List of prose works by Richard Wagner


This is a list of mostly prose works by the German composer Richard Wagner. In addition to writing operas, Wagner was a prolific essayist.
Wagner began compiling his prose and poetry in the 1860s, going on to publish them in ten volumes as the Gesammelte Schriften und Dichtungen. The first edition was published in Leipzig by Fritzsch, Wagner's main publisher, between 1871 and 1883. The Collected Writings and Poems includes essays, theoretical treatises, poems, published letters, and opera libretti, reflecting Wagner's thoughts on music, art, politics, religion, and philosophy.
The list has been structured and named according to the conventions of William Ashton Ellis, who first translated and published the complete prose works in English in eight volumes between 1892 and 1907. The libretti of Wagner's completed stage works are not included.
Ellis VolumeFirst PublishedEnglish TitleOriginal TitleGS&D Vol.Notes
1: The Art-Work of the Future, etc.1842Autobiographical SketchAutobiographische Skizze1
1: The Art-Work of the Future, etc.1849Art and RevolutionDie Kunst und die Revolution3
1: The Art-Work of the Future, etc.1849The Artwork of the FutureDas Kunstwerk der Zukunft3
1: The Art-Work of the Future, etc.1849Wieland the SmithWieland der Schmied: Als Drama entworfen3Dramatic sketch
1: The Art-Work of the Future, etc.1850Art and ClimateKunst und Klima3
1: The Art-Work of the Future, etc.1851A Communication to My FriendsEine Mitteilung an meine Freunde4
2: Opera and Drama1852Opera and DramaOper und Drama3 & 4
3: The Theatre1851On the "Goethe-Stiftung"Über die "Goethestiftung": Brief an Franz Liszt5
3: The Theatre1851A Theatre at ZurichEin Theater in Zürich5
3: The Theatre1852On Musical CriticismÜber musikalische Kritik5
3: The Theatre1850Judaism in MusicDas Judenthum in der Musik5Republished in 1869 with commentary
3: The Theatre1851Mementoes of SpontiniErinnerungen an Spontini5
3: The Theatre1859Homage to L. Sphor and W. FischerNachruf an L. Spohr und Chordirektor W. Fischer5
3: The Theatre1854Gluck's Overture to "Iphigenia in Aulis"Gluck's Ouvertüre zu Iphigenia in Aulis5
3: The Theatre1852On the Performing of "Tannhäuser"Über die Aufführung des Tannhäuser5
3: The Theatre1853Remarks on Performing "The Flying Dutchman"Bemerkungen zur Aufführung der Oper Der fliegende Holländer5
3: The Theatre1852Beethoven's "Heroic Symphony"Programmatische Erläuterungen: Beethovens heroische Symphonie5Explanatory programme
3: The Theatre1852Beethoven's Overture to "Coriolanus"Programmatische Erläuterungen: Ouvertüre zu Coriolan5Explanatory programme
3: The Theatre1853Overture to "Die fliegende Holländer"Programmatische Erläuterungen: Der fliegende Holländer5Explanatory programme
3: The Theatre1853Overture to "Tannhäuser"Programmatische Erläuterungen: Tannhäuser5Explanatory programme
3: The Theatre1853Prelude to "Lohengrin"Programmatische Erläuterungen: Vorspiel zu Lohengrin5Explanatory programme
3: The Theatre1853On Franz Liszt's Symphonic PoemsÜber Franz Liszt's symphonische Dichtungen5
3: The Theatre1872Epilogue to The "Nibelung's Ring"Bericht an den Deutschen Wagner-Verein über die Umstände und Schicksale, welche die Ausführung des Bühnenfestspieles "Der Ring des Nibelungen" begleiten.
