Guilty of Romance
Guilty of Romance is a 2011 Japanese erotic romantic thriller film directed by Sion Sono. Sono's screenplay is based on a story by Misue Kunizane, which was inspired by the 1997 murder of Yasuko Watanabe. The plot follows two interweaving storylines, the first involving the investigation of a murder in a Tokyo love hotel district, the second about a neglected wife seeking her carnal desires through nude modeling and prostitution.
Two versions of the film exist: the original Japanese cut and an international edit. The former is currently unavailable outside of Japan, France, Germany, and the United States.
Plot
A grisly murder occurs in Maruyama-cho, Shibuya, Tokyo – a love hotel district – where a woman is found dead in a derelict apartment. As the police investigate, the story interweaves with that of Izumi, the wife of a famous romantic novelist whose life seems just a daily repetition without romance. One day, to break away from the loveless monotony, she decides to follow her desires and accepts a job as a nude model enacting sex in front of the camera. Soon she meets with a mentor and starts selling her body to strangers, while at home she hides behind the facade that she is still the wife she is supposed to be.Cast
- Miki Mizuno – Kazuko
- Makoto Togashi – Mitsuko
- Megumi Kagurazaka – Izumi
Production
The cast features Megumi Kagurazaka, Sono's wife and a very regular collaborator of his.Reception
A review on the website The Spinning Image states that 'All the way through this microscopic scrutiny of lead character and how she reacts to this underworld Sion conjured up a variety of strange scenes designed to disturb".A review in Variety, although praising the film, states what follows:"Kafkaesque storytelling, which intertwines the stories of three women grappling with sex for money and murder, is again inspired by fact, but the feverish imagery remains the director’s own. Despite a muddled ending, this will be a “Guilty” pleasure for the helmer’s fans and genre aficionados, though it won’t broaden Sono’s niche appeal.”