Jerry Garcia
Jerome John Garcia was an American musician who was the lead guitarist and a vocalist with the rock band Grateful Dead, which he co-founded and which came to prominence during the counterculture of the 1960s. Although he disavowed the role, Garcia was viewed by many as the leader of the band. He was inducted into the Rock and Roll Hall of Fame in 1994 as a member of the Grateful Dead.
As one of its founders, Garcia performed with the Grateful Dead for the band's entire 30-year career. Garcia also founded and participated in a variety of side projects, including the Saunders–Garcia Band, the Jerry Garcia Band, Old & In the Way, the Garcia/Grisman and Garcia/Kahn acoustic duos, Legion of Mary, and New Riders of the Purple Sage. He also released several solo albums, and contributed to a number of albums by other artists over the years as a session musician. He was well known for his distinctive guitar playing, and was ranked 13th in Rolling Stones "100 Greatest Guitarists of All Time" cover story in 2003. In the 2015 version of the list he was ranked at #46. In 2023, Garcia was ranked 34th by Rolling Stone.
Garcia was renowned for his musical and technical ability, particularly his ability to play a variety of instruments and sustain long improvisations. Garcia believed that improvisation took stress away from his playing and allowed him to make spur of the moment decisions that he would not have made intentionally. In a 1993 interview with Rolling Stone, Garcia noted that "my own preferences are for improvisation, for making it up as I go along. The idea of, of eliminating possibilities by deciding, that's difficult for me". Originating from the days of the "Acid Tests", these improvisations were a form of exploration rather than playing a song already written.
Later in life, Garcia struggled with diabetes. On July 10, 1986, he went into a diabetic coma and nearly died. Although his overall health improved somewhat after the incident, he continued to struggle with obesity, smoking, and long-standing heroin and cocaine addictions. He was staying in a California drug rehabilitation facility when he died of a heart attack in August 1995.
Early life
Garcia's ancestors on his father's side were from Galicia in northwest Spain. His mother's ancestors were Irish and Swedish. He was born in the Excelsior District of San Francisco, California, on August 1, 1942, to Jose Ramon "Joe" Garcia and Ruth Marie "Bobbie" Garcia, who was herself born in San Francisco. His parents named him after composer Jerome Kern. Jerome John was their second child, preceded by Clifford Ramon "Tiff", who was born in 1937. Shortly before Clifford's birth, their father and a partner leased a building in downtown San Francisco and turned it into a bar, partly in response to Jose being blackballed from a musicians' union for moonlighting.Garcia was raised as a Catholic. He was influenced by music at an early age, taking piano lessons for much of his childhood. His father was a retired professional musician and his mother enjoyed playing the piano. His father's extended family—which had immigrated from Spain in 1919—would often sing during reunions.
In 1946, two-thirds of four-year-old Garcia's right middle finger was cut off by his brother in a wood splitting accident, while the family was vacationing in the Santa Cruz Mountains. Garcia later confessed that he often used it to his advantage in his youth, showing it off to other children in his neighborhood.
Less than a year after this incident his father died in a fly fishing accident when the family was vacationing near Arcata in Northern California. He slipped after entering the Trinity River, part of the Six Rivers National Forest, and drowned before other fishermen could reach him. Although Garcia claimed he saw the incident, Dennis McNally, author of the book A Long Strange Trip: The Inside Story of the Grateful Dead, argues Garcia formed the memory after hearing others repeat the story. Blair Jackson, who wrote Garcia: An American Life, notes that a local newspaper article describing Jose's death did not mention Jerry being present when he died.