3: The Theatre1863Preface to The "Ring" Poem
3: The Theatre1860A Letter to Hector BerliozEin Brief an Hector Berlioz7
3: The Theatre1861"Music of the Future""Zukunftsmusik"7
3: The Theatre1861A Report on the Production of "Tannhäuser" in ParisBericht über die Aufführung des Tannhäuser in Paris7
3: The Theatre1863The Vienna Opera-HouseDas Wiener Hof-Operntheater7
3: The Theatre1864To the Kingly FriendDem königlichen Freunde: Gedicht8Poem
4: Art and Politics1864Über Staat und Religion8
4: Art and Politics1867German Art and German PolicyDeutsche Kunst und deutsche Politik8
4: Art and Politics1878What is German?Was ist Deutsch?10Written c. 1865
4: Art and Politics1865A Music-School for MunichBericht an König Ludwig II. von Bayern über eine in München zu errichtende deutsche Musikschule8
4: Art and Politics1868Ludwig Schnorr of CarolsfeldMeine Erinnerungen an Ludwig Schnorr von Carolsfeld8
4: Art and Politics1867W. H. RiehlCensuren: W.H. Riehl8Notices
4: Art and Politics1867Ferdinand HillerCensuren: Ferdinand Hiller8Notices
4: Art and Politics1868A Remembrance of RossiniCensuren: eine Erinnerung an Rossini8Notices
4: Art and Politics1869Eduard DevrientCensuren: Eduard Devrient8Notices
4: Art and Politics1869About ConductingÜber das Dirigieren]8
4: Art and Politics1868RheingoldDrei Gedichte: Rheingold8"Three Poems"
4: Art and Politics1869On the Completion of SiegfriedDrei Gedichte: Bei der Vollendung des Siegfried8"Three Poems"
4: Art and Politics1870August 25th, 1870Drei Gedichte: Zum 25. August 18798"Three Poems"
4: Art and Politics1871To the German Army before ParisAn das deutsche Heer von Paris9Poem
4: Art and Politics1873A CapitulationEine Kapitulation: Lustspiel in antiker Manier9Dramatic sketch
5: Actors and Singers1871Reminiscences of AugerErinnerungen an Auber9
5: Actors and Singers1870Beethoven9
5: Actors and Singers1871The Destiny of OperaÜber die Bestimmung der Oper9
5: Actors and Singers1872Actors and SingersÜber Schauspieler und Sänger9
5: Actors and Singers1873The Rendering of Beethoven's Ninth SymphonyZum Vortrag der neunten Symphonie Beethoven's9
5: Actors and Singers1872Letter to an ActorBrief über das Schauspielerwesen an einen Schauspieler9"Letters and Short Essays"
5: Actors and Singers1873A Glance at the German Operatic Stage of TodayEin Einblick in das heutige deutsche Opernwesen9"Letters and Short Essays"
5: Actors and Singers1871Letter to an Italian Friend on the Production of "Lohengrin"Brief an einen italienischen Freund über die Aufführung des Lohengrin in Bologna9"Letters and Short Essays"
5: Actors and Singers1872To the Burgomaster of BolognaSchreiben an den Bürgermeister von Bologna9"Letters and Short Essays"
5: Actors and Singers1872To Friedrich NietzscheAn Friedrich Nietzsche, ord. Prof. der Klassischen Philologie in Basel9"Letters and Short Essays"
5: Actors and Singers1872On the Name "Musikdrama"Über die Benennung 'Musikdrama'9"Letters and Short Essays"
5: Actors and Singers1873Prologue to a Reading of "Die Götterdämmerung"Einleitung zu einer Vorlesung der Götterdämmerung vor einem ausgewählten Zuhörerkreis in Berlin9"Letters and Short Essays"
5: Actors and Singers1873Final Report on the Fates and CircumstancesEpilogischer Bericht über die Umstände und Schicksale, welche die Ausführung des Bühnenfestspieles Der Ring des Nibelungen bis zur Veröffentlichung der Dichtung begleiteten6"Bayreuth"
