Magma (band)

Magma is a French progressive rock band founded in Paris in 1969 by self-taught drummer Christian Vander, who claimed as his inspiration a "vision of humanity's spiritual and ecological future" that profoundly disturbed him. The style of progressive rock that Vander developed with Magma is termed "Zeuhl" and has been applied to other bands in France operating in the same period, and to some recent Japanese bands.
Vander created a fictional language, Kobaïan, in which most lyrics are sung. In a 1977 interview with Vander and long-time Magma vocalist Klaus Blasquiz, Blasquiz said that Kobaïan is a "phonetic language made by elements of the Slavonic and Germanic languages to be able to express some things musically. The language has of course a content, but not word by word." Vander himself has said, "When I wrote, the sounds came naturally with it—I didn't intellectualise the process by saying 'Ok, now I'm going to write some words in a particular language', it was really sounds that were coming at the same time as the music." In the course of their first album, the band tells the story of a group of people fleeing a doomed Earth to settle on the planet Kobaïa. Subsequently, conflict arises when the Kobaïans - descendants of the original colonists - encounter other Earth refugees. Later albums tell different stories set in more ancient times; however, the Kobaïan language remains an integral part of the music.
In 1986, the French label Seventh Records was founded to republish Magma's and Vander's work. Over the years, Seventh has also released albums by related artists such as Stella Vander, Patrick Gauthier, and Collectif Mu.

History

Beginnings (1967–1971)

In early 1967, drummer Christian Vander played in the Wurdalaks and Cruciferius Lobonz, two rhythm and blues bands. With these groups, he wrote his first compositions, "Nogma" and "Atumba". The death of John Coltrane saddened Vander, who left the groups and traveled to Italy. He returned to France in 1969 and met saxophonist René Garber and bassist and conductor Laurent Thibault. Together with singer Lucien Zabuski and organist Francis Moze, they created the group Univeria Zekt Magma Composedra Arguezdra, shortened to Magma.
After their first tour, Magma experienced significant lineup turnover. Vocalist Lucien Zabuski was replaced with Klaus Blasquiz, and pianist Eddie Rabin, double bassist Jacky Vidal, and guitarist Claude Engel also joined the group. The group worked on material for three months in a house in the Chevreuse Valley. Eddie Rabin was replaced by François Cahen on keyboards, and Laurent Thibault abandoned bass to devote himself to production. Francis Moze became the new bassist. The band also expanded with a brass section, consisting of Teddy Lasry on saxophone and clarinet, Richard Raux on saxophone and flute, and Paco Charlery on trumpet. The group's first album, Kobaïa, was released in the spring of 1970 by Philips Records. The group caused a sensation but audience reactions were mixed.
After the album was released, Claude Engel, Richard Raux, and Paco Charlery left the group. Jeff Seffer replaced Raux on saxophone, and Louis Toesca replaced Charlery on trumpet. Their second album, 1001° Centigrades, was released in April 1971. The album won the band more exposure, including a performance at the Montreux Jazz Festival.

''Mëkanïk Dëstruktïẁ Kömmandöh,'' to ''Üdü Wüdü'' (1972–1977)

In August 1972, Magma released the album The Unnamables, under the alias Univeria Zekt. However, the album sold only 1,500 copies. Many musicians left the band that year, including François Cahen, Louis Toesca, Jeff Seffer, Francis Moze, and Teddy Lasry. That same year, Christian Vander recorded the soundtrack for Yvan Lagrange's film Tristan et Iseult.
In 1973, Vander formed a new lineup of the band, adding Stella Vander as a second vocalist, Claude Olmos on guitar, Jannick Top replacing Francis Moze on bass, René Garber on saxophone and clarinet, and Jean-Luc Manderlier on keyboards, among others. This new version of the band would release their most famous work Mëkanïk Dëstruktïẁ Kömmandöh, which would later become their most acclaimed album, and gave them international fame, including a spot at the prestigious Newport Jazz Festival, their first American performance. In 1974, under Vander's name, the band released a soundtrack album accompanying Yvan Lagrange's 1972 film Tristan et Iseult, also known as Ẁurdah Ïtah; under Magma's name, they followed up with Köhntarkösz, which was successful among fans, but not received as well among the public as Mëkanïk Dëstruktïẁ Kömmandöh. The band would then go on a long, year-and-a-half long tour of France, and after another member shakeup, released their first live album, Live / Hhaï, in December 1975, recorded at the Taverne de l'Olympia in Paris.
In 1976, Top briefly rejoined the band for the recording of the album Üdü Ẁüdü, but left soon after due to strained relations with frontman Christian Vander. More lineup turnover followed in 1977, with Jean DeAntoni replacing Gabriel Federow on guitar, Guy Delacroix replacing Bernard Paganotti on bass, and Clement Bailly hired as a second drummer.

