Missing Home
Missing Home is a 2022 Indonesian comedy-drama film directed by Bene Dion Rajagukguk. The film stars Arswendy Beningswara Nasution, Tika Panggabean, Boris Bokir Manullang, Gita Bhebita Butarbutar, Lolox and Indra Jegel. It tells the story of the parents of a Batak family that pretend to argue so their children can come back to them in time for a tradition. It won five awards at the 2022 Maya Awards, including Best Feature Film.
The film was selected as the Indonesian entry for Best International Feature Film at the 95th Academy Awards.
Plot
Pak Domu and Mak Domu are elderly Batak parents with four adult children: Sarma, Sahat, Domu, and Gabe. Sarma remains at home to care for them, while her brothers pursue careers in other cities. Longing to reunite the family ahead of an upcoming Batak Thanksgiving celebration, the parents face growing tensions with their children’s choices. Domu plans to marry a Sundanese woman, which Pak Domu fears will erode Batak traditions. Gabe has become a television comedian, despite his father’s insistence that he study law. Sahat lives away from home caring for an older man and refuses to return. Frustrated and afraid of losing their family’s cohesion, Pak Domu and Mak Domu stage arguments and pretend that a divorce is imminent, prompting the children to return home.After an awkward family dinner, the children take their parents to Bukit Holbung and speak with each separately. Pak Domu expresses resentment at feeling unappreciated for raising the family, while Mak Domu confides that her husband’s rigidity has exhausted her. Pak Domu’s mother reveals that she is aware of the ruse and advises the children to remain until the celebration concludes.
The family attends the thanksgiving event together, but tensions persist. When Mak Domu falls ill the following day, Pak Domu uses the moment to reprimand his children for defying his expectations. Concluding that the conflict has no resolution, the children prepare to leave. A heated argument follows, during which Mak Domu, angered by her husband’s patriarchal attitude, reveals that the divorce was fabricated. Sarma, who had known of the plan in advance, breaks down, explaining that years of pressure to obey her father forced her to abandon her own aspirations. The revelation fractures the family. Mak Domu decides to pursue a genuine separation and leaves for her mother’s home with Sarma. Domu and Gabe return to their lives, while Sahat remains behind.
Pak Domu later confides in his mother, who tells him that his strict parenting mirrors his own father’s and urges him to accept that families evolve. Seeking reconciliation, Pak Domu visits each of his children. He learns that Domu’s partner is sincerely interested in Batak culture, that Sahat is respected in the community he serves, and that Gabe’s career brings joy to others. Appearing on Gabe’s show, Pak Domu publicly accepts his son’s path.
Remembering Mak Domu’s wishes, Pak Domu reunites the family at her mother’s house. Promising that they will return home together, he shares a meal with them, signaling a renewed commitment to understanding and unity. The film concludes with a Batak proverb, Sititik ma sigompa, golang-golang pangarahutna. On ma na boi tarpatupa, sai godang ma pinasuna, which means expressing hope that what has been offered will bring many blessings.
Release
The film was theatrically released in Indonesia on 2 June 2022. The film garnered 2.8 million admission during its sixty four days theatrical run and it became the fourth highest-grossing Indonesian film of 2022 as of 27 October.The film was globally distributed on streaming service Netflix on 6 October 2022.