Gaspar Cassadó


Gaspar Cassadó i Moreu was a Spanish cellist and composer of the early 20th century.

Biography

Gaspar Cassadó i Moreu was born in Barcelona to a church musician father, Joaquim Cassadó, and began taking cello lessons at age seven. When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris.
In 1914 World War I broke out and his brother Agustí died a victim of an epidemic. Gaspar returned to Barcelona and began to offer concerts with the main orchestras of Spain. From 1918 he also performed in France and Italy, thanks to his friendship with Alfredo Casella. In 1920 he toured Argentina. From 1922 he began to make known his own compositions, both pieces for cello and concerts, chamber music, oratorios and a sardana. He also made transcriptions for cello.
In 1923 and thanks to the friendship with Francesco von Mendelssohn he met the singer and pianist Giulietta Gordigiani, with whom he lived for more than three decades, settling in Florence. Gaspar and Giulietta created a cello and piano duo with which they toured the European stages for more than a decade, achieving great success. Giulietta Gordigiani, widow of Robert von Mendelssohn, offered him fundamental support for the development and promotion of his career, as well as an excellent piano collaboration. Great virtuosos, they reaped for years the praise of the public and the admiration of the critics. In 1940 he toured the United States and spent the years of World War II in the village of Striano with Giulietta.
His career suffered a very significant and irreparable decline in the postwar period, due mainly to a famous letter Casals published in The New York Times accusing him of collaboration with the fascist regimes and asking that Cassadó not be allowed to play in the allied countries. Cassadó disputed Casals' allegations, and scholars have questioned Casals' motivation. Cassadó and Casals eventually reconciled with the help of Yehudi Menuhin.
Cassadó combined his solo career with his participation as a jury in international competitions. From 1946 he was professor at the Accademia Musicale Chigiana in Siena, and from 1958 at the Staatliche Hochschule für Musik in Cologne. That same year he co-founded the "Course of Spanish Music in Compostela" in Santiago de Compostela.
He was also the author of several notable musical hoaxes, notably the "Toccata" that he attributed to Girolamo Frescobaldi.
The personal papers of Cassadó's father are preserved in the Biblioteca de Catalunya. Gaspar's own papers, along with those of his wife, the pianist, are preserved at the Tamagawa University Museum of Education.
On the invitation of his friend Alicia de Larrocha, with whom he had a cello-piano duo, Cassadó played concerts and led frequent classes at Academia Marshall in Barcelona. The Professor of Cello chair at Academia Marshall is named after Cassadó and has been held since 2018 by Jacob Shaw.

Compositions

Original works

Cassadó's many transcriptions are listed below his original works.

Concertos

  • Cello Concerto in D minor

    Solo cello works

  • Suite for Cello Solo
  • Fugue in the Style of Handel

    Solo guitar works

  • Canción de Leonardo
  • Catalanesca
  • Dos Cantos Populares Finlandeses
  • Leyenda Catalana
  • Préambulo y Sardana
  • Sardana Chigiana

    Works for cello and piano

  • Allegretto Grazioso "After Schubert"
  • Archares 1954
  • Danse du diable vert for violin or cello 1926
  • La Pendule, la Fileuse et le Galant 1925
  • Lamento de Boabdil 1931
  • Minuetto "After Paderewski"
  • Morgenlied 1957
  • Partita 1935
  • Pastorale "After Couperin"
  • Rapsodia del Sur
  • Requiebros 1934
  • Serenade 1925
  • Sonata in A minor 1925
  • Sonata nello stile antico spagnuolo 1925
  • Toccata "After Frescobaldi" 1925

    Chamber works

  • Piano Trio in C major 1926/1929
  • String Quartet No. 1 in F minor 1929
  • String Quartet No. 2 in G major 1930
  • String Quartet No. 3 in C minor 1933

    Transcriptions

Concerto transcriptions

  • Cello Concerto in F major, based on Carl Philipp Emanuel Bach's Concerto No. 3 in A major, Wq. 172
  • Cello Concerto in D major, based on Mozart's Horn Concerto No. 3 in E flat major, K. 447
  • Cello Concerto in A minor, based on Schubert's Arpeggione Sonata, D. 821
  • Cello Concerto in E major, based on Tchaikovsky's Piano Pieces, Op. 72
  • Cello Concerto in D major, based on Weber's Clarinet Concerto No. 2 in E-flat major, Op. 74
  • Cello Concerto in E minor, based on Vivaldi's Cello Sonata No. 5, RV. 40
  • Guitar Concerto in E major, based on Boccherini's Concerto No. 2 in D major, G. 479

    Transcriptions for solo cello

  • Johann Sebastian Bach - Cello Suite No. 4, BWV 1010
  • Frédéric Chopin - Étude, Op. 25, No. 1
  • George Frideric Handel - ''The Harmonious Blacksmith''

    Transcriptions for cello and piano

  • Isaac Albéniz:
  • * Cádiz
  • *Malagueña, Op. 165, No. 3
  • Martin Berteau - Studio
  • Luigi Boccherini - Minuetto
  • Alexander Borodin - Serenata all spagnola
  • Jean-Baptiste Bréval - Sonata in G major
  • Frédéric Chopin - Minute Waltz, Op. 64, No. 1
  • Constantino de Crescenzo - Prima Carezza
  • Claude Debussy:
  • *Clair de lune
  • *Golliwog's Cakewalk
  • *Minstrels
  • Antonín Dvořák - Sonatina in G major, Op. 100
  • Gabriel Fauré - Nocturne No. 4
  • Enrique Granados - Intermezzo
  • Ernesto Halffter - Canzone e Pastorella
  • Blas de Laserna - Tonadilla
  • Franz Liszt - Liebestraum No. 3
  • Benedetto Marcello:
  • *Sonata No. 1 in C major
  • *Sonata No. 4 in A minor
  • Federico Mompou - Chanson et Danse
  • Federico Moreno Torroba - Fandanguillo
  • Wolfgang Amadeus Mozart:
  • *Rondo alla turca
  • *Serenata de Don Giovanni
  • *Sonata K. 358
  • Georg Muffat - Arioso
  • Ignacy Jan Paderewski - Minuet in G
  • Manuel Ponce - Estrellita
  • David Popper - Elfentanz
  • Johann Strauss II - An der schonen Blauen Donau