Changing sound and breakup (1978–1984)

In 1978, Magma released the album Attahk. Vying for more commercial success, the album included elements of soul, rhythm & blues, and funk music.
Celebrating 10 years as a band, in 1980, Magma performed three nights at L'Olympia in Paris, with guest appearances from many of the group's past musicians. These were recorded and released as Retrospektïẁ (Parts I+II) and Retrospektïẁ (Part III). The concerts were successful, and allowed Magma to play a number of shows around France, including a three-week residency at Paris's Bobino in 1981, which was recorded and filmed, and later released as Concert Bobino 1981.
In 1984, the band recorded the album Merci, and disbanded shortly afterwards. Christian Vander formed other projects such as Offering, and various jazz projects including the Christian Vander Trio.

Reformation (1996–present)

While performing as Offering, Vander would occasionally perform Magma songs. In 1989, professional snooker champion Steve Davis convinced Vander to perform a reunion tour which led Vander to consider reuniting Magma.
After the dissolution of Offering, this was fully realised in 1996 after friend Bernard Ivan asked Vander if he was considering reviving Magma, as he was confident he could get Vander concert dates. Vander agreed, but confessed that he didn't think there would be any remaining interest in the band. Ivan came back to Vander to tell him he fully booked a number of gigs for Magma and Vander, surprised, quickly cobbled a lineup from Offering and friends in the music scene to create a new 14-piece Magma.
Vander decided to revive some sections of tracks he had written back in 1972-1973 while working on Köhntarkösz on this new tour. Eventually, these merged into one big composition K.A (Köhntarkösz Anteria), which released in 2004 to acclaim and surprise at their comeback. K.A is conceptually the prequel to Köhntarkösz, which was then followed up by a sequel Ëmëhntëhtt-Ré in 2009, ending a narrative trilogy between the three albums.
On 30 September 2022 Magma released their fifteenth album Kartëhl. The album is a collective work of the band members. The copyright proceeds of the track Dëhndë will be donated to a charity for people with autism.
By end of 2025 Jimmy Top left the band, followed by Charles Lucas as bassist.

Kobaïan

Kobaïan is a lyrical language created by Christian Vander for Magma. It is the language of Kobaïa, a fictional planet invented by Vander and the setting for a musical "space opera" sung in Kobaïan by Magma on fifteen concept albums.

Development

French drummer and composer Christian Vander formed Magma in late 1969 in an attempt to fill the void left by the death of American jazz musician and composer John Coltrane. Magma's first album, Magma, told a story of refugees fleeing a future Earth and settling on a fictional planet called Kobaïa. The lyrics were all in Kobaïan, a language Vander constructed for the album, some sung by soloists and others by "massive quasi-operatic choruses". Over the next three decades, Magma have made fifteen albums that continues the mythology of Kobaïa, all sung in Kobaïan.
Vander said in an interview that he invented Kobaïan for Magma because "French just wasn't expressive enough. Either for the story or for the sound of the music". He said that the language developed in parallel with the music, that sounds appeared as he was composing on a piano. Vander based Kobaïan in part on elements of Slavic and Germanic languages and in part on the scat-yodeling vocal style of American avant-garde jazz singer Leon Thomas. The subsequent expansion of the language became a group effort, and as Magma's personnel changed, so new ideas were incorporated into the language.
British music critic Ian MacDonald said that Kobaïan is "phonetic, not semantic", and that it is based on "sonorities, not on applied meanings". One of Magma's singers, Klaus Blasquiz, described Kobaïan as "a language of the heart" whose words are "inseparable from the music". Magma expert Michael Draine said "the abstraction provided by the Kobaïan verse seems to inspire Magma's singers to heights of emotional abandon rarely permitted by conventional lyrics".
The Kobaïan lyrics on Magma's albums were generally not translated, but clues to the unfolding story of Kobaïa were given in French in the albums' liner notes. While the original intent of the language was to avoid over-scrutiny, unofficial Kobaïan online lexicons were created by Magma fans, and Vander himself has since translated many of the words.

Influence

called Magma's music "Zeuhl", and it influenced a number of other bands, including Zao, Art Zoyd and Univers Zero. Zeuhl later became a music genre which was used to describe music similar to that of Magma. Several Japanese Zeuhl bands also sprang up, including Ruins and Kōenji Hyakkei, whose lyrics are also sung in a constructed language similar to Kobaïan.

