Jorge Negrete


Jorge Alberto Negrete Moreno was a Mexican singer and actor. He specialized in the musical genre of ranchera. His posthumous album "Fiesta Mexicana Volumen II" has been ranked No. 163 by critics on their list of the greatest Latin albums of all time.

Life and career

Negrete was born in the city of Guanajuato and had two brothers and three sisters. His father was a Mexican Army colonel who fought with the Revolutionary faction called Northern Division ; however, around 1920, he quit his military career and moved with his family to Mexico City. There he found a job as a math teacher at several institutions, such as the German College "Alexander Von Humboldt", where his sons David and Jorge studied until middle school. As a result, they became fluent in the German language. Jorge learned other languages at the Heroico Colegio Militar : English, French, and Italian. From an early age, Negrete demonstrated great brilliance and rapidly became a prominent student in the eyes of his teachers.
At the age of thirteen, because of Negrete's misbehavior, his father decided to enroll him in the military. He graduated with the rank of sub-lieutenant from El Colegio Militar. This was where his interest in music developed. His military training also forged him a gallant presence and character which would later benefit him in his acting career. Negrete met and studied under, a prestigious singing professor who became fascinated the moment he heard Negrete sing. Pierson helped Negrete develop his talent for opera, and at the age of twenty Negrete began to sing for Radio XETR.
Negrete went to the United States and in 1932 recorded several operas using the stage name Alberto Moreno. He collaborated with Xavier Cugat, landed bookings at Latin clubs, met his first wife, and connected with cinematographer Ramón Peón, who cast Negrete in his first film, La madrina del Diablo . He went on to make 37 other films.
He married twice, both to famous actresses with whom he shared professional credits: Elisa Christy and María Félix. He also lived with his frequent co-star Gloria Marín for more than ten years. She acted in 10 of his 44 films.
File:MariaTereza4.jpg|thumb|300px|Meeting with Mexican president Miguel Alemán Valdés, from left to right Negrete, the president Miguel Alemán Valdés, Mario Moreno Cantinflas and
He began his career on the radio in 1931 in Mexico City singing operatic parts. In 1936 he signed with NBC Television for a TV program with Cuban and Mexican musicians. He returned to Mexico in 1937 to act in the film La madrina del Diablo, and because of the film's success he was able to sign for several more the next three years. In 1938 he starred in La Valentina with Elisa Christy and then in Juntos pero no revueltos.
After working in Havana and Hollywood, Negrete was called to act in ¡Ay, Jalisco, no te rajes!, which made him an international Latin star and helped create the charro film genre. During filming he met Gloria Marín, kicking off their romance and the string of films they worked on together. He complemented his film career by singing rancheras touring Latin America with the trio Los Tres Calaveras, performing at concerts, and making personal appearances. He was offered the main role in El peñón de las ánimas and wanted Marín to be his co-star. In spite of his protests, newcomer María Félix was cast instead, and although they at first despised each other during production, she would eventually become his wife.
Negrete visited Chile in 1946 where a local Mexican music scene was thriving, partially as a result of the influence of Mexican cinema.
Negrete was one of the founders, and most important leaders, of the Mexican National Association of Actors, succeeding Cantinflas as its chairman. In 1952 actress Leticia Palma was involved in the struggle between Cantinflas and Negrete over leadership of the union, with Palma campaigning actively for Cantinflas. On January 2, 1953, Palma was "rescued" by Major Manuel González, who helped her get a taxi to safety while she was being pursued by an angry mob led by Negrete, who was after Palma for having stolen documents regarding her contract violations. Palma filed an assault charge against Negrete.
Eight days later, ANDA held a special assembly to decide on Palma. Cantinflas argued on her behalf, attempting to negotiate a settlement. Negrete would allow nothing less than her expulsion from the union, and Palma likewise refused to withdraw the charge of assault. Just before the vote, a number of actresses left the room in protest. The remaining members voted in favor of expulsion, thus ending Palma's film career.

Death and aftermath

In 1953 during a business trip to Los Angeles, Negrete died of complications from hepatic cirrhosis, from which he had been suffering since 1937. According to his wishes, his body was flown back to Mexico and buried. He was 42 years old.
He was the first of "Los Tres Gallos" to die—the other two were Pedro Infante and Javier Solís. All three of them died within a span of 13 years.
Thousands of fans attended his funeral and followed the hearse to the Panteón Jardín cemetery, where he was buried in the actors' corner. On December 5th, the anniversary of his death, fans still pay tribute to "El Charro Cantor" at his tomb, and television and radio stations air marathons of his films and songs.
The centennial of his birth was commemorated in 2011. Several tribute concerts and presentations took place throughout Mexico and some European countries with Hispanic culture and heritage.

Family

Negrete's parents were Emilia Moreno Anaya and David Negrete Fernández. He descended from outstanding Mexican liberal military men, including Miguel Negrete, who participated in the Battle of Puebla. His siblings were named Consuelo, Emilia, Teresa, David, and Rubén.
Elisa Christy gave birth to his daughter Diana in 1942. She died in 2021.
Negrete has five grandchildren: Déborah, Diana, Rafael, Liliana, and Lorenzo. Rafael and Lorenzo are professional singers and use Negrete for their artistic names.
His stepson was actor Enrique Álvarez Félix.

Filmography

  • El rapto
  • Reportaje
  • Dos tipos de cuidado
  • Hechos uno para el otro
  • Tal para cual
  • Un gallo en corral ajeno
  • Los tres alegres compadres
  • Hay un niño en su futuro
  • Siempre tuya
  • Lluvia roja
  • La posesión
  • Teatro Apolo
  • Una Gallega en México
  • Jalisco canta en Sevilla
  • Allá en el rancho grande
  • Si Adelita se fuera con otro
  • Gran Casino
  • Camino de Sacramento
  • El ahijado de la muerte
  • En tiempos de la inquisición
  • No basta ser charro
  • Canaima a.k.a. El Dios del mal
  • Hasta que perdió Jalisco
  • Me he de comer esa tuna Mexico a.k.a. El día que me quieras
  • Cuando quiere un Mexicano a.k.a. La Gauchita y el charro
  • El rebelde
  • Una carta de amor
  • Tierra de pasiones
  • Aquí llegó el valentón a.k.a. El Fanfarrón
  • El jorobado a.k.a. Enrique de Lagardere
  • El peñón de las ánimas
  • Así se quiere en Jalisco
  • Historia de un gran amor
  • When the Stars Travel
  • Sed, sangre y sol
  • Fiesta
  • ¡Ay Jalisco, no te rajes!
  • Una luz en mi camino
  • Juntos, pero no revueltos
  • El cementerio de las águilas
  • Juan sin miedo
  • Perjura
  • Caminos de ayer
  • La Valentina
  • La madrina del Diablo
  • ''Cuban Nights''