La Giuditta


La Giuditta may refer to any one of several Italian oratorios, as elaborated below, treating the figure of Judith, from the Biblical Apocrypha, who liberated her besieged home town of Bethulia by seducing and then beheading Holofernes, commander of the forces laying the siege. Those are the two roles common to all versions; other characters, such as Achior in the first Scarlatti version, a captain so revolted by Holofernes' brutality that he defects, are incidental to one version.

Italian-language oratorios

Scarlatti's first ''La Giuditta'' (1693)

Alessandro Scarlatti: La Giuditta, Rome, 1693, for five voices, strings and continuo; libretto by Cardinal Pietro Ottoboni. "Scarlatti considered his finest oratorio, and its dramatic structure, rapidly interweaving brief scenes in Holofernes' camp with events in the troubled city, is remarkable." Recordings:

Scarlatti's second ''La Giuditta'' (1697)

Alessandro Scarlatti: La Giuditta, Rome or Naples 1697, for three voices, strings and continuo; libretto by Prince Antonio Ottoboni, father of the cardinal. This is not a revision but a new work altogether. A smaller setting, it is known today as the "Cambridge" Giuditta because its manuscript is conserved in the of King's College, Cambridge. Recordings:

Almeida's ''La Giuditta'' (1726)

Francisco António de Almeida: La Giuditta. Recording:

Metastasio's libretto on the same subject

Other composers

Latin oratorios

These oratorios are generally listed under Latin names: