The Merry Wives of Windsor
The Merry Wives of Windsor or Sir John Falstaff and the Merry Wives of Windsor is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a reference to the town of Windsor, also the location of Windsor Castle in Berkshire, England. Though nominally set in the reign of Henry IV or early in the reign of Henry V, the play makes no pretence to exist outside contemporary Elizabethan-era English middle-class life. It features the character Sir John Falstaff, the fat knight who had previously been featured in Henry IV, Part 1 and Part 2. It has been adapted for the opera at least ten times. The play is one of Shakespeare's lesser-regarded works among literary critics.
Tradition has it that The Merry Wives of Windsor was written at the request of Queen Elizabeth I, who watching Henry IV, Part 1, is said to have asked Shakespeare to write a play depicting Falstaff in love.
Characters
- Sir John Falstaff
- Bardolph, Pistol, Nym – followers of Falstaff.
- Robin – page to Falstaff.
- Messrs. Frank Ford & George Page – two gentlemen dwelling at Windsor.
- William Page – a boy, son to Page.
- Sir Hugh Evans – a Welsh parson
- Doctor Caius – a French physician.
- John Rugby – a servant to Doctor Caius.
- Mistress Quickly – servant to Doctor Caius.
- Robert Shallow – a Country Justice.
- Abraham Slender – cousin to Shallow.
- Peter Simple – servant to Slender.
- Fenton – a young gentleman.
- The Host of the Garter Inn
- Mistress Alice Ford
- Mistress Margaret Page
- Anne Page – Mistress Page's daughter.
Plot
Falstaff arrives in Windsor very short of money. He decides that, to obtain financial advantage, he will court two wealthy married women, Mistress Ford and Mistress Page. Falstaff decides to send the women identical love letters and asks his servants – Pistol and Nym – to deliver them to the wives. When they refuse, Falstaff sacks them, and, in revenge, the men tell the husbands Ford and Page of Falstaff's intentions. Page is not concerned, but the jealous Ford persuades the Host of the Garter Inn to introduce him to Falstaff as a 'Master Brook' so that he can find out Falstaff's plans.
Meanwhile, three different men are trying to win the hand of Page's daughter, Anne Page. Mistress Page would like her daughter to marry Doctor Caius, a French physician, whereas the girl's father would like her to marry Master Slender. Anne herself is in love with Master Fenton, but Page had previously rejected Fenton as a suitor due to his having squandered his considerable fortune on high-class living. Hugh Evans, a Welsh parson, tries to enlist the help of Mistress Quickly in wooing Anne for Slender, but the doctor discovers this and challenges Evans to a duel. The Host of the Garter Inn prevents this duel by telling each man a different meeting place, causing much amusement for himself, Justice Shallow, Page and others. Evans and Caius decide to work together to be revenged on the Host.
Image:Johann Heinrich Füssli 039.jpg|thumb|left|250px|Henry Fuseli: "Falstaff in the Washbasket", 1792
When the women receive the letters, each goes to tell the other, and they quickly find that the letters are almost identical. The "merry wives" are not interested in the ageing, overweight Falstaff as a suitor; however, for the sake of their own amusement and to gain revenge for his indecent assumptions towards them both, they pretend to respond to his advances.
This all results in great embarrassment for Falstaff. Mr. Ford poses as 'Mr. Brook' and says he is in love with Mistress Ford but cannot woo her as she is too virtuous. He offers to pay Falstaff to court her, saying that once she has lost her honour he will be able to tempt her himself. Falstaff cannot believe his luck, and tells 'Brook' he has already arranged to meet Mistress Ford while her husband is out. Falstaff leaves to keep his appointment and Ford soliloquizes that he is right to suspect his wife and that the trusting Page is a fool.
When Falstaff arrives to meet Mistress Ford, the merry wives trick him into hiding in a laundry basket full of filthy, smelly clothes awaiting laundering. When the jealous Ford returns to try and catch his wife with the knight, the wives have the basket taken away and the contents dumped into the river. Although this affects Falstaff's pride, his ego is surprisingly resilient. He is convinced that the wives are just "playing hard to get" with him, so he continues his pursuit of sexual advancement, with its attendant capital and opportunities for blackmail.
Again Falstaff goes to meet the women but Mistress Page comes back and warns Mistress Ford of her husband's approach again. They try to think of ways to hide him other than the laundry basket which he refuses to get into again. They trick him again, this time into disguising himself as Mistress Ford's maid's obese aunt, known as "the fat woman of Brentford". Ford tries once again to catch his wife with the knight but ends up hitting the "old woman", whom he despises and takes for a witch, and throwing her out of his house. Having been beaten "into all the colours of the rainbow", Falstaff laments his bad luck.
