Dogon people
The Dogon are an ethnic group indigenous to the central plateau region of Mali, in West Africa, south of the Niger bend, near the city of Bandiagara, and in Burkina Faso. The population numbers between 400,000 and 800,000. They speak the Dogon languages, which are considered to constitute an independent branch of the Niger–Congo language family, meaning that they are not closely related to any other languages.
The Dogon are best known for their religious traditions, their mask dances, wooden sculpture, and their architecture. Since the twentieth century, there have been significant changes in the social organisation, material culture and beliefs of the Dogon, in part because Dogon country is one of Mali's major tourist attractions.
Image:Dogon Hunter.JPG|thumb|300px|A Dogon hunter with a flintlock musket, 2010.
Geography and history
The principal Dogon area is bisected by the Bandiagara Escarpment, a sandstone cliff of up to high, stretching about 150 km. To the southeast of the cliff, the sandy Séno-Gondo Plains are found, and northwest of the cliff are the Bandiagara Highlands. Historically, Dogon villages were established in the Bandiagara area a thousand years ago because the people collectively refused to convert to Islam and retreated from areas controlled by Muslims.Dogon insecurity in the face of their historical persecution caused them to locate their villages in defensible positions along the walls of the escarpment. The other factor influencing their choice of settlement location was access to water. The Niger River is nearby and in the sandstone rock, a rivulet runs at the foot of the cliff at the lowest point of the area during the wet season.
Among the Dogon, several oral traditions have been recorded as to their origin. One relates to their coming from Mande, located to the southwest of the Bandiagara escarpment near Bamako. According to this oral tradition, the first Dogon settlement was established in the extreme southwest of the escarpment at Kani-Na. Archaeological and ethnoarchaeological studies in the Dogon region have been especially revealing about the settlement and environmental history, and about social practices and technologies in this area over several thousands of years.
Over time, the Dogon moved north along the escarpment, arriving in the Sanga region in the 15th century. Other oral histories place the origin of the Dogon to the west beyond the river Niger, or tell of the Dogon coming from the east. It is likely that the Dogon of today are descendants of several groups of diverse origin who migrated to escape Islamization.
It is often difficult to distinguish between pre-Muslim practices and later practices. But Islamic law classified the Dogon and many other ethnicities of the region as being within the non-canon dar al-harb and consequently fair game for slave raids organized by merchants. As the growth of cities increased, the demand for slaves across the region of West Africa also increased. The historical pattern included the murder of Indigenous men by raiders and enslavement of women and children.
For almost 1000 years, the Dogon people, an ancient ethnic group of Mali had faced religious and ethnic persecution—through jihads by dominant Muslim communities. These jihadic expeditions formed themselves to force the Dogon to abandon their traditional religious beliefs for Islam. Such jihads caused the Dogon to abandon their original villages and moved up to the cliffs of Bandiagara for better defense and to escape persecution—often building their dwellings in little nooks and crannies.
Art
Dogon art consists primarily of sculptures. Dogon art revolves around religious values, ideals, and freedoms. Dogon sculptures are not made to be seen publicly, and are commonly hidden from the public eye within the houses of families, sanctuaries, or kept with the Hogon. The importance of secrecy is due to the symbolic meaning behind the pieces and the process by which they are made.Themes found throughout Dogon sculpture consist of figures with raised arms, superimposed bearded figures, horsemen, stools with caryatids, women with children, figures covering their faces, women grinding pearl millet, women bearing vessels on their heads, donkeys bearing cups, musicians, dogs, quadruped-shaped troughs or benches, figures bending from the waist, mirror-images, aproned figures, and standing figures.
Signs of other contacts and origins are evident in Dogon art. The Dogon people were not the first inhabitants of the cliffs of Bandiagara. Influence from Tellem art is evident in Dogon art because of its rectilinear designs.
Culture and religion
The Dogon religion is the traditional religious or spiritual beliefs of the Dogon people. Dogons who adhere to the Dogon religion believe in one Supreme Creator called Amma. They also believe in ancestral spirits known as the Nommo in their language, also referred to as "Water Spirits".Professors Anthony Appiah and Henry Louis Gates Jr. write that: "most Dogon still practice traditional religion with a complex mythology.". Others practice Islam or Christianity.
Dogon society is organized by a patrilineal kinship system. Each Dogon village, or enlarged family, is headed by one male elder. This chief head is the oldest living son of the ancestor of the local branch of the family.
The blind Dogon elder Ogotemmeli taught the main symbols of the Dogon religion to French anthropologist Marcel Griaule in October 1946. Griaule had lived amongst the Dogon people for fifteen years before this meeting with Ogotemmeli took place. Ogotemmeli taught Griaule the religious stories in the same way that Ogotemmeli had learned them from his father and grandfather; oral instruction which he had learned over the course of more than twenty years. What makes the record so important from a historical perspective is that the Dogon people were still living in their oral culture at the time their religion was recorded. They were one of the last people in West Africa to lose their independence and come under French rule.
