. When she leaves to retrieve Sarah's medication, the men enter the room with Sarah inside. Meg throws the med kit in just as Burnham closes the door, inadvertently crushing Raoul's hand. She pleads with the men to give Sarah her medication, which Burnham eventually does. Two police officers arrive at the house, following up on Stephen's earlier 911 call and complaints from the neighbors. To protect Sarah, Meg convinces the officers that everything is fine, and they leave. Meanwhile, Burnham opens the safe and finds $22 million in bearer bonds inside.
As the men prepare to leave with Sarah as a hostage, Meg leads them into an ambush, using a sledgehammer to knock Raoul over a banister and into a stairwell. As Burnham flees, the injured Raoul crawls back up and overpowers Meg, preparing to bludgeon her with the sledgehammer. Hearing Sarah's terrified screams, Burnham rushes back and shoots Raoul, killing him. The police, alerted by Meg's earlier odd behavior, return in force and apprehend Burnham.
A few days later, Meg and Sarah search the newspaper for a new, smaller home, having recovered from their ordeal.

Cast

stars as Meg Altman, a recently divorced woman who, with her daughter Sarah, looks for a new home in New York City. Nicole Kidman was originally cast as Meg, but she left the project due to a knee injury. Foster, who almost joined the cast of Fincher's 1997 film The Game, replaced Kidman. Fincher said Kidman's portrayal was "about glamour and physicality", while Foster's portrayal was "more political". Meg was originally written to be helpless, but with Foster's involvement, the character was revised to be stronger. The casting change also led to Meg's character being rewritten to be similar to her daughter, whereas Meg had been different from her before. Foster became pregnant soon after she started filming. She told the filmmakers, and they decided to keep filming her scenes but with a wardrobe that would conceal her pregnancy. Studio executives did not like the dailies and suspended production until Foster gave birth and returned to perform re-shoots. Foster was reportedly paid for her role.
Kristen Stewart stars as Sarah, Meg's diabetic daughter. Hayden Panettiere was originally cast as Sarah, but when she left the project toward the end of 2000, Stewart was cast in the role. Panic Room was Stewart's second feature film after The Safety of Objects. When Kidman was cast as Meg, Fincher said Stewart was "to complement , to be her antithesis, tomboyish, androgynous, dismissive, a teenager at ten years old. It was about the daughter being a parent to her mother." When Foster replaced Kidman, the character Meg was rewritten so she and Sarah would be similar.
Forest Whitaker, Jared Leto, and Dwight Yoakam star as the film's burglars, Burnham, Junior, and Raoul, respectively. Whitaker's character Burnham was originally written to be "a slick, technical type" and the designer of the panic room in Meg and Sarah's home. Fincher did not think a designer could be persuaded to break into a home, so he rewrote the character to be a blue-collar worker who installs panic rooms for a living. The director told Whitaker to watch Key Largo and to emulate Humphrey Bogart's character. Whitaker said he liked Burnham's "conflicted" nature and preferred it to Raoul's villainy. Raoul was originally written to be "a giant scary hulking guy", but Fincher rewrote him to be "this wiry, mean kind of ex-con white trash guy". In one revised instance, Raoul punches Meg instead of slapping her to be reinforced as "an appalling character". The role of Raoul was originally offered to Maynard James Keenan, whom Fincher had directed in a music video for A Perfect Circle's "Judith". Keenan was too busy as the singer for Tool, so Fincher then offered the role to Yoakam, knowing him from his performance in Sling Blade. For the role of Junior, Fincher cast Leto, who was in the cast of Fincher's previous film Fight Club. As part of atypical class division, Junior is "the uptown rich kid", where Burnham is blue-collar, and Raoul is undefinable.
Patrick Bauchau had a minor role as Meg's ex-husband Stephen. Kidman, though she left the primary role due to her knee injury, had an uncredited off-screen role as the voice of Stephen's supermodel girlfriend. Screenwriter Andrew Kevin Walker, who contributed as writer for several of Fincher's previous films, had a cameo in Panic Room as a sleepy neighbor.

Crew

Panic Rooms crew includes:
Panic Room was directed by David Fincher based on a screenplay written by David Koepp. The film, produced at Columbia Pictures, was Fincher's fifth feature film, following Fight Club. Koepp was also a producer for Panic Room, and he was joined by Judy Hofflund and Gavin Polone, with whom he collaborated on Stir of Echoes. Fincher included as producer Ceán Chaffin, with whom he had worked on commercials and music videos. Fincher also included in his initial crew people with whom he had worked before: cinematographer Darius Khondji, production designer Arthur Max, costume designer Michael Kaplan, and editors James Haygood and Angus Wall.
Fincher envisioned Panic Room as a popcorn movie about survival. His previous film Fight Club had 400 scenes and 100 locations, so he wanted to simplify the production of Panic Room. To this end, he wanted to focus production on a single set and to plan the scenes and shots thoroughly before the start of filming. Despite the preparation, he experienced difficulty in production with changes in the cast and the crew as well as the inherent inflexibility of his initial planning.

Development

Screenwriter David Koepp was inspired by news coverage in 2000 about how safe rooms were becoming prevalent among the wealthy living in urban areas. He sold the script to Sony Pictures for. Before Fincher's involvement, director Ridley Scott was briefly connected to the project, and actor-director Forest Whitaker studied the script before declining the opportunity to direct. Fincher said he was interested in the script's omniscience and that he was reminded of "the specific subjectivity" of Rear Window. He also saw Panic Room as a cross between Rear Window and Straw Dogs, though he was concerned "a modern audience" would compare Panic Room more to Home Alone than to Rear Window.
Fincher also saw Panic Room as a crime thriller similar to The Treasure of the Sierra Madre, where money is "an object that everyone's after for the wrong reasons". The director was also interested in the story's conciseness of happening in one place and in one night, and how the screenplay was well-laid out to let the director decide a variety of shots and use of set-pieces. Fincher also saw the project as a way to be "in lock-step with the audience" in a change of pace from his previous films.
Koepp's screenplay emphasized pace over exposition. Koepp and Fincher agreed to streamline the film so the opening would introduce the characters as soon as possible. Fincher also sought to lay out the film so audiences could see characters make plans and thus be ahead of them, calling the tense foresight "a very cinematic notion". He wanted to track the different characters' agendas and to also keep scenes chronological, so he set up "computer-generated motion-control shots" to move the camera around the set. He planned scenes in which parallel scenes could be seen through the panic room's video monitors and also intercut between different characters. The final screenplay was similar in outline to the original one; there were minor changes in dialogue and specific moments, especially in the interaction between Meg and Sarah Altman due to Foster replacing Kidman. Explicit mention of Sarah's diabetes, such as the emergency syringe containing glucagon, were removed from the dialogue. Careful beverage intake, refrigerated medicine bottles, and Sarah's glucometer watch were intended as evidence of her diabetes.