Hawkwind
Hawkwind are an English rock band known as one of the earliest space rock groups. Since their formation in November 1969, Hawkwind have gone through many incarnations and have incorporated many different styles into their music, including hard rock, progressive rock and psychedelic rock. They are regarded as an influential proto-punk band. Their lyrics often cover themes of urban life and science fiction.
Many musicians, dancers and writers have worked with the band since their inception. Key members of Hawkwind have included Nik Turner, Huw Lloyd-Langton, Del Dettmar, Lemmy, Simon King, Robert Calvert, Michael Moorcock, Simon House and Ginger Baker, but the band are most closely associated with their singer, songwriter and guitarist Dave Brock, who is the only remaining original member.
Hawkwind are best known for the song "Silver Machine", which became a number-three UK hit single in 1972, and they had further chart singles with "Urban Guerrilla" and "Shot Down in the Night". The band had a run of twenty-two of their albums charting in the UK from 1971 to 1993, and another nine between 2012 and 2024.
History
1969: formation
and Mick Slattery had been in the London-based psychedelic band Famous Cure, and a meeting with bassist John Harrison revealed a mutual interest in electronic music, which led the trio to embark upon a new musical venture together. Seventeen-year-old drummer Terry Ollis replied to an advert in a music weekly; Nik Turner and Michael "Dik Mik" Davies, old acquaintances of Brock, offered help with transport and gear, but were soon pulled into the band.Gatecrashing a local talent night at the All Saints Hall, Notting Hill, they were so disorganised as to not even have a name, opting for "Group X" at the last minute, nor any songs, choosing to play an extended 20-minute jam on the Byrds' "Eight Miles High". BBC Radio 1 DJ John Peel was in the audience, and was impressed enough to tell event organiser Douglas Smith to keep an eye on them. Smith signed them up and got them a deal with Liberty Records on the back of a deal he was setting up for Cochise.
The band settled on the name "Hawkwind" after briefly being billed as "Group X" and "Hawkwind Zoo".
A session took place at Abbey Road Studios to record demos of "Hurry on Sundown" and other tracks, after which Slattery left. He was replaced by Huw Lloyd-Langton who, during his former employment in a musical instrument shop, had known Brock and sold guitar strings to him.
1970–1975: United Artists era
guitarist Dick Taylor was brought in to produce the 1970 debut album Hawkwind. Although it was not a commercial success, it did bring them to the attention of the UK underground scene, which found them playing free concerts, benefit gigs, and festivals. Playing free outside the Bath Festival, they encountered another Ladbroke Grove–based band, the Pink Fairies, who shared similar interests in music and recreational substances; a friendship developed which led to the two bands becoming running partners and performing as "Pinkwind". Their use of drugs, however, led to the departure of Harrison, who did not partake, to be replaced briefly by Thomas Crimble. Crimble played on a few BBC sessions before leaving to help organise the Glastonbury Free Festival 1971; he sat in during the band's performance there. Lloyd-Langton also quit, after a bad LSD trip at the Isle of Wight Festival led to a nervous breakdown.Their follow-up album, 1971's In Search of Space, brought greater commercial success, reaching number 18 on the UK album charts. This album offered a refinement of the band's image and philosophy courtesy of graphic artist Barney Bubbles and underground press writer Robert Calvert, as depicted in the accompanying Hawklog booklet, which would be further developed into the Space Ritual stage show. Science fiction author Michael Moorcock and dancer Stacia also started contributing to the band. Dik Mik had left the band, replaced by sound engineer Del Dettmar, but chose to return for this album, thus giving the band two electronics players. Bass player Dave Anderson, who had been in the German band Amon Düül II, had also joined and played on the album, but departed before its release because of personal tensions with some other members of the band. Anderson and Lloyd-Langton then formed the short-lived band Amon Din. Meanwhile, Ollis quit, unhappy with the commercial direction in which the band were heading.
The addition of bassist Ian "Lemmy" Kilmister and drummer Simon King propelled the band to greater heights. One of the early gigs the band played was a benefit for the Greasy Truckers at The Roundhouse on 13 February 1972. A live album of the concert, Greasy Truckers Party, was released; from this, a single, "Silver Machine", was also released, reaching number three in the UK charts. This generated sufficient funds for the subsequent album Doremi Fasol Latido and Space Ritual tour. The show featured costumes, dancers Stacia and Miss Renee – typically performing either topless or wearing only body paint – mime artist Tony Carrera, and a light show by Liquid Len. The songs in the show were connected by electronic and spoken word segues and the show was recorded on the elaborate package Space Ritual. At the height of their success, in 1973, the band released the single "Urban Guerrilla", which coincided with an IRA bombing campaign in London, so the BBC refused to play it and the band's management reluctantly decided to withdraw it fearing accusations of opportunism, despite the disc having already climbed to number 39 in the UK chart.
Dik Mik departed during 1973, and Calvert ended his association with the band to concentrate on solo projects. Dettmar also indicated that he was to leave the band, so Simon House was recruited as keyboardist and violinist playing live shows, a North America tour and recording the 1974 album Hall of the Mountain Grill. Dettmar left after a European tour and emigrated to Canada, whilst Alan Powell deputised for an incapacitated King on that European tour, but remained, giving the band two drummers.
At the beginning of 1975, the band recorded the album Warrior on the Edge of Time in collaboration with Michael Moorcock, loosely based on his Eternal Champion figure. However, during a North American tour in May, Lemmy was caught in possession of amphetamine crossing the border from the US into Canada. The border police mistook the powder for cocaine and he was jailed, forcing the band to cancel some shows. Fed up with his erratic behaviour, the band dismissed the bass player replacing him with their long-standing friend and former Pink Fairies guitarist Paul Rudolph. Lemmy then teamed up with another Pink Fairies guitarist, Larry Wallis, to form Motörhead, named after the last song he had written for Hawkwind.
