Mircea Eliade
Mircea Eliade was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. One of the most influential scholars of religion of the 20th century and interpreter of religious experience, he established paradigms in religious studies. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential. One of his most instrumental contributions to religious studies was his theory of eternal return, which holds that myths and rituals do not simply commemorate hierophanies, but actually participate in them.
Eliade's literary works belong to the fantastic and autobiographical genres. The best known are the novels Maitreyi, Noaptea de Sânziene, Isabel și apele diavolului, and Romanul Adolescentului Miop ; the novellas Domnișoara Christina and Tinerețe fără tinerețe ; and the short stories Secretul doctorului Honigberger and La Țigănci.
Early in his life, Eliade was a journalist and essayist, a disciple of Romanian philosopher and journalist Nae Ionescu, and a member of the literary society Criterion. In the 1940s, he served as cultural attaché of the Kingdom of Romania to the United Kingdom and Portugal. Several times during the late 1930s, Eliade publicly expressed his support for the Iron Guard, a Romanian Christian fascist organization. His involvement with fascism at the time, as well as his other far-right connections, came under frequent criticism after World War II.
Eliade had fluent command of five languages and a reading knowledge of three others. In 1990 he was elected a posthumous member of the Romanian Academy.
Biography
Childhood
Born in Bucharest, he was the son of Romanian Land Forces officer Gheorghe Eliade and Jeana née Vasilescu. An Orthodox believer, Gheorghe Eliade registered his son's birth four days before the actual date, to coincide with the liturgical calendar feast of the Forty Martyrs of Sebaste. Mircea Eliade had a sister, Corina, the mother of semiologist Sorin Alexandrescu. His family moved between Tecuci and Bucharest, ultimately settling in the capital in 1914, and purchasing a house on Melodiei Street, near Piața Rosetti, where Mircea Eliade resided until late in his teens.Eliade kept a particularly fond memory of his childhood and, later in life, wrote about the impact various unusual episodes and encounters had on his mind. In one instance during the World War I Romanian Campaign, when Eliade was about ten years of age, he witnessed the bombing of Bucharest by German zeppelins and the patriotic fervor in the occupied capital at news that Romania was able to stop the Central Powers' advance into Moldavia.
He described this stage in his life as marked by an unrepeatable epiphany. Recalling his entrance into a drawing room that an "eerie iridescent light" had turned into "a fairy-tale palace", he wrote,
I practiced for many years exercise of recapturing that epiphanic moment, and I would always find again the same plenitude. I would slip into it as into a fragment of time devoid of duration—without beginning, middle, or end. During my last years of lycée, when I struggled with profound attacks of melancholy, I still succeeded at times in returning to the golden green light of that afternoon. But even though the beatitude was the same, it was now impossible to bear because it aggravated my sadness too much. By this time I knew the world to which the drawing room belonged was a world forever lost.
Robert Ellwood, a professor of religion who did his graduate studies under Mircea Eliade, saw this type of nostalgia as one of the most characteristic themes in Eliade's life and academic writings.
Adolescence and literary debut
After completing his primary education at the school on Mântuleasa Street, Eliade attended the Spiru Haret National College in the same class as Arșavir Acterian, Haig Acterian, and Petre Viforeanu. Among his other colleagues was future philosopher Constantin Noica and Noica's friend, future art historian Barbu Brezianu.As a child, Eliade was fascinated with the natural world, which formed the setting of his very first literary attempts, as well as with Romanian folklore and the Christian faith as expressed by peasants. Growing up, he aimed to find and record what he believed was the common source of all religious traditions. The young Eliade's interest in physical exercise and adventure led him to pursue mountaineering and sailing, and he also joined the Romanian Boy Scouts.
With a group of friends, he designed and sailed a boat on the Danube, from Tulcea to the Black Sea. In parallel, Eliade grew estranged from the educational environment, becoming disenchanted with the discipline required and obsessed with the idea that he was uglier and less virile than his colleagues. To cultivate his willpower, he would force himself to swallow insects and only slept four to five hours a night. At one point, Eliade was failing four subjects, among which was the study of the Romanian language.
Instead, he became interested in natural science and chemistry, as well as the occult, and wrote short pieces on entomological subjects. Despite his father's concern that he was in danger of losing his already weak eyesight, Eliade read passionately. One of his favorite authors was Honoré de Balzac, whose work he studied carefully. Eliade also became acquainted with the modernist short stories of Giovanni Papini and social anthropology studies by James George Frazer.
His interest in the two writers led him to learn Italian and English in private, and he also began studying Persian and Hebrew. At the time, Eliade became acquainted with Saadi's poems and the ancient Mesopotamian Epic of Gilgamesh. He was also interested in philosophy—studying, among others, Socrates, Vasile Conta, and the Stoics Marcus Aurelius and Epictetus, and read works of history—the two Romanian historians who influenced him from early on were Bogdan Petriceicu Hasdeu and Nicolae Iorga. His first published work was the 1921 Inamicul viermelui de mătase, followed by Cum am găsit piatra filosofală. Four years later, Eliade completed work on his debut volume, the autobiographical Novel of the Nearsighted Adolescent.
University studies and Indian sojourn
Between 1925 and 1928, he attended the University of Bucharest's Faculty of Philosophy and Letters, earning his diploma with a study on Early Modern Italian philosopher Tommaso Campanella. In 1927, Eliade traveled to Italy, where he met Papini and collaborated with the scholar Giuseppe Tucci.It was during his student years that Eliade met Nae Ionescu, who lectured in Logic, becoming one of his disciples and friends. He was especially attracted to Ionescu's radical ideas and his interest in religion, which signified a break with the rationalist tradition represented by senior academics such as Constantin Rădulescu-Motru, Dimitrie Gusti, and Tudor Vianu.
