Forbidden Hours
Forbidden Hours is a 1928 American silent romantic drama film directed by Harry Beaumont as a vehicle for Mexican-born star Ramon Novarro. It was the second of four films to pair Novarro with leading lady Renée Adorée.
Plot
Set in the fictitious European kingdom of Balanca, Prince Michael IV is being coerced, by his advisers, to marry a young woman of royal blood. However, he has fallen for a peasant.Cast
- Ramon Novarro as His Majesty, Michael IV
- Renée Adorée as Marie de Floriet
- Dorothy Cumming as Queen Alexia
- Edward Connelly as Prime Minister
- Roy D'Arcy as Duke Nicky
- Mitzi Cummings as Princess Ena
- Alberta Vaughn as Nina
- Maurice de Canonge as Bit Part
Production
News sources reported that Jacqueline Gadsden, Marcelle Corday and a Shirley O'Hara were also in the cast. Sven Hugo Borg may have also appeared in the film. In an expansion of the common silent-filmmaking convention of having live musicians on set, a vocalist worked on set to provide atmosphere for the actors; singer Lillian Rosine is credited as having "introduced the idea" and may have performed this task on the Forbidden Hours set.
As originally scripted, Prince Michael eventually marries his betrothed in order to keep peace between his nation and hers. The concluding scene showed him passing a convent where Marie now resides as a nun. This ending, which deliberately recalled Student Prince, was changed to a happier one, but press materials were still issued by the studio detailing the original ending, causing some confusion in the press.
Reception
Forbidden Hours premiered at the Capitol Theater in New York on July 22, 1928. The film was greeted with mixed critical responses. The Film Daily described it as a "rehash of Student Prince and Merry Widow |Merry Widow] themes." The Palm Beach Post, however, was one source who praised the film's scenario, design and performances. Reviewer Anne Austin suggested in her report on the film's altered ending that Renée Adorée seemed too old for the role of Marie.As a prestige picture, Forbidden Hours was widely distributed and advertised. At the California Theatre in San Jose, California, it was accompanied by Hi-Yeller Idea, a live prologue staged by Fanchon and Marco.
Forbidden Hours eventually made a profit of $109,000, but was considered a commercial disappointment by the studio. Long thought to be lost, it was discovered to have survived in 2000, and had its first theatrical screening in seventy-three years at the Bijou Theater in Lincoln City, Oregon in 2002.