Dimitris Plantzos


Dimitris Plantzos is a classical archaeologist and writer, and Professor of Classical Archaeology at the National and Kapodistrian University of Athens. He specializes in Greek art and archaeology, archaeological theory, and contemporary and modern receptions of classical culture.

Career

After receiving his BA in History and Archaeology from Athens in 1987, Plantzos got an MPhil and a DPhil in Classical Archaeology from the University of Oxford. He held a British Academy Post-doctoral Fellowship from 1994 to 1996, and was a curator for the Ilias Lalaounis Jewelry Museum and the Museum of Cycladic Art in Athens. Before taking up his current position at Athens, he was Assistant Professor of Classical Archaeology at the University of Ioannina.
Dimitris Plantzos has published articles on a wide variety of topics, including the study of Greek gems and seal-impressions, Greek painting, nationalist uses of classical antiquity in contemporary Greece, archaeology in literature and cinema, and the use of archaeology as a biopolitical instrument in modern societies. His DPhil thesis appeared as an Oxford Monograph on Classical Archaeology in 1999, titled Hellenistic Engraved Gems. His more recent work includes Greek art and archaeology, 1200 - 30 BC, a classical archaeology textbook published in Greece by Kapon Editions and the US by Lockwood Press, and The Art of Painting in Ancient Greece, produced by the same publishers. Plantzos was also co-editor of Classicism to Neo-Classicism. Essays Dedicated to Gertrud Seidmann ; ' ; and '.
Dimitris Plantzos is co-director of the Argos Orestikon Excavation Project, and has collaborated with other excavation or R&D projects. He sits on the editorial boards of the , the , , the , and the Journal of Modern Greek Studies. Since 2019 he is joint lead of the Project The Construction of Knowledge in Archaeology and Art History in Southeastern Europe, hosted by the , Sofia and funded by the Getty Foundation as part of the Connecting Art Histories Initiative. During the 2020-21 COVID-19 pandemic, Plantzos co-hosted a series of Webinars on Ancient Greek Painting organized by the American School of Classical Studies at Athens, which was attended globally by thousands of academics, scholars, and ancient-art enthusiasts.
In recent years, Plantzos has been actively participating in public discussions regarding the role of archaeology in contemporary societies, as well as the uses of the classical past in nationalism, post-colonial thinking, and modern and post-modern governmentality.

Books

As author:
  • Hellenistic Engraved Gems, Oxford University Press.
  • Φιλοστράτου, Εικόνες. Εισαγωγή, μετάφραση και σχόλια, Εκδόσεις Κατάρτι.
  • Ελληνική τέχνη και αρχαιολογία, 1200-30 π.Χ., Εκδόσεις Καπόν.
  • Οι αρχαιολογίες του κλασικού. Αναθεωρώντας τον εμπειρικό κανόνα, Εκδόσεις του Εικοστού Πρώτου.
  • Greek art and archaeology, 1200-30 BC, Kapon Editions and Lockwood Editions.
  • Το Πρόσφατο Μέλλον. Η κλασική αρχαιότητα ως βιοπολιτικό εργαλείο, Εκδόσεις Νεφέλη.
  • Η τέχνη της ζωγραφικής στον αρχαιοελληνικό κόσμο, Εκδόσεις Καπόν.
  • The Art of Painting in Ancient Greece, Kapon Editions and Lockwood Editions.
  • Το Χρονικό της Λήμνου. Μύθος - Ιστορία - Κληρονομιά, Εκδόσεις Καπόν.
  • The Story of Lemnos. Myth - History - Heritage, Kapon Editions.
  • Athens Demapped. Archaeology, Heritage, and Urban Transformation, Coimbra University Press. ISBN 9789892627717
As editor:
  • Classicism to Neo-Classicism. Essays dedicated to Gertrud Seidmann.
  • Artists’ Jewellery in Contemporary Europe. A Female Perspective?, Ilias Lalaounis Jewellery Museum.
  • A Singular Antiquity. Archaeology and Hellenic Identity in Twentieth-Century Greece, The Benaki Museum.
  • Παγκοσμιοποίηση και εθνική κουλτούρα, Εκδόσεις Αλεξάνδρεια.
  • A Companion to Greek Art, Wiley-Blackwell.
  • Τέχνη – Χώρος – Όψεις Ανάπτυξης στην Ελλάδα της Κρίσης, Hellenic Open University.
  • Νόμισμα / Κόσμημα. Χρήσεις – Διαδράσεις – Συμβολισμοί από την Αρχαιότητα έως Σήμερα, Lydia Lithos.