Music of Chicago


, Illinois, is a major center for music in the Midwestern United States where distinctive forms of blues, and house music, were developed.
The "Great Migration" of poor black workers from the South into the industrial cities brought traditional jazz and blues music to the city, resulting in Chicago blues and "Chicago-style" Dixieland jazz. Notable blues artists included Muddy Waters, Junior Wells, Howlin' Wolf and both Sonny Boy Williamsons; jazz greats included Nat King Cole, Gene Ammons, Benny Goodman and Bud Freeman. Chicago is also well known for its soul music.
In the early 1930s, gospel music began to gain popularity in Chicago due to Thomas A. Dorsey's contributions at Pilgrim Baptist Church.
In the 1980s and 1990s, heavy rock, punk, metal and hip-hop also became popular in Chicago. Orchestras in Chicago include the Chicago Symphony Orchestra, the Lyric Opera of Chicago and the Chicago Sinfonietta.

Blues

Chicago's music scene has been well known for its blues music for many years. "Chicago Blues" uses a variety of instruments in a way which heavily influenced early rock and roll music, including instruments like electrically amplified guitar, drums, piano, bass guitar and sometimes the saxophone or harmonica, which are generally used in Delta blues, which originated in Mississippi. Chicago Blues has a more extended palette of notes than the standard six-note blues scale; often, notes from the major scale and dominant 9th chords are added, which gives the music more of a "jazz feel" while still being in the blues genre. Chicago blues is also known for its heavy rolling bass. The music developed mainly as a result of the "Great Migration" of poor black workers from the South into the industrial cities of the North, such as Chicago in particular, in the first half of the 20th century.
Chicago is one of the places where the faster, juicier boogie-woogie emerged from the blues. The most renowned early recordings of boogies were made in Chicago with Clarence Pinetop Smith, who might have been influenced by the brothers Hersal Thomas and George W. Thomas from Houston, who were together in Chicago in the 1920s.
Chicago blues and boogie music continues to be popular today with the annual Chicago Blues Festival, and with appreciation of many musicians such as Muddy Waters, Howlin' Wolf, and Willie Dixon; guitar players such as Tampa Red, Buddy Guy, Bo Diddley, Elmore James and Lefty Dizz; and "harp" players such as Big Walter Horton, Little Walter, Sonny Boy Williamson I, Syl Johnson, Charlie Musselwhite, Paul Butterfield, Junior Wells, and, most notably, James Cotton.

House

originated in a Chicago nightclub called The Warehouse. Chicago house is the earliest style of house music. While the origins of the name "house music" are unclear, the most popular belief is that it can be traced to the name of that club. DJ Frankie Knuckles originally popularized house music while working at The Warehouse.
House music was developed in the houses, garages and clubs of Chicago, and was initially for local club-goers in the "underground" club scenes, rather than for widespread commercial release. As a result, the recordings were much more conceptual, and longer than the music usually played on commercial radio. House musicians used analog synthesizers and sequencers to create and arrange the electronic elements and samples on their tracks, combining live traditional instruments and percussion and soulful vocals with preprogrammed electronic synthesizers and "beat-boxes".
House, perhaps more than any other form of black music, has birthed many offshoots and spread its sound far and wide. The prevalence of four on the floor beats in dance music is largely derived from house. It has influenced, in some capacity, garage house, jungle music, Eurodance, electropop, dubstep, and even certain elements of alternative rock and hip-hop.
Important musicians in the Chicago house scene include Adonis, Mark Farina, Keith Farley, Felix da Housecat, Fingers Inc., Ron Hardy, Larry Heard, Steve 'Silk' Hurley, Marshall Jefferson, Curtis Jones, Paul Johnson, Frankie Knuckles, Lil' Louis, Jesse Saunders, Joe Smooth, Julius the Mad Thinker and Ten City
The city is host to the Chicago House Music Festaval, the event is held at Millennium park in the late summer.

