Into the Jaws of Death
Into the Jaws of Death is a photograph taken on June 6, 1944, by Robert F. Sargent, a chief photographer's mate in the United States Coast Guard. It depicts soldiers of the U.S. Army's 1st Infantry Division disembarking from an LCVP from the U.S. Coast Guard-crewed at Omaha Beach during the Normandy landings in World War II. Sometimes appearing with the title Taxis to Hell—and Back, it is regarded as one of the defining images of World War II.
The photograph
The photograph was taken by Chief Photographer's Mate Robert F. Sargent during the troop landing phase of Operation Neptune, the naval component of the Operation Overlord Normandy landing commonly known as D-Day.The photograph was taken at 7:40 am local time. It depicts the soldiers departing the Higgins boat and wading through waist-deep water towards the "Easy Red" sector of Omaha Beach. It shows troops of Company E, 16th Infantry, 1st Infantry Division landing on Omaha Beach from a U.S. Coast Guard landing craft on D-Day.
The image is one of the most widely reproduced photographs of the D-Day landings. Original prints are held by the United States Coast Guard Historian's Office and the National Archives and Records Administration.
Background
Neptune was the largest combat operation ever performed by the United States Coast Guard.The Higgins boat depicted in the photograph had departed from the attack transport about from the coast of Normandy at around 5:30 am. Waves continuously broke over the boat's square bow, and the soldiers inside were drenched in cold ocean water.
In all, Samuel Chase lost six landing craft on D-Day; four foundered near the beach, one was "impaled" by a beach obstacle, and another was sunk by enemy gunfire.
Origin of the phrase
The phrase "into the jaws of Death" in the photograph's caption comes from a refrain in "The Charge of the Light Brigade", an 1854 narrative poem by Alfred, Lord Tennyson about the Charge of the Light Brigade at the Battle of Balaclava during the Crimean War.In popular culture
The photograph is shown in the closing moments of the 2025 television documentary miniseries The American Revolution, directed by Ken Burns, Sarah Botstein and David Schmidt.The image was evoked in the 1998 Hollywood film Saving Private Ryan, and appears on the cover of Stanley Lombardo's 1997 English translation of the Iliad as a symbol of the universality of war.