Kalaripayattu
Kalaripayattu, also known simply as Kalari, is an Indian martial art that originated in the Kerala region during the 3rd century BCE.
Etymology
Kalaripayattu is a martial art which developed out of combat techniques of the 11th–12th century battlefield, with weapons and combative techniques that are unique to Kerala. The word Kalaripayattu is a combination of two Malayalam words – kalari and payattu, which is roughly translated as "practice in the arts of the battlefield". Kalari may also be derived from the Malayalam or Sanskrit term Khaloorika, which is the name of a goddess associated with Shaktism who is worshipped in Kalaripayattu.The Kamika Agama, a 5th century CE South Indian ancient text from the Shaiva Agama tradition, discusses the construction of the Khaloorika as a place for military exercise.
History
Associations with Indian folklore and legends
According to legend, Parashurama, the sixth avatar of Vishnu, learned the art from Shiva, and taught it to the original settlers of Kerala shortly after bringing Kerala up from the ocean floor. A song in Malayalam refers to Parashurama's creation of Kerala, and credits him with the establishment of the first 108 kalaris throughout Kerala, along with the instruction of the first 21 Kalaripayattu gurus in Kerala on the destruction of enemies.According to another legend, Ayyappa, a war deity from Kerala, learned Kalaripayattu in the Cheerappanchira Kalari in Muhamma.
Early history
According to Philip Zarrilli, the Dravidian combat techniques of the Sangam period and Sanskritic Dhanur Vedic traditions were the earliest precursors to Kalaripayattu. Each warrior in the Sangam era received regular military training in target practice, horse and elephant riding. They specialized in one or more of the important weapons of the period including the spear, sword, shield, and bow and arrow.Late medieval period (c. 1100 CE – c. 1500 CE)
According to Zarrilli, Kalaripayattu has been practiced "since at least the twelfth century" CE. During the 11th century, the second Chera kingdom fought a century-long war with the Chola kingdom, which ended with disintegration of the Chera kingdom. During this period, military combat training was compulsory, and according to Elamkulam Kunjan Pillai, Kalaripayattu took shape in this period. According to historian A. Sreedharan Menon, Kalaripayattu was among the most important aspects of feudal Keralite society, as it helped impart military training and Spartan-like discipline amongst the youth of Kerala, irrespective of caste, community or sex.Each village in late medieval Kerala had its own kalari, which contained a presiding deity known as Bhagavathy or Paradevata. Children in Kerala who finished their education in local schools would join their local kalari to receive further military training. This was especially common amongst martial sects of various communities in Kerala, such as the Nairs and Thiyyars. The local legendary poems of Kerala, popularly known as Vadakkan Pattu, have been passed down through oral tradition and describe the deeds of warriors, indicating the practice of Kalarippayattu. These ballads, dating back as early as the 12th century, depict a social system in which every youth was required to undergo martial training.
In the late medieval period Kalaripayattu extended into the Kerala practice of ankam as a way to settle disputes that could not be settled by local governmental assemblies. A variant of ankam, called poithu was also practiced, and was a duel between two individuals. Combatants participating in ankam or poithu used Kalaripayattu, and the combatants were given up to 12 years to prepare and train prior to the ankam itself, so that all combatants could achieve the highest level of proficiency with Kalaripayattu traditional weaponry. In some cases, professional mercenaries trained in Kalaripayattu were paid to engage in ankam on the behalf of others.
Early modern and colonial period (c. 1500 – c. 1900 CE)
Descriptions by Europeans
In 1498, a Portuguese fleet under Vasco da Gama discovered a new sea route from Europe to India, which paved the way for direct Indo-European commerce. The next to arrive were the Dutch, with their main base in Ceylon. They established ports in Malabar. Following the Dutch, the British—who set up in the west coast port of Surat in 1619—and the French both established trading outposts in India.Duarte Barbosa, a Portuguese explorer who visited Kerala in the 16th century, noted that the physical exercise complexes of the Nairs and Thiyyars created a network of martial culture in Malabar, and wrote about Nair military training in Kalaripayattu:
Hendrik van Rheede, governor of Dutch Malabar between 1669 and 1676, wrote about Chekavar training in Kalaripayattu in Hortus Malabaricus:
Jacob Canter Visscher, in his Letters from Malabar, wrote about the Chekavars:
Decline
The widespread practice and prevalence of Kalaripayattu in Kerala began to decline in the 17th century, when the usage of guns and cannons became widespread. This also coincided with the European invasions into Kerala, after which, firearms began to surpass the usage of traditional weaponry such as swords and spears.The late medieval "golden age" of Kalaripayattu is preserved in the Vadakkan Pattukal, a collection of ballads about warrior heroes and heroines from earlier periods in Kerala, such as Aromal Chekavar, Unniyarcha, and Thacholi Othenan, who were celebrated for their martial prowess, chivalry and idealism. The heroes and heroines belong mainly to two matrilinear families, one of Tiyya origin and another Nair. In the Vadakkan Pattukal, it is stated that the cardinal principle of Kalaripayattu was that knowledge of the art be used to further worthy causes, and not for the advancement of one's own selfish interests.
