Louis Braille


Louis Braille was a French educator and the inventor of a reading and writing system named after him, braille, intended for use by visually impaired people. His system is used worldwide and remains virtually unchanged to this day.
Braille was blinded in one eye at the age of three. This occurred as a result from an accident with a stitching awl in his father's harness-making shop. Consequently, an infection set in and spread to both eyes, resulting in total blindness. At that time, there were not many resources in place for the blind, but he nevertheless excelled in his education and received a scholarship to France's Royal Institute for Blind Youth. While still a student there, he began developing a system of tactile code that could allow blind people to read and write quickly and efficiently. Inspired by a system invented by Charles Barbier, Braille's new method was more compact and lent itself to a range of uses, including music. He presented his work to his peers for the first time in 1824, when he was fifteen years old.
In adulthood, Braille served as a professor at the Institute and had an avocation as a musician, but he largely spent the remainder of his life refining and extending his system. It went unused by most educators for many years after his death, but posterity has recognized braille as a revolutionary invention, and it has been adapted for use in languages worldwide.

Early life

Louis Braille was born in Coupvray, a small town about twenty miles east of Paris, on 4 January 1809. He and his three elder siblings – Monique Catherine, Louis-Simon, and Marie Céline – lived with their parents, Simon-René and Monique, on three hectares of land and vineyard in the countryside. Simon-René maintained a successful enterprise as a leatherer and maker of horse tack.
As soon as he could walk, Braille's time was spent playing in his father's workshop. At the age of three, he was playing with some of the tools, trying to make holes in a piece of leather with an awl. Squinting closely at the surface, he pressed down hard to drive the point in, and the awl glanced across the tough leather and stabbed him in one of his eyes. A local physician bound and patched the affected eye and even arranged for Braille to be met the next day in Paris by a surgeon, but no treatment could save the damaged organ. In agony, the young boy suffered for weeks as the wound became severely infected. He eventually lost sight in the other eye, likely due to sympathetic ophthalmia.
Braille survived the torment of the infection, but by the age of five he was completely blind in both eyes. Due to his young age, he did not realize at first that he had lost his sight, and often asked why it was always dark. His parents made many efforts – quite uncommon for the era – to raise their youngest child in a normal fashion, and he prospered in their care. He learned to navigate the village and country paths with canes his father hewed for him, and he grew up seemingly at peace with his disability. Braille's bright and creative mind impressed the local teachers and priests, and he was accommodated with higher education.

Blind education

Braille studied in Coupvray until the age of ten. Because of his intelligence and diligence, Braille was permitted to attend one of the first schools for blind children in the world, the Royal Institute for Blind Youth, since renamed to the National Institute for Blind Youth in Paris. The last of his family's children to leave the household, Braille departed for the school in February 1819. At that time the Royal Institute was an underfunded, ramshackle affair, but it provided a relatively stable environment for blind children to learn and associate together. While a student at the school, Braille made lifelong friends, including Gabriel Gauthier, Hippolyte Coltat, and Jean-Pierre Binet.

Haüy system

The children were taught to read using a system devised by the school's founder, Valentin Haüy. Not blind himself, Haüy was a philanthropist who devoted his life to helping the blind. He designed and manufactured a small library of books for the children by embossing heavy paper with the raised imprints of Latin letters. Readers would trace their fingers over the text, comprehending slowly but in a traditional fashion which Haüy could appreciate.
Braille was helped by Haüy's books, but he also despaired over their lack of depth: the amount of information retained in such books was necessarily minor. Because the raised letters were made in a complex artisanal process using wet paper pressed against copper wire, the children could not hope to "write" by themselves. So that the young Louis could send letters back home, Simon-René provided him with an alphabet made from bits of thick leather. It was a slow and cumbersome process, but the boy could at least trace the letters' outlines and write his first sentences.
The handcrafted Haüy books all came in uncomfortable sizes and weights for children. They were laboriously constructed, very fragile, and expensive to obtain: when Haüy's school first opened, it had a total of three books. Nonetheless, Haüy promoted their use with zeal. To him, the books presented a system which would be readily approved by educators and indeed they seemed – at the time – to offer the best achievable results. Braille and his schoolmates, however, could detect all too well the books' crushing limitations. Nonetheless, Haüy's efforts still provided a breakthrough achievement – the recognition of the sense of touch as a workable strategy for sightless reading. The Haüy system's main drawback, in the opinion of at least one author, was that it was "talking to the fingers with the language of the eye".

