Five Bridges


Five Bridges is a live and studio album and fourth overall by English progressive rock band The Nice, released in June 1970 by Charisma Records. Most of the album was recorded live in concert at Fairfield Halls in Croydon, London, in October 1969. The final track, "One of Those People", is a studio recording. The album's centrepiece is "The Five Bridges Suite", a five-part composition about Newcastle upon Tyne that features the group performing with the Sinfonia of London session orchestra conducted by Joseph Eger.
The album was a commercial success in the UK, peaking at number two on the UK Albums Chart. In the Q & Mojo Classic Special Edition Pink Floyd & The Story of Prog Rock, the album came No. 29 in its list of "40 Cosmic Rock Albums".

History

The work was commissioned for the Newcastle Arts Festival and premiered with a full orchestra conducted by Joseph Eger on 10 October 1969. The title refers to the city's five bridges spanning the River Tyne, and the album cover, by Hipgnosis, features an image of the Tyne Bridge.
The five movements are:
  • "Fantasia" – orchestra with solo piano interludes by Keith Emerson
  • "Second Bridge" – trio without orchestra
  • "Chorale" – Lee Jackson's vocals with orchestra, alternating with piano trio interludes
  • "High Level Fugue" – piano with accompanying cymbals
  • "Finale" – a restating of the Second Bridge with additional jazz horn players.
Emerson used Walter Piston's well-known textbook on orchestration for the work. Emerson credits Friedrich Gulda for inspiring the High Level Fugue, which uses jazz figures in the strict classical form.
Also included on the Five Bridges album were live performances from the same Fairfield Hall concert of the Sibelius Intermezzo and a movement from Tchaikovsky's Pathetique Symphony. Both involved the orchestra playing the "straight" music juxtaposed with the trio's interpretations. Newly discovered material from this concert was later issued as part of a 3-CD set entitled Here Come The Nice.
The Five Bridges album also included a blending of Bob Dylan's "Country Pie" with Bach's "Brandenburg Concerto No. 6" and a studio recording of the original "One of Those People".

Reception

Paul Stump's 1997 History of Progressive Rock called the album "ill-conceived", commenting that the orchestrated pieces are poorly meshed, with the rock band and orchestra playing either separately or such that "The textures of neither genre are properly utilized; it is like listening to two transistor radios simultaneously playing..." However, he cited the final two tracks as among the Nice's best works, elaborating that " perhaps illustrates the Nice's real gift: to reduce pop forms to their constituent parts, alter their horizontal profile by cutting down paragraphs and overturning expected progression of chords and rhythm, which gives Emerson just as much of a chance to display his considerable technique without recourse to braggadocio." Mike DeGagne's retrospective review for AllMusic, in contrast, argued that "Intermezzo" and "Pathetique" "are marvelous examples of classical and rock commingling" and that throughout the album, "Each example of genre merging is pristine and fluid, making the actual overlapping of multiple styles completely transparent."

Track listing

Side one

  1. "The Five Bridges Suite" – 18:06

    Side two

  3. "Intermezzo 'Karelia Suite'" – 9:01
  4. "Pathetique " – 9:23
  5. "Country Pie/Brandenburg Concerto No. 6" – 5:40
  6. "One of Those People" – 3:08

    Personnel

;The Nice
with: