Films based on works by Edgar Wallace
Edgar Wallace was a British novelist, playwright and screenwriter whose works have been adapted for the screen on many occasions. His films fall into two categories, British adaptations and the German "Krimi" films.
British adaptations
His works were adapted for the silent screen as early as 1916, and continued to be adapted by British filmmakers into the 1940s. Anglo-Amalgamated later released a separate series of 47 features entitled the Edgar Wallace Mysteries, which ran from 1960 to 1965.British silent films
- The Man Who Bought London
- The Green Terror based on the novel The Green Rust
- Pallard the Punter based on the novel Grey TimothyAngel Esquire
- The River of Stars
- The Four Just Men
- Melody of Death The Crimson Circle Down Under Donovan
- The Diamond Man The Flying Fifty-Five
- The Green Archer
- Mark of the Frog serial
- The Terrible People serial, made in the U.S.
- Valley of Ghosts
- The Forger
- The Ringer The Man Who Changed his Name
- The Flying Squad Prince Gabby
- ''The Clue of the New Pin''
British sound films
- The Terror
- The Crimson Circle a German film dubbed in English for British releaseThe Squeaker The Yellow Mask The Calendar The Old Man Hound of the Baskervilles based on the Arthur Conan Doyle novel, but the screenplay was written by Edgar Wallace
- The Frightened Lady a.k.a. The Indian ScarfThe Jewel Before Dawn Hollywood film based on the Edgar Wallace story Death Watch
- Giallo (1933 film) - technically an Italian film, based on the Wallace novel The Man Who Changed His MindMystery Liner The Man Who Changed His Name
- Sanders of the River
- The Crimson Circle Strangers on Honeymoon adapted from the novel The Northing Tramp
- The Squeaker a.k.a. Murder on Diamond Row
- The Frog
- Return of the Frog The Gaunt Stranger a.k.a. The Ringer
- The Terror
- Dangerous to Know made in U.S.
- Mr. Reeder in Room 13 a.k.a. The Mystery of Room 13The Mind of Mr. Reeder a.k.a. The Mysterious Mr. Reeder in U.S.The Flying Fifty-Five
- The Four Just Men a.k.a. The Secret Four
- The Dark Eyes of London a.k.a.The Human Monster; starred Bela Lugosi
- The Case of the Frightened Lady a.k.a. The Indian Scarf
- The Green Archer serialThe Missing People The Door with Seven Locks a.k.a. Chamber of HorrorsThe Missing Million The Calendar The Squeaker made for BBC-TV
- The Ringer Working title was ''The Gaunt Stranger''
[Edgar Wallace Mysteries] (1960–1965)
This was a series of British B-Pictures, produced at Merton Park Studios for the Anglo-Amalgamated production company. There were 47 films in the series, all released theatrically between 1960 and 1965.Harry Alan Towers films
Harry Alan Towers produced four Edgar Wallace films in the early 1960s that were international co-productions with Germany:- Death Drums Along the River released in USA as Sanders
- Coast of Skeletons a.k.a. Sanders and the Ship of Death
- Circus of Fear based on the novel Again the Three Just Men
- Five Golden Dragons this film was only periphally connected to Edgar Wallace, in that one of Wallace's characters was inserted into the film's storyline
British television series
- The Four Just Men was a series of 39 25-minute films/episodes produced by Sapphire Films for ITV in 1959.
- The Mind of Mr. J.G. Reeder was a British television series with 16 episodes, based on Edgar Wallace's stories.
German Krimi adaptations
The crime films produced by the West German company Rialto Film between 1959 and 1972 form their own subgenre known as Krimis. Aside from the Rialto productions, other Edgar Wallace adaptations in a similar style were made by the West Germans Artur Brauner and Kurt Ulrich as well as the British producer Harry Alan Towers.Early history of the German Edgar Wallace movies
As early as the silent movie era, German film producers discovered that the novels of Edgar Wallace were easily adapted to the screen. The first German production of an Edgar Wallace story, Der große Unbekannte, was filmed in 1927. Wallace personally visited the production of the next movie Der rote Kreis in Berlin. The Crimson Circle was trade-shown in London in March 1929 in the Phonofilm sound-on-film system.In 1931, Karel Lamač adapted The Squeaker, one of Wallace's best known works, as the sound film Der Zinker. Adaptations of The Ringer by Lamarc and The Double by E. W. Emo followed. From 1934 to the mid-1950s, no German-language films based on works by Edgar Wallace were produced. Then, in the mid-1950s, the West German film distributor Constantin Film began plans for a series of films. Due to the perceived unpopularity of the crime genre in West Germany at that time, however, no film producer willing to take such a risk could be found, delaying the project until 1959.
The 1960s German "Krimi" film movement
In 1959, the Danish company Rialto Film, with its producer Preben Philipsen produced Der Frosch mit der Maske, targeting the West German film market. The film turned out to be surprisingly successful and started a veritable fad of crime movies, known as Krimis which lasted until significant changes in the direction of the West German film industry in the early 1970s occurred. Rialto soon acquired the exclusive rights to nearly all the Wallace novels, founded a West German subsidiary company and, unconcerned by the many copycat productions by others, moved towards the artistic and commercial peak of the series in the early 1960s.There were a total of 39 West German movies based on works by Edgar Wallace from 1959 to 1972. Beginning with Der grüne Bogenschütze, the leading examples of the genre were produced by Horst Wendlandt and directed by Alfred Vohrer or Harald Reinl. Following Der Bucklige von Soho, all of Rialto's Krimi movies were shot in color. Additionally, the original novels were increasingly disregarded in favour of original stories. From 1969 onwards, Rialto Film started four co-productions with Italian producers to minimize costs. Audiences began to lose interest in the genre, which ended with Das Rätsel des silbernen Halbmonds in 1972.