Jazz

The Chicago style

The "Chicago style" of jazz originated in southern musicians moving North after 1917, bringing with them the New Orleans "Dixieland" or sometimes called "hot jazz" styles.
Dixieland largely evolved into Chicago style in the late 1910s and the new style was popularly called that name by the early 1920s.
King Oliver and Jelly Roll Morton became stars of the Chicago jazz scene. King Oliver in particular brought Louis Armstrong to Chicago in 1922 while he was performing at the Dreamland Café with his "Creole Jazz Band". More importantly, white musicians, or "alligators", attended Oliver's performances in order to learn how to play jazz. Louis Armstrong's recordings with his Chicago-based Louis Armstrong and his Hot Five and Hot Seven band came out in the years 1925 to 1928 and were popular with both black and white audiences. These recordings marked the transition of original New Orleans jazz to a more sophisticated type of American improvised music with more emphasis on solo choruses instead of just little solo breaks. This style of playing was adopted by white musicians who favored meters of 2 instead of 4. Emphasis on solos, faster tempos, string bass and guitar and saxophones also distinguish Chicago-style playing from New Orleans style. When Chicago musicians started playing four-beat measures, they laid the foundation for the swing era. The Lindy Hop was originally danced to four-beat Chicago style jazz and went on to become one of the iconic features of the swing era.
Important musicians in the Chicago style include
Lovie Austin,
Muggsy Spanier,
Jimmy McPartland,
Bix Beiderbecke,
Eddie Condon,
Bud Freeman,
Benny Goodman,
Gene Krupa,
Frank Teschemacher, and
Frank Trumbauer.
The gangsters of Chicago engaged profiled musicians like Earl Hines, whose benefit was to lead an orchestra in one of the city's top locations. Armstrong was also friendly with gangsters, such as Al Capone who frequently paid for private use of jazz clubs. Hines and Benny Goodman emancipated from Chicago style when they became two of the most famous band leaders of the swing era.
Two decades later, original Chicago-style pianist Art Hodes presented the classic jazz style in a TV show series.

Modern Chicago jazz

From the mid 1960s to the present day the Association for the Advancement of Creative Musicians has nurtured "Great Black Music: Ancient to the Future".
Chicago's jazz scene includes the annual Chicago Jazz Festival which has its origins in the 1970s. Festival performers have included Miles Davis, Sonny Rollins, Ornette Coleman, Benny Carter, Ella Fitzgerald, Anthony Braxton, Betty Carter, Lionel Hampton, Chico O'Farrill's big band, Jimmy Dawkins, Von Freeman, Johnny Frigo, Slide Hampton, and Roy Haynes.
Musicians from all surviving eras of jazz perform regularly in the city, release recordings, and tour nationally and internationally.
Sinyan Shen, internationally known for his Shanghai classical repertoire and Shanghai jazz performances based on tonal interests and just intervals, is based in Chicago.
Musicians still performing today who originally came to prominence in the bebop and hard bop eras include Von Freeman and Jimmy Ellis, both contemporaries of former Chicagoan Johnny Griffin.
Members of Chicago's Association for the Advancement of Creative Musicians working regularly in the city include Fred Anderson, Ernest Dawkins, Aaron Getsug, and Isaiah Spencer. Since the 1960s, members of the organization have performed their version of "Great Black Music" throughout the world.
Innovative jazz musicians who have come to public attention since the early 1990s include Marbin, David Boykin, Karl E. H. Seigfried, Jeff Parker, Joshua Abrams and Jim Baker. Common to many of this new generation is an embrace of a wide variety of styles and techniques.

Soul

During the mid-1960s to the late 1970s a new style of soul music emerged from Chicago. Its sound, like southern soul with its rich influence of black gospel music, also exhibited an unmistakable gospel sound, but was somewhat lighter and more delicate in its approach, and was sometimes called "soft soul".
Popular R&B/soul artists from Chicago include The Impressions, Sam Cooke, Curtis Mayfield, Lou Rawls, The Five Stairsteps, The Staple Singers, Earth Wind & Fire, Rufus, Chaka Khan, Dave Hollister, The Emotions, The Chi-lites, R. Kelly, Carl Thomas, and Jennifer Hudson. Chicago soul labels, including Vee-Jay, Chess Records, OKeh, ABC-Paramount, Brunswick, and Curtom, established a major presence in R&B/soul music.

Vee-Jay Records

Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken, a husband-and-wife team who used their initials for the label's name. Vee-Jay hold historical significance being one of the first African American and female owned record companies.

Chess Records

Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. Chess was based at several locations on the south side of Chicago, initially at South Cottage Grove Ave. The most famous was 2120 S. Michigan Avenue, from May 1957 to 1965, immortalized by the Rolling Stones in "2120 South Michigan Avenue", an instrumental recorded there during the group's first U.S. tour in 1964. The building is now the home of Willie Dixon's Blues Heaven Foundation.