Eliade's scholarly works began after a long period of study in British India, at the University of Calcutta. Finding that the Maharaja of Kassimbazar sponsored European scholars to study in India, Eliade applied and was granted an allowance for four years, which was later doubled by a Romanian scholarship. In autumn 1928, he sailed for Calcutta to study Sanskrit and philosophy under Surendranath Dasgupta, a Bengali Cambridge alumnus and professor at Calcutta University, the author of a five volume History of Indian Philosophy. Before reaching the Indian subcontinent, Eliade also made a brief visit to Egypt. Once in India, he visited large areas of the region, and spent a short period at a Himalayan ashram.
He studied the basics of Indian philosophy, and, in parallel, learned Sanskrit, Pali and Bengali under Dasgupta's direction. At the time, he also became interested in the actions of Mahatma Gandhi and the Satyagraha as a phenomenon; later, Eliade adapted Gandhian ideas in his discourse on spirituality and Romania.
In 1930, while living with Dasgupta, Eliade fell in love with his host's daughter and the protege of the Indian poet Rabindranath Tagore, Maitreyi Devi, later writing a barely disguised autobiographical novel Maitreyi, in which he claimed that he carried on a physical relationship with her.
Eliade received his PhD in 1933, with a thesis on Yoga practices. The book, which was translated into French three years later, had significant impact in academia, both in Romania and abroad.
He later recalled that the book was an early step for understanding not just Indian religious practices, but also Romanian spirituality. During the same period, Eliade began a correspondence with the Ceylonese-born philosopher Ananda Coomaraswamy. In 1936–1937, he functioned as honorary assistant for Ionescu's course, lecturing in Metaphysics.
In 1933, Mircea Eliade had a physical relationship with the actress Sorana Țopa, while falling in love with Nina Mareș, whom he ultimately married. The latter, introduced to him by his new friend Mihail Sebastian, already had a daughter, Giza, from a man who had divorced her. Eliade subsequently adopted Giza, and the three of them moved to an apartment at 141 Dacia Boulevard. He left his residence in 1936, during a trip he made to the United Kingdom and Germany, when he first visited London, Oxford, and Berlin.
''Criterion'' and ''Cuvântul''
After contributing various and generally polemical pieces in university magazines, Eliade came to the attention of journalist Pamfil Șeicaru, who invited him to collaborate on the nationalist paper Cuvântul, which was noted for its harsh tones. By then, Cuvântul was also hosting articles by Nae Ionescu.As one of the figures in the Criterion literary society, Eliade's initial encounter with the traditional far right was polemical: the group's conferences were stormed by members of A. C. Cuza's National-Christian Defense League, who objected to what they viewed as pacifism and addressed antisemitic insults to several speakers, including Sebastian; in 1933, he was among the signers of a manifesto opposing Nazi Germany's state-enforced racism.
In 1934, at a time when Sebastian was publicly insulted by Nae Ionescu, who prefaced his book with thoughts on the "eternal damnation" of Jews, Mircea Eliade spoke out against this perspective, and commented that Ionescu's references to the verdict "Outside the Church there is no salvation" contradicted the notion of God's omnipotence. However, he contended that Ionescu's text was not evidence of antisemitism.
In 1936, reflecting on the early history of the Romanian Kingdom and its Jewish community, he deplored the expulsion of Jewish scholars from Romania, making specific references to Moses Gaster, Heimann Hariton Tiktin and Lazăr Șăineanu. Eliade's views at the time focused on innovation—in the summer of 1933, he replied to an anti-modernist critique written by George Călinescu:
All I wish for is a deep change, a complete transformation. But, for God's sake, in any direction other than spirituality.
He and friends Emil Cioran and Constantin Noica were by then under the influence of Trăirism, a school of thought that was formed around the ideals expressed by Ionescu. A form of existentialism, Trăirism was also the synthesis of traditional and newer right-wing beliefs. Early on, a public polemic was sparked between Eliade and Camil Petrescu: the two eventually reconciled and later became good friends.
Like Mihail Sebastian, who was himself becoming influenced by Ionescu, he maintained contacts with intellectuals from all sides of the political spectrum: their entourage included the right-wing Dan Botta and Mircea Vulcănescu, the non-political Petrescu and Ionel Jianu, and Belu Zilber, who was a member of the illegal Romanian Communist Party.
The group also included Haig Acterian, Mihail Polihroniade, Petru Comarnescu, Marietta Sadova and Floria Capsali.
He was also close to Marcel Avramescu, a former Surrealist writer whom he introduced to the works of René Guénon. A doctor in the Kabbalah and future Romanian Orthodox cleric, Avramescu joined Eliade in editing the short-lived esoteric magazine Memra.
Among the intellectuals who attended his lectures were Mihai Şora, Eugen Schileru and Miron Constantinescu—known later as, respectively, a philosopher, an art critic, and a sociologist and political figure of the communist regime. Mariana Klein, who became Șora's wife, was one of Eliade's female students, and later authored works on his scholarship.
Eliade later recounted that he had himself enlisted Zilber as a Cuvântul contributor, for him to provide a Marxist perspective on the issues discussed by the journal. Their relationship soured in 1935, when the latter publicly accused Eliade of serving as an agent for the secret police, Siguranța Statului.