1976–1978: Charisma era
Calvert made a guest appearance with the band for their headline set at the Reading Festival in August 1975, after which he chose to rejoin the band as a full-time lead vocalist. Stacia chose to relinquish her dancing duties and settle down to family life. The band changed record company to Tony Stratton-Smith's Charisma Records and, on Stratton-Smith's suggestion, band management from Douglas Smith to Tony Howard.Astounding Sounds, Amazing Music is the first album of this era. On the eve of recording the follow-up "Back on the Streets" single, Turner was dismissed for his erratic live playing and Powell was deemed surplus to requirements. After a tour to promote the single and during the recording of the next album, Rudolph was also dismissed, for allegedly trying to steer the band into a musical direction at odds with Calvert and Brock's vision.
Adrian "Ade" Shaw, who, as bass player for Magic Muscle, had supported Hawkwind on the Space Ritual tour, came in for the 1977 album Quark, Strangeness and Charm. The band continued to enjoy moderate commercial success, but Calvert's mental illness often caused problems. A manic phase saw the band abandon a European tour in France, while a depression phase during a 1978 North American tour convinced Brock to disband the group. In between these two tours, the band had recorded the album PXR5 in January 1978, but its release was delayed until 1979.
On 23 December 1977 in Barnstaple, Brock and Calvert had performed a one-off gig with Devon band Ark as the Sonic Assassins, and looking for a new project in 1978, bassist Harvey Bainbridge and drummer Martin Griffin were recruited from this event. Steve Swindells was recruited as keyboard player. The band was named Hawklords,, and recording took place on a farm in Devon using a mobile studio, resulting in the album 25 Years On. King had originally been the drummer for the project but quit during recording sessions to return to London, while House, who had temporarily left the band to join a David Bowie tour, elected to remain with Bowie full-time, but nevertheless contributed violin to these sessions. At the end of the band's UK tour, Calvert, wanting King back in the band, dismissed Griffin, then promptly resigned himself, choosing to pursue a career in literature. Swindells left to record a solo album after an offer had been made to him by the record company ATCO.
1979–1986: Bronze, RCA and independents
In late 1979, Hawkwind reformed with Brock, Bainbridge and King being joined by Huw Lloyd-Langton and Tim Blake, debuting at the first Futurama on 9 September in Leeds, and then embarking upon a UK tour despite not having a record deal or any product to promote. Some shows were recorded and a deal was made with Bronze Records, resulting in the Live Seventy Nine album, quickly followed by the studio album Levitation. However, during the recording of Levitation King quit and Ginger Baker was drafted in for the sessions, but he chose to stay with the band for the tour, during which Blake left to be replaced by Keith Hale.In 1981 Baker and Hale left after their insistence that Bainbridge should be dismissed was ignored, and Brock and Bainbridge elected to handle synthesisers and sequencers themselves, with drummer Griffin from the Hawklords rejoining. Three albums, which again saw Moorcock contributing lyrics and vocals, were recorded for RCA/Active: Sonic Attack, the electronic Church of Hawkwind and Choose Your Masques. This band headlined the 1981 Glastonbury Festival and made an appearance at the 1982 Donington Monsters of Rock Festival, as well as continuing to play the summer solstice at Stonehenge Free Festival.
In the early 1980s, Brock had started using drum machines for his home demos and became increasingly frustrated at the inability of drummers to keep perfect time, leading to a succession of drummers coming and going. First, Griffin was ousted and the band tried King again, but, unhappy with his playing at that time, he was rejected. Andy Anderson briefly joined while he was also playing for the Cure, and Robert Heaton also filled the spot briefly prior to the rise of New Model Army. Lloyd Langton Group drummer John Clark did some recording sessions, and in late 1983 Rick Martinez joined the band to play drums on the Earth Ritual tour in February and March 1984, later replaced by Clive Deamer.
Turner had returned as a guest for the 1982 Choose Your Masques tour and was invited back permanently. Further tours ensued with Phil "Dead Fred" Reeves augmenting the line-up on keyboards and violin, but neither Turner nor Reeves would appear on the only recording of 1983–84, The Earth Ritual Preview; however, there was a guest spot for Lemmy. The Earth Ritual tour was filmed for Hawkwind's first video release, Night of the Hawk.
Alan Davey was a young fan of the band who had sent a tape of his playing to Brock, and Brock chose to oust Reeves moving Bainbridge from bass to keyboards to accommodate Davey. This experimental line-up played at the Stonehenge Free Festival in 1984, which was filmed and release as Stonehenge 84. Subsequent personal and professional tensions between Brock and Turner led to the latter's expulsion at the beginning of 1985. Clive Deamer, who was deemed "too professional" for the band, was eventually replaced in 1985 by Danny Thompson Jr, a friend of Alan Davey, and remained almost to the end of the decade.
Hawkwind's association with Moorcock climaxed in their most ambitious project, The Chronicle of the Black Sword, based loosely around the Elric series of books and theatrically staged with Tony Crerar as the central character. Moorcock contributed lyrics, but only performed some spoken pieces on some live dates. The tour was recorded and issued as an album Live Chronicles and video The Chronicle of the Black Sword. The band also performed at the Worldcon in Brighton.
In August 1985, The band performed at Crystal Palace Bowl, with several other rock bands, for a benefit concert for Pete Townshend's Double-O anti-heroin charity. Lemmy and Stacia were reunited with the band for this event. Vera Lynn preceded Hawkwinds set.