In Your Honor
In Your Honor is the fifth studio album by American rock band Foo Fighters, released on June 14, 2005, through Roswell and RCA Records. It is a double album, with the first disc containing heavy rock songs and the second containing mellower acoustic songs. Frontman Dave Grohl decided to do a diverse blend of songs, as he felt that after ten years of existence, the band had to break new ground with their music. The album was recorded at a newly built studio in Northridge, Los Angeles, and features guests such as John Paul Jones, Norah Jones, and Josh Homme. Its lyrics deal with both resonating and introspective themes, with a major influence from Grohl's involvement on the campaign trail with John Kerry during the 2004 presidential election. It was the first album to feature keyboardist Rami Jaffee, although he would not join the band as full-time member until 2015.
The promotional tour for the album included both rock shows in stadiums and acoustic gigs in smaller venues. Reviews for In Your Honor were mostly positive, praising the composition and sound, although some critics found the album overlong and inconsistent. The album was also nominated for five Grammy Awards, and topped the charts in five countries—including Australia—and reached the top five in five more, including number two in both the United States and the United Kingdom. In Your Honor also broke the band's consecutive streak of Grammy Award for Best Rock Album wins that began in 2001 with There Is Nothing Left to Lose.
Background
After touring in support of One by One, Dave Grohl was uncertain on what to do next with the Foo Fighters. He felt that rushing to do another record would not be creatively rewarding. Grohl considered a possible film score, and began writing acoustic songs, eventually amassing a full album's worth of songs. Grohl, not wanting to make a solo album and accepting the drift from his usual style, brought the songs to the Foo Fighters – "who's to say what we should sound like?". Bassist Nate Mendel replied that the songs' uncharacteristic sound was "why should go on the record." Grohl decided against an acoustic record, saying "I have to have loud rock music in my life somewhere", and decided to make a double album, with "one CD that's all the really heavy rock shit" and another "that's really beautiful, acoustic-based, lower dynamic stuff", which Grohl described as "the bottle and the hangover", and also with the rock record being "my Jack and Coke record" with songs that "I realise I cannot live without that", and the acoustic being "my Sapphire-and-Martini-with-Kylie record". Grohl also stated a decisive moment in making a double album was uploading demos to his computer and realizing he had five hours of music, adding that "we've been a band for 10 years now, this is our fifth record, and I thought it would be boring to just keep making album after album and making videos and playing festivals, so I wanted to do something special."The album was recorded in a new recording studio built in a warehouse in Northridge, California, named Studio 606 West in contrast to the original Studio 606 in Grohl's basement in Alexandria, Virginia. Development for In Your Honor took nine months with three and a half months installing equipment in the studio, and songs being written throughout 2004. While waiting for 606 to get finished, the band rehearsed on North Hollywood's Mates Rehearsal Studios, where "we ended up with three or four different versions of about 30 songs", according to Raskulinecz who added that "it got to the point where I didn't want them to play the rock songs anymore. I was afraid they were going to get stale."
Recording
The sessions ran from January to March 2005, with only two and a half weeks spent on the acoustic record. Forty tracks were recorded – fifteen of them acoustic – with half of them ending on the final track list. Studio 606 was not finished as the band moved in, and the band members even helped with the final stages of construction, "hammering, stuffing insulation — doing whatever to speed the process." Eight of the rock songs were last-minute compositions done after the acoustic record was finished, as "Dave started feeling that it was better than the rock record." The songs were recorded on analog tape—which was reused over and over due to a tape shortage and a desire to save money—before being transferred to Pro Tools for overdubs, editing and mixing. Raskulinecz mixed the rock songs, while Elliot Scheiner mixed the stereo and 5.1 versions of the acoustic sides.The band entered the studio with most of the songs finished and rehearsed; producer Nick Raskulinecz, who also worked on One by One, stated that while "One By One was very loose, "In Your Honor was more planned out. Dave was more meticulous on that one". The electric album was done in segments by instrument, starting with the drums and guitars, then vocals, and finally bass. Mendel would write a bass line on Pro Tools at home before showing it to Grohl and Raskulinecz. The bass was recorded after the vocals, which Raskulinecz said was done because "By doing bass last, you can really tailor it for tuning, parts and sound. If you do the drums and then the guitars, you can fill the hole that's left with bass. And sometimes that hole wants a certain frequency that isn't traditional for bass, but you have to go with it, which is even more fun."