The German Edgar Wallace "Krimi" filmography (1959–72)
These films were all produced by Rialto Film of West Germany unless noted otherwise. Where the German title is different from the English release print, a translation of the German title is also provided.Style in 1960s "Krimis" films
The typical Krimi movie of the 60s contains a number of distinct stylistic traits, which not only makes the films a true series, but – seen in context with other, similar West German crime movies of that time – marks them as part of a true film subgenre as well.In particular, two directors Harald Reinl and Alfred Vohrer made their mark. While Reinl preferred long dolly shots /pans and exterior shots, Vohrer's films are known for their slight overacting and their distinct zoom and editing styles. Many of these Edgar Wallace krimis featured secretive, flamboyant, super villains whose faces were sometimes hidden from view, an archetype which would later become a staple of spy films in the mid-to-late 1960s.
The titles, which are usually the German language titles of the novels, were intended to evoke the typical image of an Edgar Wallace movie. Most titles mention the villain, like Der Frosch mit der Maske, Der Zinker and Der Hexer. More abstract titles usually include the words Rätsel or Geheimnis, for example Das Rätsel der roten Orchidee ''Das Rätsel des silbernen Dreiecks and Das Geheimnis der grünen Stecknadel, while others hint at the location of the story, for example Der Fälscher von London, Der Bucklige von Soho and Die Tote aus der Themse.
The repeated casting of the same actors, generally for similar roles, is typical for the 1960s Wallace movies as well. Among the most popular lead protagonists are Joachim Fuchsberger, Heinz Drache and Siegfried Lowitz. Shady characters were mostly played by Fritz Rasp, Pinkas Braun, Harry Wüstenhagen and especially Klaus Kinski, while comic relief was offered by Eddi Arent, Siegfried Schürenberg and later Hubert von Meyerinck or Chris Howland. Additionally, well-known film and stage actors like Elisabeth Flickenschildt, Gert Fröbe, Dieter Borsche, Lil Dagover, Karin Dor and Rudolf Forster repeatedly appeared in important guest roles.
The location of the story is, like in the novels, mostly London and its proximity, with the characters mostly moving through old castles, mansions or country houses – even if the sets were actually in West Germany. Seedy night clubs, asylums, dark basements as well as, especially in later movies, girl's colleges and of course Scotland Yard, are popular main and side locations for Edgar Wallace movies.
The stories are very similar across the series as well. The plot is most often centered on one inventively masked main villain. The motivations for the crimes are mostly greed, revenge, legacy hunting, and, especially in later movies, things like white slavery and the drug trade. Not unlike the later Italian subgenre of Giallo, the Wallace Krimi movies heavily revolve around the work of the police or a private investigator. Another typical feature is the hapless heroine, and it is not uncommon for the two protagonists to be happily in love at the conclusion of the story. The title sequences of the films were all in color from 1961 onwards, even if the rest of the film was in black and white. Also, in 1962 the voice-over "Hallo, hier spricht Edgar Wallace" was added to the beginning of the title sequence in the German versions only. Usually a murder is committed before the film's pre-credit sequence.
A very distinct trait is the score by Martin Böttcher and especially by Peter Thomas. Three of the four late West German-Italian coproductions are even scored by Ennio Morricone. Little is known about the composer Keith Papworth, who scored Das Geheimnis der gelben Narzissen'', except that he died in March 1992.
Other Edgar Wallace-type German films
In the wake of the Edgar Wallace movies, the Krimi genre became a staple of the West German filmmaking scene. In addition to those based on the works of Edgar Wallace, are the Artur Brauner-produced Doktor Mabuse film series and the stories of Bryan Edgar Wallace such as The Mad Executioners and The Phantom of Soho. Also, the Jerry Cotton and Kommissar X movie series, and the Father Brown and Louis Weinert-Wilton series, are stylistically closely related to the Edgar Wallace movies and all fall within the German Krimi genre.The movies are still very well known in Germany today and there are frequent reruns of them on television – even if a large part of their appeal is their high camp factor. Since the Edgar Wallace style is a stock motive of German filmmaking, there are numerous parodies and spoofs, most recently the 2004 movie Der Wixxer and its 2007 sequel , making fun of the now-clichéd conventions of the genre.
Bryan Edgar Wallace films
Seeking to emulate the success of Rialto Film's Edgar Wallace movies, CCC Filmkunst bought the rights to the written works of Edgar's son, Bryan Edgar Wallace. The stories were re-written as they were adapted into movies, but they were still promoted as "Bryan Edgar Wallace Movies" in the hope that his name would attract a large audience. The following were all CCC Filmkunst productions.- The Secret of the Black Trunk based on Bryan Wallace's novel Death Packs a Suitcase
- The Strangler of Blackmoor Castle
- The Mad Executioners
- Scotland Yard vs Dr. Mabuse
- The Phantom of Soho
- The Seventh Victim a.k.a. The Racetrack Murders
- The Monster of London City
- The Death Avenger of Soho released in Spain as El muerto hace las maletas/ The Corpse Packs His Bags
- The Dead Are Alive released in Italy as L'etrusco uccide ancora/ The Etruscan Kills Again.
Discography
- Kriminalfilmmusik von Martin Böttcher – Rough Trade, BSC 307.6518.2
- Kriminalfilmmusik von Martin Böttcher Vol. 2 – Prudence, BSC 398.6534.2
- Peter Thomas Kriminalfilmmusik – Prudence, BSC 398.6533.2
- Kriminalfilmmusik No. 4 – Prudence, BSC 398.6560.2
- Peter Thomas Film Musik – Polydor, 517,096-2
- Peter Thomas Film Musik – Polydor, 845,872–2