Style and influences

Christian Vander has described the style of progressive rock that he developed with Magma in France from 1969 onwards as "zeuhl". Dominique Leone, writing for Pitchfork, says the style is "about what you'd expect an alien rock opera to sound like: massed, chanted choral motifs, martial, repetitive percussion, sudden bursts of explosive improv and just as unexpected lapses into eerie, minimalist trance-rock." The term comes from Kobaïan, the fictional language created by Vander for Magma. He has said that it means celestial; that "Zeuhl music means 'vibratory music'" and that zeuhl is "L'esprit au travers de la matière. That is Zeuhl. Zeuhl is also the sound which you can feel vibrating in your belly. Pronounce the word Zeuhl very slowly, and stress the letter 'z' at the beginning, and you will feel your body vibrating."
Originally applied solely to the music of Magma, the term "zeuhl" was eventually used to describe the similar music produced by French bands beginning in the 1970s. In addition to Magma, bands who are associated with the term include: Happy Family, Kōenji Hyakkei, and Ruins from Japan, and French band Zao.
The Chicago Reader wrote that Magma's music "could arguably be labeled modern classical, progressive rock, free jazz, or even psychedelia, but it's too big for any of those boxes".
Vander was musically influenced by John Coltrane and Carl Orff.
The mythology of Kobaïa seems to be strongly influenced by the esoteric The Urantia Book, a kind of pseudo-bible that combines religious elements of various origins with scientific findings and science fiction. Furthermore, the motifs surrounding the myth of Kobaïa, particularly in the first three albums, have similarities with Johannes Kepler's novel Somnium from 1634, Francis Godwin's novel The Man in the Moone from 1638 and Cyrano de Bergerac's The Other World, whose works gained new popularity in France in the 1970s. With the album Theusz Hamthaak, the motifs increasingly approach modern science fiction literature of the 20th century such as H. G. Wells' The Time Machine, Olaf Stapledon's The Last and the First Men and The Star Maker of 1930 or Arthur C. Clarke's The Last Generation from 1953. However, Vander has not yet commented directly on the sources of his inspirations.

Legacy

The band is widely considered to be musically adventurous and imaginative among music critics. Magma uses choirs extensively in a way reminiscent of the composer Carl Orff. Magma's music is also highly influenced by jazz saxophone player John Coltrane, and Vander has said that "it is still Coltrane who actually gives me the real material to work on, to be able to move on".
Many of the musicians who have played with Magma have also formed solo projects or spinoff acts. The Kobaïan term Zeuhl has come to refer to the musical style of these bands and the French jazz fusion/symphonic rock scene that grew around them. Besides Christian Vander, other well-known Magma alumni include the violinist Didier Lockwood, bassist-composer Jannick "Janik" Top, and spinoff act Weidorje.

Fandom

The band has a number of high-profile fans. Punk rock singer Johnny Rotten, metal musician Kristoffer Rygg, Steven Wilson of Porcupine Tree, Mikael Åkerfeldt of Opeth, Bruce Dickinson of Iron Maiden, Cattle Decapitation vocalist Travis Ryan, magician Penn Jillette, and Chilean filmmaker Alejandro Jodorowsky have all stated their admiration of the band.
In the 1980s, British World champion snooker player Steve Davis declared himself a passionate follower of the band since his youth and used some of his winnings to promote a series of concerts by Magma in London.
Television journalist Antoine de Caunes wrote a biography of the band entitled Magma.
In 2017, documentary filmmaker Laurent Goldstein directed To Life, Death and Beyond – The Music of Magma. Interviewees include Christian Vander, Stella Vander, James MacGaw, Trey Gunn, Robert Trujillo, and Jello Biafra.

Personnel

Members

Violinist: Didier Lockwood
Guitarists: Claude Engel, Claude Olmos, Gabriel Federow, Marc Fosset, James Mac Gaw, Jean-Luc Chevalier, Jim Grandcamp, Rudy Blas, Brian Godding.
Bassists: Jannick Top, Bernard Paganotti, Guy Delacroix, Francis Moze, Laurent Thibault, Michel Hervé, Dominique Bertram, Marc Éliard, Philippe Bussonnet, Jimmy Top
Keyboardists: Benoît Widemann, Michel Graillier, Gérard Bikialo, Jean Luc Manderlier, François "Faton" Cahen, Guy Khalifa, Sofia Domancich, Patrick Gauthier, Simon Goubert, Pierre-Michel Sivadier, Jean Pol Asseline, Jean Pierre Fouquey, Frédéric D'Oelsnitz, Benoît Alziari, Emmanuel Borghi, Bruno Ruder, Thierry Eliez
Saxophonists: Teddy Lasry, Richard Raux, Alain Guillard, René Garber and Jeff "Yochk’o" Seffer
Trumpeters: Louis Toesca and Yvon Guillard
Male vocalists: Klaus Blasquiz, Christian Vander, Guy Khalifa, Antoine Paganotti and Hervé Aknin
Female vocalists: Stella Vander, Isabelle Feuillebois, Maria Popkiewicz, Liza de Luxe, Himiko Paganotti, Sandrine Fougère, Sandrine Destefanis, Sylvie Fisichella, Laura Guarrato
Drummers and percussionists: Christian Vander, Michel Garrec, Doudou Weiss, Simon Goubert, Clément Bailly, Claude Salmiéri, François Laizeau.