In 1804, the British banned Kalaripayattu in Kerala in response to the Kottayathu War, a rebellion against British rule in Kerala led by the Keralite king Pazhassi Raja. The ban came into effect shortly after Pazhassi Raja's death on November 30, 1805, resulting in the closure of most of the major kalari training grounds in Kerala. Following the ban, many Keralite gurukkals of Kalaripayattu resisted the ban and continued to teach Kalaripayattu to their students in secret. Gurukkals such as Kottackkal Kanaran Gurukkal, Kelu Kurup Gurukkal and Maroli Ramunni Gurukkal, learned and preserved the martial art for posterity and were responsible for preserving Kalaripayattu into the beginning of the twentieth century, as well as sparking the revival of Kalaripayattu in Kerala in the 1920s.
Resurgence in modern times (20th–21st century)
The resurgence of public interest in Kalaripayattu began in the 1920s in Thalassery, as part of a wave of rediscovery of the traditional arts throughout southern India and continued through the 1970s surge of general worldwide interest in martial arts.During this period of renewed public interest in Kerala's native martial art, Kalaripayattu gurukkals such as Kottakkal Kanaran Gurukkal, Chambadan Veetil Narayanan Nair. Chambadan Veetil Narayanan Nair, a student of Kottackkal Kanaran Gurukkal, and in whose memory the CVN Kalaris are named, opened several kalaris, and began to spread Kalaripayattu across its native state of Kerala, revitalizing the art across the state in the twentieth century.
Chirakkal T. Sreedharan Nair is also widely credited for reviving and preserving Kalaripayattu by writing the first books ever written on Kalaripayattu, as well as writing the first authoritative text on the martial art. Sreedharan Nair is credited with writing Kalaripayattu, the first book ever written on Kalaripayattu, in 1937. This book was written in Malayalam, and listed the vaithari or oral commands, of all the exercises relating to meypayattu, or conditioning techniques. He is also credited with writing the first authoritative text and primer on Kalaripayattu, called Kalarippayattu – A Complete Guide to Kerala’s Ancient Martial Art. The text, alongside a compilation of Sreedharan Nair's teaching notes, were translated into English by his sons S. R. A. Das and S. R. D. Prasad and then published by Westland Books. The book contains over 1,700 action photographs as well as explanations behind all of the exercises. It continues to be the most authentic reference material on Kalaripayattu to this day.
In the modern era, Kalaripayattu is also used by practitioners of Keralite dance styles, such as Kathakali and Mohiniyattam, as part of their training regimens. Recently, dancers from other, non-Keralite dance forms have also begun to incorporate Kalaripayattu into their training regimes, such as Vasundhara Doraswamy, a notable Bharatanatyam dancer.
In 2017, a 73-year-old gurukkal from Vadakara, Sri Meenakshi Amma, was awarded the Padma Sri by the Government of India for her contributions to the preservation of Kalaripayattu.
In January 2021, the Government of Kerala announced the opening of the Kalaripayattu Academy in Kerala's capital, Thiruvananthapuram, under the management of the Kerala Department of Tourism. The Kalaripayattu Academy will comprise an area of 3,500 feet, and will be part of the Vellar Crafts Village. The Kalaripayattu classes will be taught by a group of gurukkals from Kerala, led by Sri Meenakshi Amma, a Kalaripayattu gurukkal and Padma Sri recipient. The Kalaripayattu Academy will initially teach 100 students, both adults and children, in both morning and evening classes. Chief Minister Pinarayi Vijayan is set to announce the syllabus of the academy in 2021.