5: Actors and Singers1873The Festival-Playhouse at BayreuthDas Bühnenfestspielhaus zu Bayreuth9"Bayreuth"
6: Religion and Art1875Spohr's "Jessonda" at LeipzigÜber eine Opernaufführung in Leipzig10
6: Religion and Art1877To the Presidents of Wagner-VereinsAn die geehrten Vorstände der Richard Wagner-Vereine10Minor Bayreuth Papers
6: Religion and Art1878Proposed Bayreuth "School"Entwurf, veröffentlicht mit den Statuten des Patronat- vereines10Minor Bayreuth Papers
6: Religion and Art1878Introduction to First Number of the Bayreuther BlätterZur Einführung. 10Minor Bayreuth Papers
6: Religion and Art1879Introduction to a Work of Hans Von Wolzogen'sEin Wort zur Einführung der Arbeit Hans von Wolzogen's Über Verrottung und Errettung der deutschen Sprache10Minor Bayreuth Papers
6: Religion and Art1879Postponement of "Parsifal"Erklärung an die Mitglicher des Patronatvereines10Minor Bayreuth Papers
6: Religion and Art1879Introduction to the Year 1880Zur Einführung in das Jahr 188010Minor Bayreuth Papers
6: Religion and Art1880Announcement of "Parsifal" PerformanceZur Mittheilung an die geehrten Patrone der Bühnenfest-spiele in Bayreuth.10Minor Bayreuth Papers
6: Religion and Art1881Introduction to a Work of Count Gobineau'sZur Einführung der Arbeit des Grafen Gobineau10Minor Bayreuth Papers
6: Religion and Art1878ModernModern10
6: Religion and Art1878Public and PopularityPublikum und Popularität10
6: Religion and Art1878The Public in Time and SpaceDas Publikum in Zeit und Raum10
6: Religion and Art1878Retrospect of the Stage-Festivals of 1876Ein Rückblick auf die Bühnenfestspiele des Jahres 187610
6: Religion and Art1879Shall We Hope?Wollen wir hoffen?10
6: Religion and Art1879On Poetry and CompositionÜber das Dichten und Komponieren10
6: Religion and Art1879On Operatic Poetry and CompositionÜber das Opern-Dichten und Komponieren im Besonderen10
6: Religion and Art1879On the Application of Music to the DramaÜber die Anwendung der Musik auf das Drama10
6: Religion and Art1879Against VivisectionOffenes Schreiben an Herrn Ernst von Weber10
6: Religion and Art1880Religion und Kunst10
6: Religion and Art1880What Boots this Knowledge?Was nüßt diese Erkenntniß?10Supplement to "Religion and Art"
6: Religion and Art1881Know ThyselfErkenne dich selbst10Supplement to "Religion and Art"
6: Religion and Art1881Hero-dom and ChristendomHeldenthum und Christenthum10Supplement to "Religion and Art"
6: Religion and Art1882End of the Patronat-VereinBrief an H. v. Wolzogen10
6: Religion and Art1882The Stipendiary FundOffenes Schreiben an Herrn Friedrich Schön in Worms10
6: Religion and Art1882"Parsifal" at BayreuthDas Bühnenweihfestspiel in Bayreuth 188210
6: Religion and Art1883A Youthful SymphonyBericht über die Wiederaufführung eines Jugendwerkes10
6: Religion and Art1883Letter to H. V. SteinBrief an H. v. Stein10
6: Religion and Art1885The Human WomanlyÜber das Weibliche im MenschlichenFragment
7: In Paris and Dresden1836"Das Liebesverbot": Account of a first Operatic PerformanceDas Liebesverbot: Bericht über eine erste Opernaufführung1
7: In Paris and Dresden1840A Pilgrimage to BeethovenEine Pilgerfahrt zu Beethoven1"A German Musician in Paris"
7: In Paris and Dresden1841An End in ParisEin Ende in Paris1"A German Musician in Paris"
7: In Paris and Dresden1841A Happy EveningEin glücklicher Abend1"A German Musician in Paris"
7: In Paris and Dresden1840On German MusicÜber deutsches Musikwesen1"A German Musician in Paris"