Period	Formation	Recording
Early 1969	Lucien Zabuski – vocalsJean-Jacques Ferry – guitarEric Grimbert – guitarFrancis Moze – keyboardsLaurent Thibault – bassChristian Vander – drums, percussion, vocals
April 1969 – August 1969	Lucien Zabuski – vocalsClaude Engel – guitarRené Garber – saxophone, clarinetGuy Marco – trumpetRené Morizur – saxophoneEddy Rabbin – keyboards Laurent Thibault – bass Christian Vander – drums, percussion, vocals
August 1969 – October 1969	Klaus Blasquiz – vocals Claude Engel – guitar René Garber – saxophone, clarinet Guy Marco – trumpet René Morizur – saxophone Eddy Rabbin – keyboards Laurent Thibault – bass Christian Vander – drums, percussion, vocals
October 1969 – January 1970	Klaus Blasquiz – vocals, percussion Claude Engel – guitar René Garber – saxophone, clarinetAlain "Paco" Charlery – trumpetRichard Raux – saxophone, fluteFrançois Cahen – keyboards Laurent Thibault – bass Jacky Vidal – double bass Christian Vander – drums, percussion, vocals
January 1970 – August 1970	Klaus Blasquiz – vocals, percussion Claude Engel – guitar, flute, vocals Alain "Paco" Charlery – trumpet, percussionTeddy Lasry – saxophone, flute, woodwindsRichard Raux – saxophones, flute François Cahen – keyboardsFrancis Moze – bass, double bass Christian Vander – drums, vocals	Magma
October 1970 – December 1970	Klaus Blasquiz – vocals, percussion Claude Engel – guitar Teddy Lasry – clarinet, saxophone, fluteJeff Seffer – saxophone, bass clarinet François Cahen – keyboards Francis Moze – bass Christian Vander – drums, percussion, vocals
mid January 1971 – end December 1971	Klaus Blasquiz – vocals, percussion Claude Engel – guitar Teddy Lasry – clarinet, saxophone, flute Jeff Seffer – saxophone, bass clarinetLouis Toesca – trumpet François Cahen – keyboards Francis Moze – bass Christian Vander – drums, percussion, vocalsLucien Zabuski – vocals Lionel Ledissez – vocals Tito Puentes – trumpet	1001° Centigrades Univeria Zekt - The Unnamables
end December 1971 – beginning January 1972	Klaus Blasquiz – vocals Teddy Lasry – clarinet, saxophone, flute Jeff Seffer – saxophone, bass clarinet Louis Toesca – trumpet François Cahen – keyboardsJean-Luc Manderlier – keyboards Francis Moze – bass Christian Vander – drums, percussion, vocalsDaniel Denis – percussion, drums
beginning January 1972 – end December 1972	Klaus Blasquiz – vocals, percussion Teddy Lasry – clarinet, saxophone, flute Jeff Seffer – saxophone, bass clarinet Louis Toesca – trumpet François Cahen – keyboards Jean-Luc Manderlier – keyboards Francis Moze – bass Christian Vander – drums, percussion, vocals
end December 1972 – mid January 1973	Klaus Blasquiz – vocals, percussionsStella Vander – vocalsRené Garber – saxophone, clarinet Jean-Luc Manderlier – keyboardsMichel Graillier – keyboards Jean-Pierre Lambert – bass Christian Vander – drums, percussion, vocals	Akt X: Mëkanïk Kömmandöh
mid January 1973 – March 1973	Klaus Blasquiz – vocals, percussion Stella Vander – vocalsMarc Fosset – guitarClaude Olmos – guitar René Garber – saxophone, clarinet Jean-Luc Manderlier – keyboardsGérard Bikialo – keyboards Jean-Pierre Lembert – bass Christian Vander – drums, percussion, vocals
March 1973 – May 1973	Klaus Blasquiz – vocals, percussion Stella Vander – vocals Claude Olmos – guitar René Garber – saxophone, bass clarinetTeddy Lasry – clarinet, saxophone, flute Jean-Luc Manderlier – keyboardsJannick Top – bass, cello, piano, vocals Christian Vander – drums, percussion, piano, vocals	Mëkanïk Dëstruktïẁ Kömmandöh
June 1973 – July 1973	Klaus Blasquiz – vocals, percussion Stella Vander – vocals Claude Olmos – guitar René Garber – saxophone, clarinet Teddy Lasry – saxophone, fluteMichel Graillier – keyboards Jannick Top – bass Christian Vander – drums, percussion, vocalsRandy Brecker – trumpet Michael Brecker – saxophone Bill Watrous – trombone
August 1973 – end December 1973	Klaus Blasquiz – vocals, percussion Stella Vander – vocals Claude Olmos – guitar René Garber – saxophone, clarinet Michel Graillier – keyboards Jannick Top – bass Christian Vander – drums, percussion, vocals
January 1974 – March 1974	Klaus Blasquiz – vocals, percussion Claude Olmos – guitar Michel Graillier – keyboardsGérard Bikialo – keyboards Jannick Top – bass Christian Vander – drums, percussion, vocals	Akt XIII: BBC 1974 Londres Zühn Ẁöhl Ünsai - Live 1974 Akt XVIII: Marquee Londres 17 Mars 1974
