Jürg Baur
Jürg Baur was a German composer whose works include Incontri and Mutazioni. Baur studied at the Cologne University of Music and taught there in his later years. Baur was also awarded the Federal Cross of Merit.
Education
Baur was born in Düsseldorf, where he achieved early recognition as a composer at the age of 18, when his First String Quartet was premiered at the Düsseldorf Hindenburg Secondary School by the then-famous Prisca Quartet. He studied from 1937 to 1948 at the Hochschule für Musik Köln : composition with Philipp Jarnach, piano with Karl Hermann Pillney, and organ and sacred music with Michael Schneider. Even before completing his conservatory studies, he was appointed lecturer in music theory at the Düsseldorf Conservatory in 1946. He did postgraduate studies in musicology with Karl Gustav Fellerer and Willi Kahl from 1948 to 1951 at the University of Cologne. In 1952 he was appointed choirmaster and organist at the St Paulus-Kirche in Düsseldorf, a post he left in 1960 when he was awarded a scholarship from the German Academy to study for six months at the Villa Massimo in Rome. He twice returned to Rome for extended visits, in 1968 and 1980. The vivid impression made by the Italian city is reflected in the Italian-titled works he composed there, including the Concerto romano for oboe and orchestra.Compositional career
Baur was one of the last composers of the old school. After the war, he remained faithful to his teacher Jarnach's conservative stance, and never became an extreme avant-gardist. Widespread recognition as a composer came comparatively late. Béla Bartók was his strongest stylistic influence at first, but in the 1950s he began to use twelve-tone technique. Anton Webern’s music became his model in works such as the Third String Quartet, the Quintetto sereno for wind quintet —which also uses aleatory techniques—the Sonata for two pianos, and the Ballata romana. Later, he developed a marked propensity for quotations from earlier music. Particularly striking examples include Heinrich Isaac's "Innsbruck, ich muss dich lassen" in the Concerto da camera, a theme from Bach’s Musical Offering in the Ricercari for organ, as well as in the Kontrapunkte 77 for three woodwinds, and Schumann themes in Sentimento del tempo and, especially, in Musik mit Robert Schumann. Other composers whose works Baur has quoted include Dvořák, Strauss, Gesualdo, Mozart and Schubert.Primarily a composer of orchestral and instrumental music, Baur also produced a number of works for less mainstream instruments such as the recorder and the accordion. He was one of the first composers to introduce the recorder to the new musical trends of the post-war era, with Incontri, for recorder and piano, Mutazioni and Pezzi uccelli, both for unaccompanied alto recorder, and the virtuosic Concerto da camera "Auf der Suche nach der verlorenen Zeit", for recorder and chamber orchestra of 1975.
In his 87th year, Baur completed his only opera, Der Roman mit dem Kontrabass, to a libretto by Michael Leinert after the story by Anton Chekhov. Commissioned on the occasion of the composer's 85th birthday in 2003 by the Deutsche Oper am Rhein, it was premiered at the Partika-Saal of the Schumann Hochschule, Düsseldorf, on 25 November 2005, with Marco Vassilli and Kerstin Pohle singing the two main roles, Szymon Marciniak as the solo contrabassist, and Thomas Gabrisch conducting.