Mohsen Fayz Kashani
Mullā Muḥammad b. Murtaḍā b. Maḥmūd al-Kāshānī knows as Mullā Muḥsin & al-Fayḍ al-Kāshānī was an Iranian Akhbari Twelver Shi'i Muslim, mystic, poet, philosopher, and muhaddith.
Life
Mohsen Fayz Kashani was born in Kashan to a Persian family renowned for its scholarly learning, Fayz started his education with his father, Shah Morteza. His father owned a rich library which benefited Fayz. When he reached the age of twenty, he travelled to Isfahan for further study. However, after a year in Isfahan, he moved to Shiraz to study Hadith and Fiq under Majid Bahrani, one of the leading Shi'ite scholars of his time. Bahrani died a few months later, and Fayz returned to Isfahan where he joined the circles of great scholar Shaikh Bahai and studied philosophy under Mir Damad. After performing the hajj, he stayed a short time before returning to Persia.Upon his return he found a new master, Qom Molla Sadra who taught him in different disciplines. Sadra taught him for eight years, studying ascetic exercises and learning all of the sciences. Sadra gave Fayz one of his daughters to marry, they later had a son named, Muhammad Alam al-Huda, who followed in his fathers footsteps. Fayz is said to have produced works that mixed Islamic scriptural moral concerns with Aristotelian, Platonic schemas and illuminationist mysticism- a rationalist gnostic approach. Some of his works brought him bad attention, he was criticized by Unlama for not using the Idjma in questioning jurisprudence, such as the legitimacy of music and the definition of impurity. One of Fayz students later blames him for encouraging his students to listen to music. Fayz taught at the Molla'Ábd-Allah madrasa and led Friday prayer in Isfahan. After an unknown period of time Fayz returned to Kasan where he later died in the year 1680.
Before his death, an earthquake struck the city of Sherwan in Iran. During the same year, the town of Mashad was also victim to an earthquake of high intensity. The rule at the time had happened to be traveling through Kashan and became greatly worried over the loss of life and infrastructure that had occurred. He soon began to seek answers from among those who were claimed to be the wisest in the city. Eventually he came across Mohsen Fayz Kashani and asked for an answer. Kashani is reported to have said, "There is a spate of earthquakes because of you. You may not know, but it is proven through the traditions of the Infallibles that frequent earthquakes will come when bribery is practiced in the courts of law."
Works
He was a prolific writer in both Persian and Arabic, with a bibliography of more than a hundred and twenty titles. One of his famous work is Mohjat-al-Beyza which is entirely rewritten of the Ihya' ulum al-din, the great work by al-Ghazali, from the Shia point of view. Another of his great works, 'Ayn al-yaqin, The Certitude of the Eye-witness, is a personal synthesis which complements his great commentary on the Quran.His other works include Abwab-ol Jenan, The Commentary of Safi, The Commentary of Asfi, Wafi, Shafi,, Mafati'h al-Sharayi', Asrar-o-Salat, Elm-ol Yaghin on the principles of the religion, Kalimát al-Maknúnah The exposition on astronomy, Safina-to-Nejat, the exposition on the Al-Sahifa al-Sajjadiyya, Tarjomat-ol Salat, The Translation of Taharat, the list of the sciences and divan of poems. There are some 13000 lines of poems in his works. He was one of the first to present the revolutionary idea that Islamic prayer does not necessarily have to be in Arabic.
A thorough bibliographic study has shown that Fayz wrote 122 works for a total on over 550,000 lines; of these, about forty have been published. He wrote some 20,000 verses of Persian poetry, mostly in Sufi style, and thirty Persian prose works.
Philosophy
Archetypal Images
One of Fayz Kashani's most well known contributions to Islamic philosophy is his discourse on the archetypal images. Borrowing heavily from Platonic ideas of universals and particulars, Fayz seeks to articulate the relationship between the spiritual and material worlds and how their interaction fulfills divine will. From the beginning of creation, God entrusted Spirits to govern matter. However, because both spiritual and material substances possess distinct and separable essences, the power of the spiritual world alone is insufficient to establish a connection between the spiritual and the material. There must be an intermediary world which allows this interaction to take place. The archetypal world is a spiritual universe and yet also maintains characteristics of the material world. It is capable of manifesting itself in space and time and so can be perceived by the senses. At the same, it is formed from pure light beyond which the eyes can interpret, and so it transcends space and time as well. In this sense, the archetypal world is neither completely material or spiritual. It merely functions as a realm of existence by which the spiritual and the divine can interact with one another.Having established the need for the existence of the archetypal world, Kashani expands upon the manner in which the spiritual and the material worlds come to interact with another. It is through the material world and the properties which define it that allow the spiritual world to manifest itself within it and become corporeal. This new corporal reality should not be construed to mean a change of essence. The archetypal world merely allows the spiritual to be embodied and symbolized in the material. As Fayz points out, when Gabriel appeared before Maryam, his spiritual substance was "typified" when he took on a body. The perfection of the spiritual substance was maintained but was also symbolized by his material form and rendered him visible before Maryam. However, just as spirits are corporealized in this intermediary world, so too does the body become spiritualized. Because material and spiritual properties are all connected by archetypes, the material substance itself becomes reflected in the spiritual substance. This allows the perfect soul to transfer itself from its physical form into its spiritual form upon death. In sum, the beings in world of archetypal images are particular forms that are separate from matter, but these forms still are intimately connected to matter.
Gnosis
In his work Kalimāt-i Maknūnah, Fayz provides a theoretical understanding of knowledge and its impact on the relationship between the individual and his apprehension of divine mystery. His first claim is that the individual's pursuit of truth is an impossible task because the truth encompasses all things. Everything is its manifestation but those whom he calls the "elite" are capable of discerning it from everything that it embodies. Being is a kind of light. Since darkness is not a thing in itself but merely the absence of light, all knowledge of being depends upon the individual's ability to perceive different degrees of light. God represents the highest degree of light and so represents the highest degree of being. God's light is so bright that a veil is placed over all things which seek Him. Since the source of spiritual knowledge is God, this veil acts as a barrier to the individual who wishes by his own power to apprehend divine knowledge. But humans have being as well and so possess a smaller degree of this light and the spiritual knowledge that comes with it. Fayz concludes that God is Being and subsists in Himself while everything else subsists in it and is a reflection of Him.Fayz later expands on this relationship in his discussion of divine attributes. The divine attributes are identical with the divine substance and yet they remain distinct from it. Each being subsists by its relationship to one of these divine attributes or names. The divine names can be understood in two ways: In the first way, they are hidden but are mirrors which reflect the truth and manifest the truth into the world. In the second way, they are apparent and the truth mirrors them but in the process the truth becomes hidden. Fayz argues that the perfect gnostic is one who contemplates both of these mirrors. He sees the material world as a mirrored reflection of divine truth while also his own essence as being a mirrored reflection of the material world and the divine. The self cannot by his own power apprehend divine truth. Indeed, the self is ultimately the barrier to obtaining it. Thus, viewing one's essence as a mirror of the material world and the divine eliminates the essence of the self and grants the person this knowledge.