March 1974 – August 1974	Klaus Blasquiz – vocals, percussion Stella Vander – vocals, percussion Claude Olmos – guitar Teddy Lasry – saxophone, flute Gérard Bikialo – keyboards Jannick Top – bass, piano, cello, vocals Christian Vander – drums, percussion, piano, vocalsBrian Godding – guitar Michel Graillier – keyboards	Köhntarkösz
September 1974 – November 1974	Klaus Blasquiz – vocals, percussion Stella Vander – vocals, percussionGabriel Federow – guitarDidier Lockwood – violin Francis Lockwood – keyboards Jean-Pol Asseline – keyboardsBenoît Widemann – keyboards Jannick Top – bass Christian Vander – drums, percussion, vocals
January 1975 – August 1975	Klaus Blasquiz – vocals, percussion Stella Vander – vocals, percussion Gabriel Federow – guitar Didier Lockwood – violin Jean-Pol Asseline – keyboards Benoît Widemann – keyboardsBernard Paganotti – bass Christian Vander – drums, percussion, vocals	Live/Hhaï
September 1975 – February 1976	Klaus Blasquiz – vocals, percussion Stella Vander – vocals, percussion Gabriel Federow – guitar Didier Lockwood – violin Benoît Widemann – keyboardsPatrick Gauthier – keyboards Bernard Paganotti – bass Christian Vander – drums, percussion, vocals	Akt IV: Théâtre du Taur Concert 1975 Toulouse
March 1976 – September 1976	Klaus Blasquiz – vocals, percussion Stella Vander – vocalsLiza Deluxe – vocals Gabriel Federow – guitar Didier Lockwood – violin Benoît Widemann – keyboards Patrick Gauthier – keyboards Bernard Paganotti – bass, percussion, vocals Christian Vander – drums, percussion, keyboards, vocalsLucille Cullaz – vocals Catherine Szpira – vocals Pierre Dutour – trumpets Alain Hatot – saxophones Michel Graillier – keyboards Jannick Top – bass, fret-cello, synthesizer, percussion, horn arrangement, vocals	Üdü Ẁüdü Akt IX: Concert 1976 Opéra de Reims
November 1976 – January 1977	Klaus Blasquiz – vocals, percussions Stella Vander – vocals, percussions Gabriel Federow – guitar Benoît Widemann – keyboardsJean-Pol Asseline – keyboards Bernard Paganotti – bass Christian Vander – drums, percussion, vocals
January 1977 – mid 1977	Klaus Blasquiz – vocals Stella Vander – vocalsFlorence Bertaux – vocalsJean De Antoni – guitar Benoît Widemann – keyboardsGuy Delacroix – bass Christian Vander – drums, percussion, vocalsClément Bailly – drums
mid 1977 – end 1977	Klaus Blasquiz – vocals Stella Vander – vocalsLiza Deluxe – vocals Jean De Antoni – guitar Benoît Widemann – keyboards Guy Delacroix – bass Christian Vander – drums, percussion, vocals Clément Bailly – second drums Jacques Bolognesi – trombone Tony Russo – trumpet	Attahk
January 1978 – mid 1978	Klaus Blasquiz – vocals, percussion Stella Vander – vocals, percussion Liza Deluxe – vocalsRené Garber – clarinet Benoît Widemann – keyboards Guy Delacroix – bass Christian Vander – drums, percussion, vocals
mid 1978 – November 1978	Klaus Blasquiz – vocals, percussion Stella Vander – vocals Liza Deluxe – vocalsMaria Popkiewicz – vocalsJean-Luc Chevalier – guitar, bass René Garber – clarinetAndré Hervé – keyboards Guy Delacroix – bass Christian Vander – drums, percussion, vocals
spring 1979 – mid 1979	Klaus Blasquiz – vocals Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocals Jean-Luc Chevalier – guitar, bass André Hervé – keyboardsMichel Hervé – bass Christian Vander – drums, percussion, vocals	Akt XV: Bourges 1979
mid 1979 – end 1979	Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocals Jean-Luc Chevalier – guitar, bassJean De Antoni – guitar André Hervé – keyboardsBenoît Widemann – keyboards Michel Hervé – bass Christian Vander – drums, percussion, vocals
end 1979 – January 1980	Stella Vander – vocals, percussion Liza Deluxe – vocals Maria Popkiewicz – vocalsJean-Michel Kajdan – guitar Benoît Widemann – keyboardsFrancis Lockwood – keyboards Michel Hervé – bassDominique Bertram – bass Christian Vander – drums, percussion, vocals
January 1980 – June 1980	Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocalsKlaus Blasquiz – vocals, percussionJean-Luc Chevalier – guitar Benoît Widemann – keyboards Francis Lockwood – keyboards Michel Hervé – bass Dominique Bertram – bass Christian Vander – drums, percussion, vocals	-