The Dogon people with whom French anthropologists Griaule and Germaine Dieterlen worked during the 1930s and 1940s had a system of signs which ran into the thousands, including "their own systems of astronomy and calendrical measurements, methods of calculation and extensive anatomical and physiological knowledge, as well as a systematic pharmacopoeia". The religion embraced many aspects of nature which are found in other traditional African religions.
The key spiritual figures in the religion were the Nummo/Nommo twins. According to Ogotemmêli's description of them, the Nummo, whom he also referred to as "Water", had green skin covered in green hair, and were formed like humans from the loins up, but serpent-like below. Their eyes were red, their tongues forked, and their arms flexible and unjointed.
Ogotemmêli classified the Nummo as hermaphrodites. Their images or figures appeared on the female side of the Dogon sanctuary. They were primarily symbolized by the Sun, which was a female symbol in the religion. In the Dogon language, the Sun's name had the same root as "mother" and "cow". They were symbolized by the colour red, a female symbol.
The problem of "twin births" versus "single births", or androgyny versus single-sexed beings, was said to contribute to a disorder at the beginning of time. This theme was fundamental to the Dogon religion. "The jackal was alone from birth," said Ogotemmêli, "and because of this he did more things than can be told." Dogon men were primarily associated with the single-sexed male Jackal and the Sigui festival, which was associated with death on the Earth. It was held once every sixty years and allegedly celebrated the white dwarf star, Sirius B. There has been extensive speculation about the origin of such astronomical knowledge. The colour white was a symbol of men. The ritual language, "Sigi so" or "language of the Sigui", which was taught to male dignitaries of the Society of the Masks, was considered a poor language. It contained only about a quarter of the full vocabulary of "Dogo so", the Dogon language. The "Sigi so" was used to tell the story of creation of the universe, of human life, and the advent of death on the Earth, during both funeral ceremonies and the rites of the "end of mourning".
Because of the birth of the single-sexed male Jackal, who was born without a soul, all humans eventually had to be turned into single-sexed beings. This was to prevent a being like the Jackal from ever being born on Earth again. "The Nummo foresaw that the original rule of twin births was bound to disappear, and that errors might result comparable to those of the jackal, whose birth was single. Because of his solitary state, the first son of God acted as he did." The removal of the second sex and soul from humans is what the ritual of circumcision represents in the Dogon religion. "The dual soul is a danger; a man should be male, and a woman female. Circumcision and excision are once again the remedy."
The Dogon religion was centered on this loss of twinness or androgyny. Griaule describes it in this passage:
The birth of human twins was celebrated in the Dogon culture in Griaule's day because it recalled the "fabulous past, when all beings came into existence in twos, symbols of the balance between humans and the divine". According to Griaule, the celebration of twin-births was a cult that extended all over Africa. Today, a significant minority of the Dogon practice Islam. Another minority practices Christianity.
Those who remain in their ethnic religion generally believe in the significance of the stars and the creator god, Amma, who created Earth and molded it into the shape of a woman, imbuing it with a divine feminine principle.
Marriage
The vast majority of marriages are monogamous, but nonsororal polygynous marriages are allowed in the Dogon culture. However, even in polygynous marriages, it is rare for a man to have more than two wives. In a polygynous marriage, the wives reside in separate houses within the husband's compound. The first wife, or ya biru, holds a higher position in the family relative to any wives from later marriages. Formally, wives join their husband's household only after the birth of their first child. The selection of a wife is carried out by the man's parents. Marriages are endogamous in that the people are limited to marry only persons within their clan and within their caste.Women may leave their husbands early in their marriage, before the birth of their first child. After a couple has had children together, divorce is a rare and serious matter, and it requires the participation of the whole village. Divorce is more common in polygynous marriages than in monogamous marriages. In the event of a divorce, the woman takes only the youngest child with her, and the rest remain as a part of the husband's household. An enlarged family can count up to a hundred persons and is called guinna.
Image:Hogon.jpg|thumb|300px|A Hogon.
The Dogon are strongly oriented toward harmony, which is reflected in many of their rituals. For instance, in one of their most important rituals, the women praise the men, the men thank the women, the young express appreciation for the old, and the old recognize the contributions of the young. Another example is the custom of elaborate greetings whenever one Dogon meets another. This custom is repeated over and over, throughout a Dogon village, all day.
During a greeting ritual, the person who has entered the contact answers a series of questions about his or her whole family, from the person who was already there. The answer is sewa, which means that everything is fine. Then the Dogon who has entered the contact repeats the ritual, asking the resident how his or her whole family is. Because the word sewa is so commonly repeated throughout a Dogon village, neighboring peoples have dubbed the Dogon the sewa people.