Leonardo Padura Fuentes
Leonardo de la Caridad Padura Fuentes is a Cuban novelist and journalist best known for his Mario Conde detective novels and for El hombe que amaba a los perros. In 2012, Padura was awarded the National Prize for Literature, Cuba's national literary award. In 2015, he was awarded the Premio Principe de Asturias de las Letras of Spain.
Life and career
Padura was born in Havana, Cuba on October 10th, 1955. He received a degree in Latin American literature at the University of Havana. He first came to prominence in 1980 as an investigative journalist for the literary magazine Caimán Barbudo. He became known as an essayist, screenwriter, and a novelist.He wrote his first novel between 1983 and 1984, a love story titled Fiebre de caballos.
Mario Conde books
Padura is best known in the English-speaking world for his quartet of detective novels featuring lieutenant Mario Conde. Collectively titled Las cuatro estaciones, they are sometimes called The Havana Quartet in their English translations. Conde is a cop who would rather be a writer, and admits to feelings of "solidarity with writers, crazy people, and drunkards". These books are set respectively in winter, spring, summer and autumn :- Pasado perfecto
- Vientos de cuaresma
- Máscaras
- Paisaje de otoño
Paisaje de otoño won the 1998 of the .
The four books were adapted as four Spanish-language television films, which have been released in a group with English subtitles as the Netflix mini-series Four Seasons in Havana. They star Cuban actor Jorge Perugorría and were produced by Tornasol Film. An English-language remake named Havana Quartet was considered by Starz, with Antonio Banderas tagged to act as Conde, but it did not proceed beyond the development stage. In 2014, BBC Radio broadcast dramatizations of the four stories starring Zubin Varla.
Other works
Padura's historical novel El hombre que amaba a los perros deals with the 1940 death of wanted fugitive and Russian revolutionary Leon Trotsky, and the NKVD agent responsible for eliminating him, Ramon Mercader. At almost 600 pages, it is perhaps Padura's most ambitious and accomplished work and the result of more than five years of meticulous historical research. The novel, published in September 2009, attracted publicity mainly because of its political theme. It centres "on Stalin’s murderous obsession with Leon Trotsky, an intellectual architect of the Russian Revolution and the founder of the Red Army", and considers "how revolutionary utopias devolve into totalitarian dystopias."Padura's books have been translated into French, Italian, Portuguese, German, Greek, and Danish. In 2013, France named him a Chevalier of the Ordre des Arts et des Lettres.
Padura still lives and writes in his native city of Havana.
"In one of his essays entitled 'I would like to be Paul Auster,' Padura complains that he would love not to be constantly asked about politics in his country and why he continues living there. But this is very much his niche: he is widely seen as the best writer in Cuba, a country whose best writers were all formed before Castro rule. He offers us an off-the-beaten-path visit of a relatively closed society, a prose that is free of propaganda. By occupying a small but significant critical space in Cuba, Padura becomes more interesting for Cuba observers and more intriguing for students of cultural and literary trends in the island."
Novels
- Fiebre de caballos, 1988.Pasado perfecto, 1991.Vientos de cuaresma, 1994.Máscaras, 1997.Paisaje de otoño, 1998. Adiós Hemingway, 2001.La novela de mi vida, 2002.La neblina del ayer, 2005.El hombre que amaba a los perros, 2009.La cola de la serpiente, 2011.Herejes, 2013.Regreso a Ítaca La transparencia del tiempo, 2018.Como polvo en el viento Personas decentes, 2022.Ir a la Habana, Tusquets, 2024.Morir en la arena, Tusquets, 2025.
Nonfiction and essays
Con la espada y con la pluma: comentarios al Inca Garcilaso de la Vega, Letras Cubanas,1984.Colón, Carpentier, la mano, el arpa y la sombra, Departamento de Actividades Culturales, Universidad de La Habana, 1987.Lo real maravilloso, creación y realidad, Letras Cubanas, 1989.Estrellas del béisbol. El alma en el terreno, Editora Abril, 1989.El viaje más largo, Ediciones Unión, 1994.Un camino de medio siglo: Alejo Carpentier y la narrativa de lo real maravilloso, Letras Cubanas, 1994.Los rostros de la salsa, Ediciones Unión, 1997.Modernidad, posmodernidad y novela policial, Ediciones Unión, 2000. La cultura y la Revolución cubana, Editorial Plaza Mayor, 2002.José María Heredia: la patria y la vida, Ediciones Unión, 2003.Entre dos siglos, ensayo, IPS, 2006.La memoria y el olvido, ensayos y artículos, IPS, 2011.Yo quisiera ser Paul Auster. Ensayos selectos, Editorial Verbum, 2015.Agua por todas partes, Tusquets, 2019.Short stories
Según pasan los años, Letras Cubanas, 1989.El cazador, Ediciones Unión, La Habana, 1991.La puerta de Alcalá y otras cacerías, cuentos, Olalla Ediciones, 1998.El submarino amarillo, Ediciones Coyoacán: Coordinación de Difusión Cultural, Dirección de Literatura/UNAM, 1993.Nueve noches con Amada Luna, Colección Mini Letras, 2006.Mirando al sol, Sarita Cartonera, 2009.Aquello estaba deseando ocurrir, Tusquets, 2015.Screenwriting
Yo soy del son a la salsa,.Malabana,. Siete días en La Habana,.Regreso a Ítaca,.Cuatro estaciones en La Habana,.Critical studies and reviews of Padura's work
- "How to Write from Mantilla, or the Small Heresies of Leonardo Padura," chapter 5 in Yvon Grenier, Culture and the Cuban State, Participation, Recognition, and Dissonance under Communism.