June 1980 – end 1980	Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocals Klaus Blasquiz – vocalsGuy Khalifa – vocals Claire Laborde – vocals Jean-Luc Chevalier – guitar, bassClaude Engel – guitar Gabriel Federow – guitarDidier Lockwood – violinTeddy Lasry – flute, saxophone René Garber – saxophone, clarinet Jeff Seffer – saxophone Louis Toesca – trumpet Benoît Widemann – keyboardsPatrick Gauthier – keyboardsFrançois Cahen – keyboards Jean-Pierre Fouquey – keyboards Dominique Bertram – bass Bernard Paganotti – bass, guitarFrancis Moze – bass, keyboards Christian Vander – drums, percussion, vocalsFrançois Laizeau – drums, percussion	Retrospektïẁ (Parts I+II) Retrospektïẁ (Part III)
end 1980 – mid 1981	Stella Vander – vocals, percussion Liza Deluxe – vocals Maria Popkiewicz – vocals Guy Khalifa – vocals, keyboards Jean-Luc Chevalier – guitar, bass Jean-Michel Kajdan – guitar René Garber – clarinet Alain Guillard – wind instruments & trumpetYvon Guillard – wind instruments & saxophoneArrigo Lorenzi – saxophone Richard Raux – saxophone & flute Benoît Widemann – keyboardsFrancis Lockwood – keyboards Jean-Pierre Fouquey – piano Dominique Bertram – bassMarc Éliard – bass Jannick Top – bass Christian Vander – drums, percussion, vocals Francois Laizeau – drums and percussion Doudou Weiss – drums	Akt V-VI: Concert Bobino 1981
mid 1981 – beginning 1982	Stella Vander – vocals, percussion Liza Deluxe – vocals Maria Popkiewicz – vocals Guy Khalifa – vocals Jean-Luc Chevalier – guitar Jean-Michel Kajdan – guitar René Garber – saxophone & clarinet Alain Guillard – wind instruments & trumpet Yvon Guillard – wind instruments & saxophone Arrigo Lorenzi – saxophone Benoît Widemann – keyboards Jean-Pierre Fouquey – pianoPatrick Gauthier – keyboards Dominique Bertram – bass Marc Éliard – bass Christian Vander – drums, percussion, vocals Doudou Weiss – drums
beginning 1982 – mid 1982	Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocals Jean-Luc Chevalier – guitar René Garber – clarinet Alain Guillard – trumpet Yvon Guillard – saxophone Arrigo Lorenzi – saxophone Benoît Widemann – keyboards Jean-Pierre Fouquey – piano Patrick Gauthier – keyboards Dominique Bertram – bass Marc Éliard – bass Christian Vander – drums, percussion, vocalsFrancois Kokelaere – percussion
mid 1982 – beginning 1983	Stella Vander – vocals Liza Deluxe – vocals Maria Popkiewicz – vocals Guy Khalifa – vocals Jean-Luc Chevalier – guitar René Garber – clarinet & saxophone Alain Guillard – trumpet Yvon Guillard – saxophone Arrigo Lorenzi – saxophoneMichel Gaucher – saxophoneDenis Leloup – tromboneChristian Martinez – trumpetFreddy Opsepian – trumpet Jean-Pierre Fouquey – pianoSimon Goubert – keyboardsMichel Graillier – keyboards Dominique Bertram – bass Marc Éliard – bass Christian Vander – drums, percussion, vocals Francois Kokelaere – percussionFrançois Laizeau – percussion
beginning 1983 – end 1983	Stella Vander – vocals Liza Deluxe – vocals Guy Khalifa – vocals Jean-Luc Chevalier – guitar Christian Martinez – trumpet Jean-Pierre Fouquey – piano Simon Goubert – keyboards Michel Graillier – keyboardsPatrick Gauthier – keyboards Dominique Bertram – bass Marc Éliard – bassSylvin Marc – bass Christian Vander – drums, percussion, vocalsPierre Moerlen – drums
end 1983 – end 1984	Stella Vander – vocals Liza Deluxe – vocals Guy Khalifa – vocalsAlex Ferrand – vocals Jean-Luc Chevalier – guitar Christian Martinez – trumpetMichel Gaucher – saxophoneRené Garber – clarinet & saxophoneDenis Leloup – tromboneFreddy Opsepian – trumpet Jean-Pierre Fouquey – piano Simon Goubert – keyboards Dominique Bertram – bass Christian Vander – drums, percussion, vocals François Laizeau – percussionSteve Shehan – percussion	Merci
end 1984 – beginning 1985	Stella Vander – vocals Lisa Deluxe – vocals Guy Khalifa – vocals Jean-Pierre Fouquey – piano Jean-Luc Chevalier – guitar Simon Goubert – keyboards Dominique Bertram – bassGuy Delacroix – bassJean-Marc Jafet – bassFrancis Moze – bassRémy Sarrazin – bassFrédéric Briet – double bass Christian Vander – drums, percussion, vocals Pierre Marcault – percussion Claude Salmieri – drums Michel Le Bars – drums
1986 – 1990 solo projects of Christian Vander, Magma on stand by	-	-