Teacher and musician

Braille read Haüy's books repeatedly, and he was equally attentive to the oral instruction offered by the school. He proved to be a highly proficient student and, after he had exhausted the school's curriculum, he was immediately asked to remain a teacher's aide. By 1833, he was elevated to a full professorship. For much of the rest of his life, Braille stayed at the Institute where he taught history, geometry, and algebra.
Braille's ear for music enabled him to become an accomplished cellist and organist in classes taught by Jean-Nicolas Marrigues. Later in life, his musical talents led him to play the organ for churches all over France. A devout Catholic, Braille held the position of organist in Paris at the Church of Saint-Nicolas-des-Champs. from 1834 to 1839, and later at the Church of Saint-Vincent-de-Paul.

Braille system

Origins

In 1821, Braille learned of a communication system devised by Charles Barbier. Barbier, aware of its potential for helping the blind to read and write, wrote to the school to introduce his method. Barbier's invention was a code of up to twelve dots in two columns, impressed into thick paper. These impressions could be interpreted entirely by the fingers. Barbier's code of raised dots inspired Braille to develop a system of his own.
Braille was determined to invent a system of reading and writing that could bridge the gap in communication between the sighted and the blind. In his own words: "Access to communication in the widest sense is access to knowledge, and that is vitally important for us if we are not to go on being despised or patronized by condescending sighted people. We do not need pity, nor do we need to be reminded we are vulnerable. We must be treated as equals – and communication is the way this can be brought about."

Design

Braille reworked Barbier's system by simplifying its form and maximizing its efficiency. He made uniform columns for each letter, and reduced the maximum of twelve raised dots to six. His first version used both dots and dashes. He published this version in 1829, but by the second edition in 1837 discarded the dashes because they were too difficult to read. Crucially, Braille's smaller cells were capable of being recognized as letters with a single touch of a finger.
Braille created his own raised-dot system using Barbier's slate and stylus tools. Barbier had donated many sets of these tools to the school. By soldering metal strips across the slate, Braille created a secure area for the stylus which would keep the lines straight and readable.
By these modest means, Braille constructed a robust communication system. "It bears the stamp of genius," wrote Dr. Richard Slating French, former director of the California School for the Blind, "like the Roman alphabet itself".

Musical adaptation

The system was soon extended to include braille musical notation. Passionate about his own music, Braille took meticulous care in its planning to ensure that the musical code would be "flexible enough to meet the unique requirements of any instrument". In 1829, he published the first book about his system, Method of Writing Words, Music, and Plainsong by Means of Dots, for Use by the Blind and Arranged for Them. Ironically this book was first printed by the raised letter method of the Haüy system.

Publications

Braille produced several written works about braille and as general education for the blind. Method of Writing Words, Music, and Plainsong... was revised and republished in 1837; his mathematics guide, Little Synopsis of Arithmetic for Beginners, entered use in 1838; and his monograph New Method for Representing by Dots the Form of Letters, Maps, Geometric Figures, Musical Symbols, etc., for Use by the Blind was first published in 1839. Many of Braille's original printed works remain available at the Braille birthplace museum in Coupvray.

Decapoint

New Method for Representing by Dots... put forth Braille's plan for a new writing system with which blind people could write letters that could be read by sighted people. Called decapoint, the system combined his method of dot-punching with a new specialized grill which Braille devised to overlay the paper. When used with an associated number table, the grill could permit a blind writer to faithfully reproduce the standard alphabet.
After the introduction of decapoint, Braille assisted his friend Pierre-François-Victor Foucault, who invented the Raphigraphe, a device that allowed for more rapid creation of letters made with raised points. Foucault's machine was hailed as a great success and was exhibited at the World's Fair in Paris in 1855. There is a decapoint slate and a raphigraphy on display at the Louis Braille museum.