Ming Tsao
Ming Tsao is a Chinese American composer based in Berlin, Germany.
Biography
Born in Berkeley, California, Ming Tsao is the son of Jung Ying Tsao, who emigrated to California from Tianjin, China and was a collector and scholar of Chinese painting. His mother, Elna Hoeber, began Ming Tsao's musical education at the age of five with the violin. Her father, Frank Hoeber, was a violinist who emigrated to Colorado from Vienna, Austria and played first violin in the Denver Symphony Orchestra. As a student, Ming Tsao traveled to Suzhou, China for a year to study the traditional zither with the renowned guqin performer Wu Zhaoji. He received graduate degrees in music composition, ethnomusicology, and mathematics.Ming Tsao was Professor of Composition at University of Gothenburg, Sweden and Visiting Professor of Composition at the Hanover University of Music, Drama and Media in Germany and is currently the Birge–Cary Professor of Music at the University at Buffalo in New York. In 2021, he was awarded a Guggenheim for music composition. His music is published by Edition Peters and has been released on the Kairos, Mode and NEOS CD labels.
Style
Ming Tsao's musical style combines what he calls the "materiality" or sensuality arising from the inherent qualities of sound, with a formal, precise rigour in compositional style. His compositions have been described as "virtuosic" and the work of "a highly complex thinking" conveying a "multitude of fantastic orchestrational details", and a "genuinely dazzling range of invention."His opera Die Geisterinsel, based on William Shakespeare's The Tempest, was premiered by the Stuttgart Opera House for a first run of performances and was subsequently given a second run of performances at the Gothenburg Opera House with an additional second act titled Mirandas Atemwende. The opera was reviewed by Opernwelt as "having broken the prejudice that New Music after Strauss has lost its capacity to be sensual." Other notable projects have included two works for large ensemble: Refuse Collection, an hommage to the oeuvre of French filmmakers Danièle Huillet and Jean-Marie Straub premiered at the Academy of Arts in Berlin; and Plus Minus, a full realisation of Karlheinz Stockhausen's open composition of the same name, reviewed as a "very powerful work that one experiences as if by Stockhausen himself," which was premiered at the Witten Days for New Chamber Music. In addition to his research on mathematical applications to music composition, his principal interest has been the relation between poetry and music composition. He has focused his musical works on the poetry of Paul Celan, Su Hui and J.H. Prynne.
Notable works
Musical Compositions
Dritte Stimme zu Bachs zweistimmigen Rätselkanons, open instrumentationTriode Variations, large ensembleDritte Stimme zu Bachs zweistimmigen Inventionen, clavichordPlus or Minus, two pianos and electronicsRefuse Collection, large ensembleDas wassergewordene Kanonbuch, chamber choirMirandas Atemwende, chamber operaPlus Minus, large ensembleSerenade, large ensembleDie Geisterinsel, chamber operacover, seven instrumentsIf ears were all that were needed..., solo guitarPathology of Syntax, string quartetOne–Way Street, six instrumentsThe Book of Virtual Transcriptions, seven instrumentsNot Reconciled, five instrumentsCanon, clarinet and celloRecordings
Ming Tsao: Plus or Minus, NEOS Music, 2025 Ming Tsao: Triode Variations, Kairos Music, 2022 Ming Tsao: Plus Minus, Kairos Music, 2017 Ming Tsao: Die Geisterinsel, Kairos Music, 2014 Ming Tsao: Pathology of Syntax, Mode Records, 2014Prose
- Josel, Seth F. and Tsao, Ming. Techniques of Guitar Playing. Kassel: Bärenreiter, 2014..
- Tsao, Ming. "Reverse Transkriptionen: Auf dem Weg zu einem materialistischen musikalischen Ausdruck," MusikTexte 175, 34–41.
- Tsao, Ming. "Helmut Lachenmann's 'Sound Types'," Perspectives of New Music, Volume 52, Number 1 : 217–238.
- Tsao, Ming. Abstract Musical Intervals: Group Theory for Composition and Analysis, Musurgia Universalis Press, Berkeley, CA., 2010..