Hsia Yang
Hsia Yang, born as Hsia Tsu-hsiang, is a contemporary Taiwanese visual artist from Xiangxiang, Hunan. Renowned for his proficiency in "photorealism" painting, he is also known for the distinctive "Fuzzy People Series" characterized by abstract expressionism.
Life
Early life
Born in 1932 into a scholarly family in Xiangxiang, Hunan, Hsia Yang faced the loss of both parents during his early childhood and was raised by his grandmother. After the Second Sino-Japanese War, he attended various institutions, including the private Zhongying Middle School in Nanjing, the Wesleyan Church school, and the Nanjing Municipal Teachers College's abbreviated teaching program. During his academic years, Hsia Yang discovered his passion for painting portraits, a preference that would significantly influence his later works, which predominantly depict human figures. After graduating from the Nanjing Municipal Teachers College, he enlisted in the military to secure a stable livelihood. In 1949, following the retreat of the Nationalist government to Taiwan, he was assigned to institutions such as the Military Academy in Kaohsiung and the Air Force Headquarters in Taipei, serving until his discharge in 1959.Li Zhongsheng Studio and the Establishment of the Eastern Painting Society
Upon his arrival in Taiwan, driven by his interest in painting, Hsia Yang, along with his military comrade Wu Hao, attended an art training class founded by Liu Shi and Huang Rongcan in 1950. During visits to modern art exhibitions, he came into contact with the works of Li Zhongsheng, Chu Teh-Chun, and others. In 1951, Hsia Yang and Wu Hao joined Li Zhongsheng's studio on Andong Street to study painting. Li Zhongsheng introduced various artistic styles and philosophies, encouraging students to discover a painting style that suited their personalities.In the 1950s, with the assistance of his military comrade Shang Yongmao, Hsia Yang, along with Wu Hao and Ouyang Wenyuan, created artworks in an air-raid shelter on LongChiang Street. This activity allowed them to interact with figures in the art scene, leading to the acquaintance of individuals such as Chang Yi-hsiung, Xiao Qin, Yang Yuyu, Shiy De-jinn, and Huo Gang.
In 1956, Hsia Yang, along with his studio classmates Ouyang Wenyuan, Huo Gang, Xiao Qin, Li Yuanjia, Chen Daoming, Wu Hao, and Xiao Mingxian, established the Ton Fan group. The society was officially approved in 1957, and writer He Fan humorously referred to these eight founding members as the "Eight Bandits," praising their role in breaking traditional painting norms and pioneering the trend of modern painting. During this period, Hsia Yang was influenced by abstract expressionism and monochromatism. His artistic style shifted from "Neoclassicism" to "Abstract Expressionism," with works such as "Painting 59" and "Painting 6136-AZ".
Overseas Period
In 1963, seeking to broaden his international perspective, Hsia Yang traveled to Europe. He first visited Milan to meet with Xiao Qin and later settled in Paris for five years. During his time in Paris, Hsia Yang took on various jobs, explored museums, went to exhibitions, and continued to create art despite the challenging circumstances. It was during this period that he developed the "Furry People" series. Cai Wenting mentioned in the book "For Art, Wandering Through Life: Hsia Yang and His ' Furry People '" that the " Furry People " figures are depicted with trembling and chaotic lines, suggesting a sense of alienation in modern life and reflecting Hsia Yang's loneliness as a foreigner. The themes of the Furry People series in Paris were often inspired by Hsia Yang's life experience and observation, as seen in works like "Indoor" depicting indifferent interpersonal relationships, and the fantastical cityscape in "Beauty Pageant".In 1965, due to the success of the Furry People series, Hsia Yang held a solo exhibition at the Galerie du Haut Pave in Paris.In 1968, Hsia Yang received a letter from his artist friend Zhang Hong, stating that life in New York was more manageable. This prompted him to relocate to New York.During this period, Photorealism was gaining popularity in New York, and Hsia Yang began experimenting with his own approach, using an eighth-second shutter speed to capture scenes and people on the streets. The blurred figures in the photographs echoed the fuzzy nature of the Furry People series. In 1972, Hsia Yang completed his first Photorealistic work, "Katie," garnering attention in the art scene. In 1973, he became the exclusive artist represented by the O.K. Harris Gallery in New York. Subsequently, Hsia Yang's artworks gradually shifted to depicting colorful street scenes, portraying bustling pedestrians on lively streets. Until the late 1980s, Hsia Yang created his only interior Photorealistic work, featuring Ivan Karp, the owner of the O.K. Harris Gallery, marking the conclusion of his Photorealistic period.
Settling in Taipei
In the late 1980s, Hsia Yang received invitations from public art museums and private galleries in Taiwan, prompting him to return from New York to hold exhibitions. In 1992, he made the decision to permanently return and settle in Taiwan. During this period, he revisited and made breakthroughs in the Furry People series. Departing from contemporary societal figures, Hsia Yang began depicting characters from traditional myths and folk stories, such as Guan Yu, Door Gods, Ji Gong, and Nezha. Chen Wen-fen mentioned in the book "Hsia Yang," stating, "The forms of these figures are elusive, but their attire and accessories are realistically portrayed, conveying a solemn and dignified atmosphere, symbolizing Hsia Yang's respect for traditional Taoist culture."In addition to themes from Chinese traditional culture, starting in 1993, Hsia Yang began imitating Western masterpieces, presenting figures in the form of Furry People, such as those in Jean-François Millet's "The Gleaners" and Leonardo da Vinci's "The Last Supper". From 1999 onwards, Hsia Yang's works transitioned from flat paintings to three-dimensional sculptures. Using electric shears and copper sheets, he transformed the Furry People series into three-dimensional metal sculptures. Representative works include "Man with Raised Hands" and "Qi Jia Jun". In 2000, Hsia Yang was awarded for the Fourth National Award for Arts, receiving the honor of a Lifetime Achievement Award in the field of arts.