The Long Ryders


The Long Ryders are an American alternative country and Paisley Underground band, principally active between 1982 and 1987, who have periodically regrouped for brief reunions. In 2019 they released a new studio album – their first in 32 years – and played a series of tour dates.
The Long Ryders were originally formed by several American musicians who were each multi-instrumentalists and influenced by Gram Parsons, the Byrds, country music and various punk rock groups. They were named after the Walter Hill film, the Long Riders. The band featured Sid Griffin and Stephen McCarthy on vocals and guitar; Des Brewer on bass ; and Greg Sowders on drums.
Although two members were transplants from the American South, they became a popular Los Angeles rock band, forming in the early 1980s and originally associated with a movement called the Paisley Underground. With a sound reminiscent of Rubber Soul-era Beatles, electric Bob Dylan, Buffalo Springfield and the Flying Burrito Brothers, but with a harder edge, they anticipated the alternative country music of the 1990s by a decade. Their early work contained influences of both punk and old-school country. Former Byrd Gene Clark joined them on their first full-length album, 1984's Native Sons, adding vocals to the song "Ivory Tower". Their initial studio release, the 10-5-60 EP, consisted of Griffin, Brewer, McCarthy, and Sowders. Brewer left after the release of 10-5-60. He was replaced by Tom Stevens, and that line-up remained in place as a recording unit until their eventual demise.

History

Formation and early days (1981–1982)

The Long Ryders' roots can be traced back to 1960s garage rock revivalist the Unclaimed, who formed in Los Angeles in 1979. After one EP, Kentucky-born guitarist and vocalist Sid Griffin and Kansas-born bassist Barry Shank left the Unclaimed in November 1981 with intentions to form a new band. Griffin: "I had this idea of what would happen if the top of the band, the guitars and the vocals were very West Coast , punchy and beautiful, but the bass and drums were as aggressive as a punk band. Early rehearsals included Unclaimed drummer Matt Roberts and future Dream Syndicate guitarist Steve Wynn. Drummer Greg Sowders, a native of Los Angeles, had met Griffin through a mutual friend and joined the band in February 1982 after an informal audition. The band rehearsed shortly as a trio before guitarist and vocalist Stephen McCarthy completed the lineup after answering a musicians wanted ad in March. Originally from Virginia, McCarthy had recently moved to Los Angeles and was looking for something "a bit rockier" after playing in country and western bands in New York City and Nashville. They soon settled on the name the Long Ryders, named after the Walter Hill film the Long Riders. The band wrote a letter to actor Stacy Keach, who had starred in and produced the film, asking for his approval to use the name. Keach was "honored" but had suggested a different spelling for legal reasons. The band then decided on the "y" spelling as an homage to the Byrds.
The Long Ryders were initially linked with the neo-psychedelia of Los Angeles' Paisley Underground scene, but McCarthy's arrival soon brought a country element to the band. Griffin: "His Clarence White-style country guitar-playing gave us a direction that nobody else had." Shank left the band in August 1982 to go back to college and was replaced by British expat Des Brewer. Later in the year, the new lineup entered producer Ethan James' Radio Tokyo Studio in Venice, California to record a three-track demo. Two of the tracks, "Still Get By" and "And She Rides", later appeared on the various artists compilation albums The Radio Tokyo Tapes and The Rebel Kind – A Collection of Contemporary Garage and Psychedelic Bands in 1983.

''10-5-60'' and ''Native Sons'' (1983–1984)

In September 1983, PVC Records issued the band's self-funded 10-5-60 EP, which was produced by former Sparks guitarist Earle Mankey at his home studio in California. Griffin was working for PVC's parent label Jem Records, an import and distribution label, who agreed to take on distribution. Griffin: "I got us on the in-house label, and they did it as a favour.... it did really well, and they couldn't believe it". The EP showed a strong 1960s influence, from garage rock and psychedelia to Byrdsian folk and country rock. It was well received by critics, prompting the band to tour the US. Brewer, who was not committed to touring, left after the EP's release and was replaced by Don McCall, who only lasted 3 months before he was asked to leave. "His playing and my drumming never quite clicked," Sowders explained. Tom Stevens from Indiana became the Long Ryders' new bassist in late December, playing his first gig with the band in January 1984, after recommendations from mutual friends. "I didn’t even have to formally audition," Stevens said. "The Long Ryders had gigs coming up in the San Francisco area and needed someone quickly."
In the spring of 1984, the Long Ryders signed with Los Angeles-based independent record label Frontier Records and recorded their first full length album, Native Sons, at A&M Studios in Los Angeles in early summer. They chose veteran producer Henry Lewy to co-produce the album. Musically, the band had toned down the psychedelia, emphasizing country and rock and roll. The album featured former Byrd Gene Clark adding vocals to the song "Ivory Tower". "Gene was someone we all really admired," Sowders said. "He was around in LA, and we all knew him but it was his manager Saul Davis who arranged his participation at the session." Released in October 1984, Native Sons became the number 4 album on the college radio and Indie charts in the US and received positive critical reviews. The band's take on American musical traditions was especially a success with critics in the UK, where the Melody Maker called it "a modern American classic". Upon release in the UK in March 1985, it was distributed by Zippo Records, who also released "I Had a Dream" as a UK-only single. The album and the single reached number 1 and 4 on the UK Indie Chart, respectively.

