List of Mexican operas


This is a list of operas by Mexican composers. Many, but not all, of them premiered in Mexico. Amongst the operas which had their first performances abroad are Melesio Morales' Ildegonda, Daniel Catán's Florencia en el Amazonas, and Julio Estrada's Murmullos del páramo.
Mexico boasts several professional opera companies, including the National Opera Company and the Opera de Bellas Artes, both based in Mexico City. The International Cervantino Festival in Guanajuato, for example, features opera performances alongside theater, dance, and music. In addition to the Palacio de Bellas Artes, Mexico is home to other notable opera houses, such as the Teatro Degollado in Guadalajara and the Teatro de la Ciudad Esperanza Iris in Mexico City.
Many of the operas listed have librettos in Spanish, the official language of Mexico. However, the practice of using French or Italian librettos was common in 19th and early 20th century Mexico when much of the opera in that country was performed by visiting troupes largely composed of European singers unaccustomed to singing in Spanish. Both Gustavo Campa's Le roi poete and Ricardo Castro Herrera's La légende de Rudel had French librettos, while Catalina de Guisa by Cenobio Paniagua and several other notable operas of this period had Italian librettos. Although the vast majority of later Mexican operas have Spanish librettos, there have been 20th century works set to English texts, most notably The visitors by Carlos Chávez with a libretto by the American poet Chester Kallman.
Opera was brought to Mexico during the colonial era by Spanish missionaries and settlers. The first documented opera performance in Mexico took place in 1701 in Mexico City. The first opera by a Mexican-born composer was Manuel de Zumaya's La Parténope, performed in 1711 before a private audience in the Viceroy's Palace in Mexico City. However, the first Mexican composer to have his operas publicly staged was Manuel Arenzana, the maestro de capilla at Puebla Cathedral from 1792 to 1821. He is known to have written at least two works performed during the 1805/1806 season at the Teatro Coliseo in Mexico City – El extrangero and Los dos ribales en amore. Both were short comic pieces. The first Mexican opera seria was Paniagua's Catalina de Guisa.
With its story about the Huguenots in France and an Italian libretto by Felice Romani, contemporary critics noted that the only thing Mexican about it was the composer. Although the traditions of European opera and especially Italian opera had initially dominated the Mexican music conservatories and strongly influenced native opera composers, elements of Mexican nationalism had already appeared by the latter part of the 19th century with operas such as Aniceto Ortega del Villar's 1871 Guatimotzin, a romanticised account of the defense of Mexico by its last Aztec ruler, Cuauhtémoc. Later works such as Miguel Bernal Jiménez's 1941 Tata Vasco incorporated native melodies into the score.

List

18th century

La Parténope by Manuel de Sumaya – premiered 1711, Viceregal Palace, Mexico City

19th century

20th century

Atzimba by Ricardo Castro Herrera Le roi poete by Gustavo E. Campa – premiered 1901, Teatro Principal, Mexico CityLa légende de Rudel by Ricardo Castro Herrera – premiered 1906, Teatro Arbeu, Mexico CityTata Vasco by Miguel Bernal Jiménez – premiered 1941, Pátzcuaro, MexicoLa mulata de Córdoba by José Pablo Moncayo – premiered 1948, Palacio de Bellas Artes, Mexico City)La encrucijada by Manuel Enríquez The Visitors by Carlos Chávez – premiered incomplete 1957 as Panfilo and Lauretta, Brander Matthews Theatre, New York City; premiered in final version 1999, Teatro Juárez, Guanajuato, MexicoEl romance de Doña Balada by Alicia Urreta – premiered 1974, Centro Cultural El Ágora, Villahermosa, MexicoLa mujer y su sombra by Miguel Alcázar – premiered 1981, Palacio de Bellas Artes, Mexico City

21st century

Serafina y Arcángela by José Enrique González Medina – premiered 2001, State Playhouse, Cal State LA
  • TRILOGY Mis Dos Cabezas Piensan Peor Que Una by Juan Trigos – premiered 2005, Lisinski Hall, Zagreb Murmullos del páramo by Julio Estrada – premiered 2006, El Teatro Español, MadridEl juego de los insectos by Federico Ibarra – premiered 2009, Palacio de Bellas Artes, Mexico CityAntonieta, un ángel caído, by Federico Ibarra Groth, libretto by Verónica Musalem, based on the life of Antonieta Rivas Mercado – premiered 2010 during CENIDIM's International Conference for Musicology, Mexico CityÚnicamente la verdad, by Gabriela Ortiz, libretto by Ruben Ortiz, – premiered 2010 Indiana University Jacobs School of Music in Indiana University at the Buskirk-Chumley TheaterIllegal Alien/Inmigrante Ilegal, by Alfonso Molina, libretto by Alfonso Molina, – premiered 2014 University of Arizona Fred Fox School of Music in the University of Arizona at the Crowder Hall TheaterArsenikblüten, by Diana Syrse, libretto by Daniélle Sarréra – premiered 2014 Sankt Lukas Kirche. München, Germany.Marea Roja, by Diana Syrse, libretto by Alejandro Román Bahena, – premiered 2016 Centro Nacional de las Artes in Mexico City by José Enrique González Medina – premiered 2017, Teatro de las Artes, Cenart, Ciudad de México. Commissioned by Cincinnati Opera Education.Luciérnaga, by Gabriela Ortiz, libretto by Silvia Peláez, premiered in 2018, Sala Miguel Covarrubias, UNAM. Commissioned for the 50th Anniversary of 1968 Students Movement in Mexico.