February 1990 with OFFERING	Stella Vander – vocals Klaus Blasquiz – vocals Addie Déat – vocals Jean-Francois Déat – vocals, keyboards Isabelle Feuillebois – vocals Julie Vander – vocals Franck Vedel – guitar Emmanuel Borghi – keyboards Pierre-Michel Sivadier – keyboards Marc Éliard – bass Jean-Marc Duroure – bass Philippe Dardelle – double bass Christian Vander – drums, percussion, vocals Marc Delouya – drums Jean-Claude Buire – percussion
1991	Julie Vander – vocals Stella Vander – vocals Isabelle Feuillebois – vocals Addie Déat – vocals, keyboards Jean-François Déat – vocals, keyboards Emmanuel Borghi – keyboards Pierre-Michel Sivadier – keyboards Christian Vander – drums	-
1992	Stella Vander – vocals Klaus Blasquiz – vocals Didier Lockwood – violin Antoine Paganotti – vocals, drums Patrick Gauthier – keyboards Christian Vander – drums	-
1992 – 1996	Christian Vander – drums, vocals & composer Stella Vander – vocals Julie Vander – vocals, piano Bénédicte Ragu – vocals Isabelle Feuillebois – vocals Jean-Christophe Gamet – vocals Alex Ferrand – vocals Emmanuel Borghi – keyboards Pierre-Michel Sivadier – keyboards Philippe Dardelle – double bass Simon Goubert – drums, keyboards & piano	-
1996	Bertrand Cardiet – vocals Stella Vander – vocals Isabelle Feuillebois – vocals Jean-François Déat – vocals, keyboards Franck Vedel – guitar Philippe Bussonnet – bass Pierre-Michel Sivadier – keyboards Simon Goubert – keyboards Christian Vander – drums	-
1997	Bertrand Cardiet – vocals Stella Vander – vocals Isabelle Feuillebois – vocals Jean-François Déat – vocals, keyboards Franck Vedel – guitar Philippe Bussonnet – bass Pierre-Michel Sivadier – keyboards Christian Vander – drums	-
October 1997 – 1998	Bertrand Cardiet – vocals Stella Vander – vocals Isabelle Feuillebois – vocals James McGaw – guitar Philippe Bussonnet – bass Emmanuel Borghi – keyboards Pierre-Michel Sivadier – keyboards Christian Vander – drums	-
1999 – 2001	Antoine Paganotti – vocals Jean-Christophe Gamet – vocals, keyboards Stella Vander – vocals Isabelle Feuillebois – vocals James McGaw – guitar Philippe Bussonnet – bass Emmanuel Borghi – keyboards Christian Vander – drums Claude Lamamy – vocals Fred Burgazzi – trombone Ronan Simon – trombone Benoît Gaudiche – trumpet Yannick Neveu – trumpet Julie Vander – vocals	-
2002	Antoine Paganotti – vocals Himiko Paganotti – vocals Stella Vander – vocals Isabelle Feuillebois – vocals James Mac Gaw – guitar Philippe Bussonnet – bass Emmanuel Borghi – keyboards Christian Vander – drums	-
March 2003 – 2005	Antoine Paganotti – vocals Himiko Paganotti – vocals Stella Vander – vocals Isabelle Feuillebois – vocals James Mac Gaw – guitar Philippe Bussonnet – bass Fred d'Oelsnitz – piano Emmanuel Borghi – keyboards Christian Vander – drums	-
beginning February 2006 – 2008	Antoine Paganotti – vocals Himiko Paganotti – vocals Stella Vander – vocals Isabelle Feuillebois – vocals James Mac Gaw – guitar Philippe Bussonnet – bass Benoît Alziary – vibraphone Emmanuel Borghi – keyboards Christian Vander – drums	-
beginning February 2008 – 2012	Christian Vander – vocals, drums & composer Hervé Aknin – vocals Isabelle Feuillebois – vocals Stella Vander – vocals, percussions James Mac Gaw – guitar Bruno Ruder – piano Benoît Alziary – Fender Rhodes electric piano & vibraphone and thérémine Philippe Bussonnet – bass	-
beginning 2012 – December 2019	Christian Vander – vocals, drums & composer Hervé Aknin – vocals Isabelle Feuillebois – vocals Stella Vander – vocals, percussions James Mac Gaw – guitar Bruno Ruder – keyboards Benoît Alziary – Fender Rhodes electric piano & vibraphone and thérémine Philippe Bussonnet – bass	-
December 2019 – beginning 2022	Christian Vander – vocals, drums & composer Hervé Aknin – vocals Isabelle Feuillebois – vocals Stella Vander – vocals, percussions Sandrine Destefanis - vocals Sylvie Fisichella - vocals Laura Guarrato - vocals Rudy Blas – guitar Jimmy Top - bass Simon Goubert - keyboards Thierry Eliez - keyboards	-
beginning 2022–Present	Christian Vander – vocals, drums & composer Hervé Aknin – vocals Isabelle Feuillebois – vocals Stella Vander – vocals, percussions Caroline Indjein - vocals Sylvie Fisichella - vocals Laura Guarrato - vocals Rudy Blas – guitar Jimmy Top - bass Simon Goubert - keyboards Thierry Eliez - keyboards	-