Excelsior District
Following his father's death, Garcia's mother Ruth took over her husband's bar, buying out his partner for full ownership. She began working full-time there, sending Jerry and his brother to live nearby with her parents, Tillie and William Clifford. During the five-year period in which he lived with his grandparents, Garcia enjoyed autonomy and he attended Monroe Elementary School. At the school, Garcia was greatly encouraged in his artistic abilities by his third grade teacher: through her, he discovered that "being a creative person was a viable possibility in life." According to Garcia, it was around this time that he was opened up to country and bluegrass music by his grandmother, whom he recalled enjoyed listening to the Grand Ole Opry. His elder brother, Clifford, however, staunchly believed the contrary, insisting that Garcia was "fantasizing all ... she'd been to Opry, but she didn't listen to it on the radio." It was at this point that Garcia started playing the banjo, his first stringed instrument.Menlo Park
In 1953, Garcia's mother married Wally Matusiewicz. Subsequently, Garcia and his brother moved back home with their mother and new stepfather. However, due to the roughneck reputation of their neighborhood at the time, Garcia's mother moved their family to Menlo Park. During their stay in Menlo Park, Garcia became acquainted with racism and antisemitism, things he disliked intensely. The same year, Garcia was also introduced to rock and roll and rhythm and blues by his brother, and enjoyed listening to Ray Charles, John Lee Hooker, B. B. King, Hank Ballard, and, later, Chuck Berry. Clifford often memorized the vocals for his favorite songs, and would then make Garcia learn the harmony parts, a move to which Garcia later attributed much of his early ear training.In mid-1957, Garcia began smoking cigarettes and was introduced to marijuana. Garcia would later reminisce about the first time he smoked marijuana: "Me and a friend of mine went up into the hills with two joints, the San Francisco foothills, and smoked these joints and just got so high and laughed and roared and went skipping down the streets doing funny things and just having a helluva time". During this time, Garcia also studied at what is now the San Francisco Art Institute. There he was taught by Wally Hedrick, an artist who came to prominence during the 1960s. During the classes he often encouraged Garcia to draw and paint, noting that Garcia had skill in both areas. Hedrick also introduced Garcia to the fiction of Jack Kerouac, whom Garcia later cited as a major influence.
San Francisco
In June, Garcia graduated from the local Menlo Oaks school. He then moved with his family back to San Francisco, where they lived in an apartment above the family bar, a newly built replacement for the original, which had been torn down to make way for a freeway entrance. Two months later, on Garcia's fifteenth birthday, his mother bought an accordion for him, to his great disappointment. Garcia had long been captivated by many rhythm and blues artists, especially Chuck Berry, Elmore James and Bo Diddley, leaving him craving an electric guitar. After some pleading, his mother exchanged the accordion for a Danelectro with a small amplifier at a local pawnshop. Garcia's stepfather, who was somewhat proficient with instruments, helped tune his guitar to an unusual open tuning.Cazadero
After a short stint at Denman Junior High School, Garcia attended tenth grade at Balboa High School in 1958, where he often got into trouble for skipping classes and fighting. Consequently, in 1959, Garcia's mother again moved the family to a safer environment, to Cazadero, a small town in Sonoma County, north of San Francisco. This turn of events did not sit well with Garcia, who had to travel by bus to Analy High School in Sebastopol, the nearest school. Garcia did, however, join a band at his school known as the Chords. After performing in and winning a contest, the band's reward was recording a song. They chose "Raunchy" by Bill Justis.Recording career
Relocation and band beginnings
Garcia stole his mother's car in 1960 and was given the option of joining the U.S. Army in lieu of prison. He received basic training at Fort Ord. After training, he was transferred to Fort Winfield Scott in the Presidio of San Francisco. Garcia spent most of his time in the army at his leisure, missing roll call and accruing many counts of being AWOL. As a result, Garcia was given a general discharge on December 14, 1960.In January 1961, Garcia drove to East Palo Alto to see Laird Grant, an old friend from middle school. He had purchased a 1950 Cadillac sedan from a cook in the army, which barely made it to Grant's residence before it broke down. Garcia spent the next few weeks sleeping where friends would allow, eventually using his car as a home. Through Grant, Garcia met Dave McQueen in February, who, after hearing Garcia perform some blues music, introduced him to local people and to the Chateau, a rooming house located near Stanford University which was then a popular hangout.