''State of Our Union'' (1985–1986)

Following the success of Native Sons, the Long Ryders decided to reissue the 10-5-60 EP as a full-length album, retitled 5 by 5 with five new studio tracks. The band entered A&M Studios in February 1985 with engineer and co-producer Paul McKenna and recorded at least six tracks: "Time Keeps Travelling", "The Trip", "Sandwich Man", "As God Is My Witness", the Flamin' Groovies' "I Can’t Hide", and Bob Dylan's "Masters of War". The planned album, however, was abandoned when the band would sign a new record deal and prepare to record their next proper album later in the year. Most of the tracks were later included as bonus tracks on future compilation albums and on reissues of Native Sons and 10-5-60. "I Can’t Hide" was released as a flexi disc in 1986 under the moniker the Spinning Wighats and given away free with the Bob magazine.
After touring the US for much of 1984, the Long Ryders embarked on their first international tour to Europe in March and April 1985. "Upon our arrival in the UK," Stevens said, "we were greeted with sold out shows, amazing crowd receptions, the cover of NME, and literally twelve record companies at our London hotel door after our second London show." Island Records UK signed the band in late spring and the band returned to the US to write and demo new songs. Released in September 1985, their first major label album, State of Our Union, was recorded in England at Chipping Norton Studios and produced by Will Birch, formerly of British bands the Kursaal Flyers and the Records. The album was a success at college and alternative radio stations in the US, but its more prominent rock sound didn't please UK critics as much as Native Sons. State of Our Union reached number 66 on the UK Albums Chart as well as number 2 on the UK Country Chart. The single "Looking for Lewis and Clark" peaked at number 59 on the UK Singles Chart but was never released commercially in the US. The album sold well in the UK, where "Looking for Lewis and Clark" gained the band much wider exposure. State of Our Union quickly became the band's biggest selling album, and the band was soon more popular in Europe than in the US, where they failed to break out of the college radio market.
In spring 1986, the Long Ryders were widely criticized for doing a TV commercial in the US for Miller Beer. Fans, critics and certain areas of the music community were outraged and accused the band of selling out. "The Long Ryders doing the Miller Beer ad killed us in the USA. It killed us stone dead. We went from hot to cold in about three weeks," Griffin said. "The Blasters, Los Lobos and X all did beer commercials too, but only us and the Del Fuegos got ripped for it." The band was not getting much airplay on regular commercial radio stations in the US and hoped that a beer commercial would provide them a much-needed exposure. Also, the band was not making any money touring. "To this day the only money the Long Ryders has ever seen is from that beer commercial," Griffin said in 2016. The band, however, continued to tour, building on their success in Europe. In Spain, they headlined in front of 100,000 people at a Barcelona festival in September 1986 which was broadcast live on national radio. Griffin: "Probably the highest of the high points. Graham Parker and the Shot, Wilson Pickett – they were both opening for us that day. I nearly fainted."

''Two-Fisted Tales'' and break-up (1987)

The Long Ryders had ended 1986 by recording their second Island album, Two-Fisted Tales, in November and December at A&M and Eldorado Studios in Hollywood with producer Ed Stasium. It was mixed in February 1987 at Compass Point Studios in Nassau, Bahamas and features guest appearances by David Hidalgo of Los Lobos and Debbi and Vicki Peterson of the Bangles. On the album, the Long Ryders moved further away from their country rock origins towards a more college rock direction, but were still rooted in traditional Americana music. The finished album was delivered to Island in March, but the release was delayed for two months. "Tom Waits was selling better than Island expected, U2 were still shifting units, and so we were told to wait", Griffin said. In the two years since the Long Ryders signed with Island, several key employees had left the label's A&R department, and the new team showed little interest in the band and the release of Two-Fisted Tales. In the meantime, the band were offered to open for U2 on the North American leg of their Joshua Tree tour in April and May. But since Two-Fisted Tales was delayed, the Long Ryders declined, hoping to join the U2 tour later on. Griffin: "We never did get to open for U2 at all, not even once. So this was a major opportunity blown, no question about it, and a fairly big regret of mine."
The album was finally released in June and despite its first single, a cover of NRBQ’s "I Want You Bad", getting radio airplay, neither single nor album charted. The lack of commercial success and label support as well as a relentless touring schedule began to take its toll on the band. After a European tour, Stevens left the band to be replaced by the band's guitar tech, Larry Chatman, for a US tour that followed immediately. Griffin: "He went on the road with us and learned while driving across the country and in motel rooms at night. We never had a formal rehearsal." In 2013, Stevens explained his reasons for leaving: "The spring 1987 tour of Europe was a nightmare. Despite a major label "deal," we were broke, and I found myself having to find another source of income so that my growing family could eat and have a roof over their heads. In June 1987, when the other Long Ryders insisted upon doing a U.S. tour that was expected to lose five figures, I announced that I was leaving the band."
In August, McCarthy announced to the band that he would be leaving at the end of the US tour. "It was a dead end," he said in 1988. "I don’t regret a day I played in the Long Ryders, but it was futile. I quit before it got to the point of beating each other on stage." Even though Island offered Griffin and Sowders the opportunity to record a third album for the label, they decided not to continue as the Long Ryders without McCarthy. The band did not officially break up until late 1987.
"Our signing with Island in 1985 worked well for the first few months," Stevens said in 2009. "Then our A&R guy got the axe at year's end the new UK regime hated us. Island U.S. was also fairly useless.... we never seemed to be a big concern for any of them. Between that and the slow shift that started in 1986 to hair metal, the terrain got so creepy and hard to navigate that it put a strain on us as a band, from which we could not recover."