Eventually the wives tell their husbands about the series of jokes they have played on Falstaff, and together they devise one last trick which ends up with the Knight being humiliated in front of the whole town. They tell Falstaff to dress as "Herne, the Hunter" and meet them by an old oak tree in Windsor Forest. They then dress several of the local children, including Anne and William Page, as fairies and get them to pinch and burn Falstaff to punish him. Page plots to dress Anne in white and tells Slender to steal her away and marry her during the revels. Mistress Page and Doctor Caius arrange to do the same, but they arrange Anne shall be dressed in green. Anne tells Fenton this, and he and the Host arrange for Anne and Fenton to be married instead.
The wives meet Falstaff, and almost immediately the "fairies" attack. Slender, Caius, and Fenton steal away their brides-to-be during the chaos, and the rest of the characters reveal their true identities to Falstaff.
Although he is embarrassed, Falstaff takes the joke surprisingly well, as he sees it was what he deserved. Ford says he must pay back the 20 pounds 'Brook' gave him and takes the Knight's horses as recompense. Slender suddenly appears and says he has been deceived – the 'girl' he took away to marry was not Anne but a young boy. Caius arrives with similar news – however, he has actually married his boy. Fenton and Anne arrive and admit that they love each other and have been married. Fenton chides the parents for trying to force Anne to marry men she did not love and the parents accept the marriage and congratulate the young pair. Eventually they all leave together and Mistress Page even invites Falstaff to come with them:
"let us every one go home, and laugh this sport o'er by a country fire; Sir John and all".
Date and text
The play's date of composition is unknown; it was registered for publication in 1602, but was probably several years old by that date. In the Fairy pageant in Act 5 Scene 5, Mistress Quickly, as the Queen of the Fairies, gives a long speech giving an elaborate description of the Order of the Garter. The play also alludes to a German duke, who is generally thought to be Frederick I, Duke of Württemberg, who had visited England in 1592 and was elected to the Order of the Garter in 1597. These facts led commentators starting with Edmond Malone in 1790 to suggest that the play was written and performed for the Order of the Garter festival. William Green suggests that the play was drawn up when George Carey, 2nd Baron Hunsdon, as Lord Chamberlain and patron of Shakespeare's company, was elected Order of the Garter in April 1597. If this is so, it was probably performed when Elizabeth I attended Garter Feast on 23 April.The Garter theory is only speculation, but it is consistent with a story first recorded by John Dennis in 1702 and Nicholas Rowe in 1709: that Shakespeare was commanded to write the play by Queen Elizabeth, who wanted to see Falstaff in love. This theatrical tradition was first recorded by Dennis in the prologue to his adaptation of the play, The Comical Gallant. He states that Queen Elizabeth "commanded it to be finished in fourteen days." Rowe wrote that Elizabeth "was so well pleased with that admirable character of Falstaff, in the two parts of Henry the Fourth, that she commanded him to continue it for one play more, and to shew him in love." T. W. Craik suggests that these stories may simply be fantasies occasioned by the Quarto's title page which says of the play "As it hath diuers times Acted...Both before her Maiestie, and else-where." Nevertheless, Carey would have been well placed to pass on the queen's wishes to his players, which could account for the tradition.
Support for the Garter theory is divided. If it is correct, it would probably mean that Shakespeare wrote The Merry Wives of Windsor between Henry IV, Part 1 and Part 2. Critics have trouble believing this for several reasons. One is that Pistol and Shallow are introduced as new characters in Henry IV, Part 2, but in The Merry Wives their connection to Falstaff is taken for granted. Also, there are no references to any of the major events from Falstaff's 15th-century exploits from the history plays, such as the rebellion, in Merry Wives. T.W. Craik suggests that Shakespeare was forced to interrupt work on Henry IV, Part 2, having written most of it, because The Merry Wives had to be completed quickly. Another possible explanation comes from the epilogue to Henry IV, Part 2, which promises to "continue the story, with Sir John in it". Sir John does not appear in Henry V, so Merry Wives could have been written to make good on the pledge.
At least parts of the play may have been written around or before the first performances of Part 1 in 1597, after which controversy over the original naming of Falstaff forced Shakespeare to rename the character. It appears that the joke in V,v,85–90 is that Oldcastle/Falstaff incriminates himself by calling out the first letter of his name, "O, O, O!," when his fingertips are singed with candleswhich of course works for "Oldcastle" but not "Falstaff." There is also the "castle" reference in IV,v,6.
18 January 1602 was the date the play was entered into the Register of the Stationers Company. The first quarto was published later that year, in an inferior text, by bookseller Arthur Johnson. It was published in a second quarto in 1619, as part of William Jaggard's False Folio; the superior First Folio text followed in 1623.
The title page of Q1 states that the play was acted by the Lord Chamberlain's Men, "Both before Her Majesty, and elsewhere." The earliest definitely dated performance occurred on 4 November 1604, at Whitehall Palace. The play is also known to have been performed on 15 November 1638, at the Cockpit in Court.