On February 20, 1961, Garcia got into a car with Lee Adams, the house manager of the Chateau and driver; Paul Speegle, a sixteen-year-old artist and acquaintance of Garcia; and Alan Trist, a companion of theirs. After speeding past the Palo Alto Veterans Hospital, the driver encountered a curve and, speeding around, crashed into the guard rail, sending the car rolling turbulently. Garcia was hurled through the windshield of the car into a nearby field with such force that he came out of his shoes and had no memory of the ejection. Lee Adams, the driver, and Alan Trist, who was seated in the back, were thrown from the car as well, resulting in abdominal injuries and a spine fracture, respectively. Garcia escaped with a broken collarbone, while Speegle, still in the car, was fatally injured.
Lee's reckless driving and crash served as an awakening for Garcia, who later said, "That's where my life began. Before then I was always living at less than capacity. I was idling. That was the slingshot for the rest of my life. It was like a second chance. Then I got serious." As a result, Garcia began playing the guitar in earnest—a move which meant giving up his love of drawing and painting.
In April 1961, Garcia first met Robert Hunter, who would become a long-time friend of and lyricist for the Grateful Dead, collaborating principally with Garcia. The two involved themselves in the South Bay and San Francisco art and music scenes, sometimes playing at Menlo Park's Kepler's Books. Garcia performed his first concert with Hunter, each earning five dollars. Garcia and Hunter also played in bands with David Nelson, who would later play with Garcia in the New Riders of the Purple Sage and contribute to several Grateful Dead album songs.
In 1962, Garcia met Phil Lesh, the eventual bassist of the Grateful Dead, during a party in Menlo Park's bohemian Perry Lane neighborhood. Lesh would later write in his autobiography that Garcia reminded him of pictures he had seen of the composer Claude Debussy, with his "dark, curly hair, goatee, Impressionist eyes". While attending another party in Palo Alto, Lesh approached Garcia to suggest they record Garcia on Lesh's tape recorder and produce a radio show for the progressive, community-supported Berkeley radio station KPFA. Using an old Wollensak tape recorder, they recorded "Matty Groves" and "The Long Black Veil", among several other tunes. The recordings became a central feature of a 90-minute KPFA special broadcast, "The Long Black Veil and Other Ballads: An Evening with Jerry Garcia". The link between KPFA and the Grateful Dead continues to this day, having included many fundraisers, interviews, live concert broadcasts, taped band performances and all-day or all-weekend "Dead-only" marathons.
Garcia soon began playing and teaching acoustic guitar, as well as banjo. One of Garcia's students was Bob Matthews, who later engineered many of the Grateful Dead's albums. Matthews attended Menlo-Atherton High School and was friends with Bob Weir, and on New Year's Eve 1963, he introduced Weir and Garcia.
Between 1962 and 1964, Garcia sang and performed mainly bluegrass, old-time, and folk music. One of the bands Garcia performed with was the Sleepy Hollow Hog Stompers, a bluegrass act. The group consisted of Garcia on lead guitar, banjo, vocals, and harmonica, Marshall Leicester on banjo, rhythm guitar, and vocals, and Dick Arnold on fiddle and vocals. Soon after this, Garcia, Weir, Ron "Pigpen" McKernan, and several of their friends formed a jug band called Mother McCree's Uptown Jug Champions. Around this time, the psychedelic drug LSD was gaining popularity. Garcia first began using LSD in 1964; later, when asked how it changed his life, he remarked: "Well, it changed everything the effect was that it freed me because I suddenly realized that my little attempt at having a straight life and doing that was really a fiction and just wasn't going to work out. Luckily I wasn't far enough into it for it to be shattering or anything; it was like a realization that just made me feel immensely relieved."
In 1965, Mother McCree's Uptown Jug Champions evolved into the Warlocks, with the addition of Dana Morgan, Jr. on bass guitar and Bill Kreutzmann on percussion. However, the band discovered a record by another group called The Warlocks. In response, Garcia came up with "Grateful Dead" by opening a Funk & Wagnalls dictionary to an entry for "Grateful dead". The definition for "Grateful dead" was "a dead person, or his angel, showing gratitude to someone who, as an act of charity, arranged their burial". The band's first reaction was disapproval. Garcia later explained the group's reaction: "I didn't like it really, I just found it to be really powerful. Weir didn't like it, Kreutzmann didn't like it and nobody really wanted to hear about it." Despite their dislike of the name, it quickly spread by word of mouth, and soon became their official title.