During the last three weeks of work on the rock songs, the band was in the studio "from noon to eight in the morning, making the rock record the most devastating thing we've ever done". After two months on the rock songs, approaching their established deadline, the band held a meeting and decided that, to finish, "Everyone has to be here all day. We need to do one song a day and no one's leaving until that song is done." Grohl would listen to a click track, "We'd find a tempo and I'd just roll an arrangement off the top of my head." As the members recorded their parts, Grohl would write the lyrics. The rushed approach prevented Mendel writing bass lines, so he ended up "concentrating on just finding the notes and getting the rhythm right."
Grohl declared that "making this record revitalized this band", particularly the acoustic songs, as they "showed ourselves what we're capable of doing" and " things scary again. You do something that you've never done, and it makes you feel like a bigger band." The frontman also stated the mellower acoustic disc was an opportunity to use "the acoustic tracks we wrote in the past eight or nine years, but never put on albums because they never seemed to fit", particularly because Grohl felt that "it's hard to put an acoustic song in the middle of a rock record, because sometimes it mucks up the sequence." The tracks include Grohl's first composition "Friend of a Friend" – done in 1990, and previously recorded under the pseudonym 'Late!' on the cassette Pocketwatch; "Razor", which Grohl wrote for a benefit concert at the Wiltern Theatre; and drummer Taylor Hawkins' composition "Cold Day in the Sun", which after an attempt to do an electric version became an unplugged track, featuring Hawkins on vocals and tambourine and Grohl in the drums.
Preparing the acoustic album, Grohl decided he would improve it with guest appearances, and made a list of musicians he would like to work with, such as Warren Haynes and Grant Hart. Guests that appeared on the record included Norah Jones, John Paul Jones of Led Zeppelin, and Josh Homme of Queens of the Stone Age.
John Paul Jones agreed to appear as he was in Los Angeles for the Grammy Awards. Grohl described his appearance as the "second-greatest thing to happen to me in my life" behind his marriage. "I love Dave," Jones said, "and I enjoyed playing on that Foo Fighters album."
Norah Jones was brought for the bossa nova "Virginia Moon" after Grohl heard her record and considered that his song was "her vibe" and Jones' voice "was so smooth and warm that I figured it would work out great with mine." The song features Grohl's guitar technician Joe Beebe on lead guitar, as he was the only one in the crew with jazz experience.
The Wallflowers' keyboard player Rami Jaffee and That Dog.'s violinist Petra Haden also contributed to the album, and were later drafted for the Foo Fighters' touring band. After the album was finished, Grohl stated that he hoped that the Foo Fighters were most remembered for this record. He described it as "just the most fucking kick-ass thing we've ever done" and said, "If someone asked me which Led Zeppelin album to buy, I would tell them Physical Graffiti, because it has such a wide dynamic and it shows the range that band had. And that's what we wanted to do with this album."
Composition
The double album has a disc of rock songs and another with acoustic ones, which Grohl said demonstrated his artistic freedom – "It's not one specific genre of music, it's not one specific style. I'm just a musician. I can play all these different instruments, I can write a bossa nova, I can write a thrash tune." He also stated that he tried to fit the Foo Fighters sound even with stylistic differences: "It's still the same four guys playing it so it just is a Foo Fighters song, whether it sounds like Carcass or fucking Ry Cooder."The band tried to do the albums without a "middle ground" sound, with "the acoustic record far more delicate and beautiful and atmospheric", and "the rock CD far more brutal and aggressive" than their previous work. The arrangements were aiming for complexity: "This record is much more elaborate than just an acoustic guitar and a vocal. And the songs were written to hold more orchestration. We've never had accordions and pump organs and cellos and stand up bass." The acoustic guitar sound has influences of Rush guitarist Alex Lifeson, with open notes in conjunction with fretted notes.
The lyrics on the rock album tried to focus on "general themes that everyone can get their hands on", while the acoustic had introspective lyrics that are "vulnerable and revealing", with things Grohl "wouldn't say out loud, wouldn't even admit to myself." Grohl declared that "when you're writing songs that have a sort of anthemic quality, you can't really go lighthearted and sing about bullshit. You have to dig into a deeper place to find the words", and that "I don't know what it is about, this album, that makes it sound more heartfelt or deeper or more emotional, but when I listen to it, it really is." These include "Friend of a Friend", a song which Grohl wrote in the 1990s about himself and his former Nirvana bandmate Kurt Cobain during the time they shared an apartment together in 1990, and "Still", talking about a suicide Grohl saw when he was ten in Virginia, by a boy who jumped on the train tracks. Much of the album's theme and content, including the title, came after Grohl spent time on the campaign trail with John Kerry during the 2004 presidential election. "We'd pull in to small towns, and thousands of people would come to be rescued by this man", said Grohl. "It's not a political record, but what I saw inspired me."