12 oz. Mouse
12 oz. Mouse is an American adult animated television series created by Matt Maiellaro for Cartoon Network's late-night programming block Adult Swim. The series revolves around Mouse Fitzgerald, nicknamed "Fitz", an alcoholic mouse who performs odd jobs so he can buy more beer. Together with his chinchilla companion Skillet, Fitz begins to recover suppressed memories that he once had a wife and a child who have now vanished. This leads him to seek answers about his past and the shadowy forces that seem to be manipulating his world.
In producing the series, Maiellaro crudely designed the characters as a cost-cutting measure; the series was originally animated by Radical Axis. He intended for the series to lack continuity starting from the pilot but established a serial format after starting the second episode. He had constructed an ending for the series as well as a detailed map of characters; however, the series finale concluded differently from planned. Maiellaro cast people around his office for the characters, starring himself as the protagonist and Nine Pound Hammer vocalist Scott Luallen as the voice of Roostre; the band also performs the opening theme.
The pilot episode for 12 oz. Mouse, "Hired", premiered on June 19, 2005. The series became a regular staple of Adult Swim's lineup on October 23 of that year and originally ended on December 17, 2006. A stand-alone webisode was released online on May 16, 2007. The series received positive reviews from critics, with praise for its deceptively complex story and criticism for its slow pace.
In 2018, a double-length special, entitled "Invictus", aired on October 14 and it was announced that 12 oz. Mouse was also revived as a series. The third season, consisting of 11 episodes, premiered on July 20, 2020, and ended on July 31. The ending credits of both "Invictus" and the season 3 episodes feature a song by Amaranthe and animation by Awesome Inc. In February 2021, it was revealed that the show would not be picked up for a fourth season.
Premise
The show revolves around a mouse named Mouse Fitzgerald, nicknamed "Fitz", who is fond of beer and caught in a world of espionage, love, and the delights of odd jobs. The show employs a serial format, and its ongoing storyline developed from absurdist comedy to include mystery and thriller elements. Fitz begins to recover suppressed memories that he once had a wife and a child who have now vanished. This leads him to seek answers about his past and the shadowy forces that seem to be manipulating his world.Fitz suspects there is a sinister conspiracy involving fields of "asprind" pills beneath the city, and Shark, Clock, and Rectangular Businessman's attempt to control the nature of time and reality. Fitz and Skillet receive help from Liquor, Roostre, Peanut Cop and others as they engage in gun battles, blow things up, and try to understand cryptic hints. The show also sometimes contains surreal "subliminal" images that flash across the screen during key plot moments, including skulls, mustached snake beasts and people screaming.
The series concludes with the revelation that Fitz has been kidnapped and placed into a simulation by the Shadowy Figure. He is about to be killed by Shark and the Rectangular Businessman, in their true forms outside the simulation, when he is rescued by the true form of Peanut Cop and a nurse who works in the simulation chamber. They kill Shark and Rectangle Businessman, but it is unknown if they are truly dead because the simulation in which most of the show takes place is probably taking place in another simulation. One of the purposes of the simulation seen in most of the show was to extract information from Fitz. The conclusion to episode 20 is ambiguous as to whether or not it is actually the end of the series, as some aspects of the plot remain unresolved – Golden Joe says "I thought this was done," to which Fitz replies, "I thought so too. I guess we're not."
One webisode was made in 2007, showing Fitz and his friends escaping the city to live in a desert. Golden Joe is carried away by birds, while later one night, Peanut Cop mysteriously disappears. Fitz and Skillet later meet a woman, Lee, who turns out to be a werewolf. Their fate at the end of the episode was unknown.
In 2018, a half-hour special episode aired, which continued the story. Fitz, now with a mustache and suffering from amnesia, is shown to be living in a new city during an unspecified amount of time after the original finale. Shark and Square Guy have returned somehow, and are trying to kidnap Fitz so they can return to the "real" world with the help of exterminator bee, Buzby. Skillet, Roostre, Peanut Cop, Golden Joe, and The New Guy must find and escape the simulation with Fitz before Shark and Square Guy do.
Characters
Main
- Mouse "Fitz" Fitzgerald is an alcoholic green mouse who suffers from amnesia.
- Shark is a blue shark who is the president of Cardboard City and Fitz's former employer.
- Skillet was Fitz's best friend and sidekick.
- Rectangular Businessman was a businessman who owns a bank.
Development
Production
According to Maiellaro, the series was pitched as a table read to the network. He jokingly stated that they accepted it after claiming that production costs would total "five dollars and will take some of the paper sitting in the copier." Maiellaro borrowed inspiration from surrealism and the films of David Lynch. He intended for the series to lack continuity starting from the pilot, but established a serial format after starting to work on the second episode. He had constructed an ending for the series as well as a detailed map of characters; however, the series finale concluded differently from planned. In November 2006, Maiellaro mentioned the possibility of continuing the series with webisodes, and he wrote five additional scripts for ending the series, but finally, he only produced one webisode, entitled "Enter the Sandmouse".Radical Axis provided animation for the series using Final Cut Pro. Described as "lo-fi animation", Maiellaro crudely designed the characters as a cost-cutting measure, with the exception of Amalockh, a many-armed monster summoned in the season two episode "Corndog Chronicles", which was drawn and animated by Todd Redner at the studio, and Shark, whose model was borrowed from Hanna-Barbera's Sealab 2020 episode "The Shark Lover" and used in the Space Ghost Coast to Coast episode "Kentucky Nightmare". In a behind-the-scenes clip of the show, Maiellaro explained that to animate the series, he would first grab a nearby sheet of copy paper, draw something, and then scan it, followed by him sending the file to an animator. Rhoda, a character from the series, was drawn on the back of a script page for Perfect Hair Forever. A scan of the paper revealed the textual contents behind it, which Maiellaro decided to leave in.
Cast
Maiellaro cast people around his office to voice the characters. He provides the voice of Mouse Fitzgerald. He originally only gave the scratch dialogue for the character during the production of the pilot episode but chose himself to voice Mouse regularly after hearing his lines assembled in the final cut. Kurt Soccolich was chosen by Maiellaro to voice Rectangular Businessman, who "already had that sort of smooth arrogance in his voice", making him a "perfect" fit for him. Matt Harrigan was selected to voice Liquor, who is "always looking to make light of a situation", according to Maiellaro.Nick Weidenfeld provides the voice of Peanut Cop; Melissa Warrenburg portrays an annoying woman in a green sweater, who Maiellaro dubs "Robogirl". Bonnie Rosmarin voices Man/Woman, picked for what Maiellaro stated is a "pouty, stand-offish quality" in her delivery. Nick Ingkatanuwat voices The Eye and Adam Reed plays Shark. Vocalist of Nine Pound Hammer Scott Luallen voices Roostre; the band also composed the opening theme song for the series. Golden Joe is voiced by Vishal Roney; after hearing his first take on the character, Maiellaro explained that he was left unable to write any of his lines. He proceeded to only provide the basic structure of his lines in the script, instructing him to retroscript the rest.