Hamengkubuwono VII
Hamengkubuwono VII was the seventh sultan of Yogyakarta, reigning from 22 December 1877 until his abdication in 29 January 1921.
His residence after the abdication of the crown in the early 19th Century is now known as the Museum Ambarrukmo, part of the Royal Ambarrukmo Yogyakarta hotel complex.
Early life
His birth name was Gusti Raden Mas Murteja, the eldest son of Sultan Sri Sultan Hamengkubuwana VI, born on 4 February 1839. He ascended the throne, succeeding his father, on 13 August 1877.GRM Murteja was the son of Gusti Kangjeng Ratu Sultan, the second consort of Hamengkubuwana VI. The first consort, GKR Hamengkubuwana, a daughter of Pakubuwana VIII of Surakarta, did not have any male children. Following the death of Hamengkubuwana VI, GRM Murteja ascended the throne as Sultan Hamengkubuwana VII.
Reign
During the reign of Hamengkubuwana VII, numerous sugar factories were established in Yogyakarta, totaling 17 in number. Each factory establishment provided him with the opportunity to receive funds amounting to f 200,000.00. This greatly increased the Sultan’s wealth, earning him the epithet Sultan Sugih. Hamengkubuwana VII was one of the longest-reigning Sultans of Yogyakarta, ruling for 44 years. In 1921, at the age of 82, he decided to abdicate the throne and died not long afterward in the same year.His reign also marked a transitional period toward modernization in Yogyakarta. Many modern schools were established, and he even sent his sons to pursue education in the Netherlands. The implementation of liberal economic policies from 1870 provided additional benefits to the Sultan through the introduction of a 70-year land lease rights system. To support sugar transportation, railway networks and sugarcane tram lines were constructed, initiated by the Nederlandsch-Indische Spoorweg Maatschappij, a Dutch railway company. These railway lines also generated financial benefits for the royal court.
On 29 January 1921, Hamengkubuwana VII, then aged 81, decided to abdicate the throne and appointed his fourth crown prince as his successor. The legitimacy of this succession has been questioned, as the first crown prince, who should have succeeded him, died suddenly under circumstances that remain unclear. His replacement, Kangjeng Gusti Pangeran Adipati Anom Hamengkunegara II, was dismissed due to health reasons. The third crown prince, Gusti Raden Mas Putro, died on 21 February 1913 after a severe illness following his return from Kulon Progo.
It has been alleged that the Dutch authorities were involved, as they opposed the succession of a crown prince known for resisting regulations imposed by the colonial government in Batavia.
Traditionally, succession occurred only after the reigning king’s death. In this case, however, the accession of Hamengkubuwana VIII took place while Hamengkubuwana VII was still alive. According to some accounts, the former Sultan was exiled by his fourth son to Ngambarrukmo Palace outside the Yogyakarta Kraton.
Hamengkubuwana VII accepted his son’s decision with magnanimity, as his son had politically consolidated power within the royal administration. After his abdication, Hamengkubuwana VII reportedly stated, “No king has ever died in the kraton after me,” a claim that remains debated. To date, two subsequent rulers died outside the palace: Hamengkubuwana VIII and Hamengkubuwana IX. Among the Javanese, it is considered an honor to die in one’s own home. Hamengkubuwana VII died at Ngambarrukmo Palace on 30 December 1931 and was buried at Imogiri Cemetery.
Another version states that Hamengkubuwana VII requested retirement approval from the Dutch to madeg pandita at Ngambarrukmo Palace.
Cultural and educational development
The era of Hamengkubuwana VII marked the early phase of modernization, during which many schools were established. He encouraged higher education for his children, including sending several of them to study in the Netherlands. In the field of dance, Hamengkubuwana VII supported artistic development beyond the palace walls, encouraging his children to establish a Yogyakarta-style dance school, Kridha Beksa Wirama, which was open to the public at Dalem Tejakusuman. In addition to founding schools, he also strengthened dance and wayang performances, which grew increasingly popular from late 1918 onward.During his reign, various mass organizations also emerged. Muhammadiyah, one of Indonesia’s largest Islamic organizations, originated within the kraton milieu during this period. Initiated by Raden Ngabehi Ngabdul Darwis, also known as Kyai Haji Ahmad Dahlan, a palace official who had studied in Saudi Arabia, Muhammadiyah focused on social welfare and education and developed from the Kauman area.
Hamengkubuwana VII envisioned encouraging public participation in political organizations as a foundation for Indonesia’s future. The Loji Mataram building owned by the kraton on Malioboro Street, now the building of the Regional House of Representatives of Yogyakarta, was lent to Budi Utomo for its first congress. He also facilitated the celebration of Islamic holy days according to the Hijri calendar, while the Garebeg ceremonies continued to follow the Sultan Agungan calendar.
Abdication
Approaching the age of 81, Hamengkubuwana VII felt it was time to abdicate the throne. In 1920, he conveyed this intention to Danureja VII and the Dutch East Indies government, choosing to live as a pandhita at Ambarukmo. This decision was influenced by Dutch proposals for agrarian reorganization, which he believed would restrict his authority, particularly through the abolition of the apanage system that transferred land administration to the colonial government via regional treasuries. Politically, these regulations effectively reduced the Sultan to a component of the colonial administration. Hamengkubuwana VII subsequently appointed GRM Sujadi as his successor to ensure a smooth succession and political stability under continued Dutch influence.Legacy
Beyond sugar factories, railway networks, and Pesanggrahan Ambarukmo, the legacy of Hamengkubuwana VII includes artistic works such as the dances Bedaya Sumreg, Srimpi Dhendhang Sumbawa, and Bedaya Lala. During his reign, Bedaya dance costumes transitioned to the mekak style while retaining paes ageng makeup. In the field of kris craftsmanship, he was known for his high-quality collection of tangguh kaping piton krises.During the reign of Hamengkubuwana VII, the Golong Gilig Monument, which had been damaged by the earthquake of 1867, was renovated under the supervision of Patih Danureja V, based on a design by YPF van Brussel. The monument, which has become an icon of Yogyakarta, was inaugurated on 3 October 1889. Hamengkubuwana VII died on 30 December 1921 and was buried at Astana Saptorenggo, Pajimatan Imogiri.
Family
Royal consorts- Gusti Kanjeng Ratu Wandhan
- Gusti Kanjeng Ratu Hemas
- Gusti Kanjeng Ratu Kencana
Notable children
- Gusti Raden Mas Akadiyat
- Gusti Raden Mas Pratista
- Gusti Raden Mas Putra
son of GKR. Hemas, styled as Gusti Pangeran Harya Purbaya, elevated to heir-apparent with the title Kanjeng Gusti Pangeran Adipati Anom Hamengkunegara Sudibya Rajaputra Narendra ing Mataram, succeeded as Hamengkubuwana VIII.
- Gusti Kanjeng Ratu Hangger
daughter of GKR. Hemas. Married to Kanjeng Pangeran Harya Yudhanegara III, Patih Yogyakarta.
- Gusti Kanjeng Ratu Chandrakirana
- Gusti Raden Ajeng Mursudarinah
- Gusti Raden Ajeng Mursudariyah