Hajime Ootani
Hajime Ootani is a Japanese animator, director, and storyboard artist.
Early life
Ootani was born in Fukui Prefecture on September 22, 1979. He first became interested in animation while in high school after seeing Hayao Miyazaki's film Princess Mononoke.Career
Ootani joined studio Imagin as an in-between animator around 2004. He mostly worked as a sub-contracting animator, and eventual episode director, for Madhouse and Imagin. He made his directorial debut with an OVA adaptation of Ayano Yamane's manga A Foreign Love Affair. Ootani's final projects with Imagin were Needless and Wolverine, which the studio assisted under Madhouse for, where he was promoted to series assistant director.After the dissolution of Imagin, former studio producer Yasuhiro Okada joined studio Shaft with Ootani, where the latter mainly did episodic direction and storyboard art. In 2020, he made his series directorial debut as the chief episode director on Assault Lily Bouquet with Shouji Saeki, and the following year debuted as director of Pretty Boy Detective Club under Akiyuki Shinbo. After Pretty Boy Detective Club, he decided that he wanted to try directing at a different studio since he had been working with Shaft for so long; so, in the middle of the production for the series Dance Dance Danseur, produced by MAPPA, he was asked if he wanted to join the series as its "ballet director."
Style
In an interview between him and Shaft colleague Kenjirou Okada, the two were asked to describe each other's styles and processes as directors. Okada stated that Ootani didn't hesitate to put appealing art and animations first and foremost, and that he admired that about Ootani. Akiyuki Shinbo also commented in a separate interview that he felt Ootani and himself had similar visual sensibilities. Shinbo also said that Ootani was particularly good at horror-esque work, referencing episode 12 of March Comes In like a Lion season 2 and the similarities in atmosphere between it and parts of Pretty Boy Detective Club. Commenting on Ootani's work with Okada, who acted as assistant director for Pretty Boy Detective Club, Shinbo also said that the two complemented each other's weaknesses and strengths as directors. Despite originally being inspired by director Hayao Miyazaki, Ootani has commented that his style is much more eccentric and different from Miyazaki's, which he described was due to trying to survive and stand out in the industry.Works
Television series
In "Director" column highlights Yase's directorial works.| Year | Title | Director | Studio | SB | ED | Other roles and notes | Ref |
| 2005 | Strawberry 100% | Osamu Sekita | Madhouse | In-between animator | |||
| 2005 | Oku-sama wa Joshi Kōsei | Jun Shishido | Madhouse | In-between animator Key animator | |||
| 2005 | Eyeshield 21 | Masayoshi Nishida | Gallop | ||||
| 2005 | My-Otome | Masakazu Obara | Sunrise | Assistant episode director | |||
| 2006 | Strawberry Panic! | Masayuki Sakoi | Madhouse | Key animator | |||
| 2006 | Yume Tsukai | Kazuo Yamazaki | Madhouse | ||||
| 2006 | The Story of Saiunkoku | Jun Shishido | Madhouse | ||||
| 2007 | Saiunkoku Monogatari Second Series | Jun Shishido | Madhouse | ||||
| 2008 | Kamen no Maid Guy | Masayuki Sakoi | Madhouse | ||||
| 2008 | Chaos;Head | Takaaki Ishiyama | Madhouse | ||||
| 2009 | Needless | Masayuki Sakoi | Madhouse | Assistant director Opening director and storyboard | |||
| 2011 | Wolverine | Hiroshi Aoyama | Madhouse | Assistant director | |||
| 2012 | Nisemonogatari | Akiyuki Shinbo Tomoyuki Itamura | Shaft | ||||
| 2015 | Gourmet Girl Graffiti | Akiyuki Shinbo Naoyuki Tatsuwa | Shaft | ||||
| 2015 | Nisekoi: | Akiyuki Shinbo | Shaft | ||||
| 2015 | Owarimonogatari | Akiyuki Shinbo Tomoyuki Itamura | Shaft | ||||
| 2016 | March Comes In like a Lion | Akiyuki Shinbo Kenjirou Okada | Shaft | Opening director and storyboard | |||
| 2017 | March Comes In like a Lion 2nd Season | Akiyuki Shinbo Kenjirou Okada | Shaft | Assistant episode director | |||
| 2018 | Zoku Owarimonogatari | Akiyuki Shinbo | Shaft | ||||
| 2020 | Magia Record: Puella Magi Madoka Magica Side Story | Doroinu Various | Shaft | ||||
| 2020 | Assault Lily Bouquet | Shaft | |||||
| 2021 | Pretty Boy Detective Club | Shaft | Ending director | ||||
| 2022 | Dance Dance Danseur | Munehisa Sakai | MAPPA | Ballet director Ballet part episode director Ballet part storyboard | |||
| 2024 | Bucchigiri?! | Hiroko Utsumi | MAPPA | ||||
| 2026 | Hell's Paradise: Jigokuraku Season 2 | Kaori Makita | MAPPA | Opening director and storyboard artist |
Video games
Highlights roles with major directorial duties.| Year | Title | Studio | Roles | Ref |
| 2017 | Magia Record | Shaft | Cutscene director and storyboard artist |