7: In Paris and Dresden1840Pergolesi's "Stabat Mater"Pergolesis Stabat Mater1"A German Musician in Paris"
7: In Paris and Dresden1840The Virtuoso and the ArtistDer Virtuos und der Künstler1"A German Musician in Paris"
7: In Paris and Dresden1840Du Métier de VirtuoseDu Métier de Virtuose1"A German Musician in Paris"
7: In Paris and Dresden1841The Artist and PublicityDer Künstler und die Öffentlichkeit1"A German Musician in Paris"
7: In Paris and Dresden1841Rossini's "Stabat Mater"Rossinis Stabat Mater1"A German Musician in Paris"
7: In Paris and Dresden1841On the OvertureÜber die Ouvertüre1
7: In Paris and Dresden1841To the Paris PublicAn das Pariser Publikum1"Der Freischütz in Paris"
7: In Paris and Dresden1841Report to GermanyBericht nach Deutschland1"Der Freischütz in Paris"
7: In Paris and Dresden1842Halévy's "Reine de Chypre"Bericht über eine neue Pariser Oper 1
7: In Paris and Dresden1871Author's Introduction to Vol. II of the Gesammelte Schriften2
7: In Paris and Dresden1844Weber's Re-intermentBericht über die Heimbringung der sterblichen Überreste Carl Maria von Weber's aus London nach Dresden2
7: In Paris and Dresden1846Beethoven's Choral Symphony at DresdenBericht über die Aufführung der neunten Symphonie von Beethoven im Jahre 18462
7: In Paris and Dresden1848Die Wibelungen: Weltgeschichte aus der Sage2
7: In Paris and Dresden1848The Nibelungen-MythDer Nibelungen-Mythus: Als Entwurf zu einem Drama2Dramatic sketch
7: In Paris and Dresden1848Tercentenary ToastTrinkspruch am Gedenktag des 300-jährigen Bestehens der königlichen musikalischen Kapelle in Dresden2
7: In Paris and Dresden1849Plan of Organisation of a German National TheatreEntwurf zur Organisation eines deutschen Nationaltheaters für das Königreich Sachsen2
8: Posthumous, etc.1848Siegfried's DeathSiegfried's Tod2Dramatic sketch
8: Posthumous, etc.1834On German OperaDiscarded
8: Posthumous, etc.1834PasticcioDiscarded
8: Posthumous, etc.1837Bellini: A Word in SeasonBellini. Ein Wort zu seiner ZeitDiscarded
8: Posthumous, etc.1841Parisian AmusementsDiscarded
8: Posthumous, etc.1841Parisian Fatalities for the GermanDiscarded
8: Posthumous, etc.1841Letters from Paris, 1841Discarded
8: Posthumous, etc.1842Halévy and "La Reine de Chypre"Discarded
8: Posthumous, etc.1846Jottings on the Ninth SymphonyDiscarded
8: Posthumous, etc.1846Artist and CriticDiscarded
8: Posthumous, etc.1848Greeting from Saxony to the VienneseDiscarded
8: Posthumous, etc.1849On E. Devrient's "History of German Acting"Discarded
8: Posthumous, etc.1849Theatre-ReformDiscarded
8: Posthumous, etc.1849Man and Established SocietyDiscarded
8: Posthumous, etc.1849The RevolutionDiscarded
8: Posthumous, etc.1865Invitation to the Production of "Tristan in Munich"Discarded
8: Posthumous, etc.1889The Saracen WomanDramatic sketch, written 1841-1843
8: Posthumous, etc.1899Sketch for "The Apostles' Love-Feast"Das Liebesmahl der ApostelProse sketch, written 1843
8: Posthumous, etc.1887Jesus of NazarethJesus von NazarethProse sketch, written 1848-1849
8: Posthumous, etc.1885A Title-PageSketches and fragments
8: Posthumous, etc.1885PersonalSketches and fragments
8: Posthumous, etc.1885A Sketch, a Reflection, and Four ProgrammesSketches and fragments
8: Posthumous, etc.1885Metaphysics, Ethics and ArtSketches and fragments
8: Posthumous, etc.1885On the Womanly in the HumanSketches and fragments
Misc1880My LifeMein Leben Vol. 1, Vol. 2Wagner's autobiography