Discography

;Studio albums

1970: Kobaïa
1971: 1001° Centigrades
1973: Mëkanïk Dëstruktïẁ Kömmandöh
* 1989: Mekanïk Kommandöh
1974: Ẁurdah Ïtah
1974: Köhntarkösz
1976: Üdü Ẁüdü
1978: Attahk
1985: Merci
2004: K.A (Köhntarkösz Anteria)
2009: Ëmëhntëhtt-Ré
2012: Félicité Thösz
2014: Rïah Sahïltaahk
2015: Šlaǧ Tanƶ
2019: Zëss
2022: Kãrtëhl

;Live albums

1975: Live/Hhaï
1977: Inédits
1981: Retrospektïẁ (Parts I+II)
1981: Retrospektïẁ (Part III)
1989: Akt X: Mekanïk Kommandöh
1992: Akt I: Les Voix De Magma
1994: Akt IV: Theatre Du Taur Concert, 1975
1995: Akt V: Concert Bobino 1981
1996: Akt VIII: Bruxelles 1971
1996: Akt IX: Opéra De Reims, 1976
1999: Akt XIII: BBC 1974 Londres
2001: Trilogie Theusz Hamtaahk , CD + DVD
2008: Akt XV: Bourges, 1979
2009: Live in Tokyo 2005
2014: Zühn Wöhl Ünsai – Live 1974
2018: Akt XVIII: Marquee - Londres 17 Mars 1974
2021: Eskähl 2020

;EPs

1998: Floë Ëssi/Ëktah
2014: Rïah Sahïltaahk
2015: Šlaǧ Tanƶ

;Compilations/boxsets/other material

1972: The Unnamables
1986: Mythes et Légendes Vol. I
1992: Akt II: Sons: Document 1973
1997: Kompila
1998: Simples
2008: Archiẁ I & II
2008: Studio Zünd: 40 Ans d'Evolution
2015: Köhnzert Zünd
2017: Retrospektïw
2023: Magma une histoire de Mekanik Coffret 50 ans Mëkanïk Dëstruktïw Kömmandöh

;Videos

1995: Concert Bobino 1981, DVD
2001: Trilogie Theusz Hamtaahk , DVD + CD
2006: Mythes et Légendes Epok 1, DVD
2006: Mythes et Légendes Epok 2, DVD
2007: Mythes et Légendes Epok 3, DVD
2008: Mythes et Légendes Epok 4, DVD
2013: Mythes et Légendes Epok 5, DVD
2016: Nihao Hamtaï – Magma in China, DVD
2017: Ëmëhntëhtt-Rê Trilogy, DVD

Awards

In October 2020, Magma was awarded “Jazz Band of the Year” alongside Trio Viret and the Dal Sasso Big Band at the Les Victoires du Jazz awards ceremony on Radio France.