Cristian Carrara
Cristian Carrara is an Italian composer who is active in the Italian social and institutional scene.
Early life
Born in Pordenone, Carrara graduated in composition from the Conservatory "Jacopo Todini" in Udine under Renato Miani. He is the author of mainly symphonic and chamber music, but also pieces for the musical theatre and television. His compositions are regularly performed in prestigious concert halls, such as the National Academy of St Cecilia. in Rome, the Berliner Hall, the Maggio Musicale Fiorentino, the Binyanei Hauma Auditorium in Jerusalem.Carrara collaborates with several famous international artists, among them orchestra conductors such as Matthieu Mantanus, John Neschling, Flavio Emilio Scogna, Meir Wellber, Paolo Olmi, Michalis Economou, Jan Latham-Koenig, Lior Shambadal and soloists Alda Caiello, Roberto Abbondanza, Roberto Prosseda, Floraleda Sacchi, Francesco D’Orazio, Francesco Dego, and Stefano Montanari.
His music is performed by important ensembles and orchestras, such as the Orchestra Sinfȏnica Municipal of San Paolo, the Orchestra della Universidad Nacional Autónoma of Mexico City, the Philharmonic Orchestra of Fenice in Venice, the Filarmonica Toscanini in Parma, the Regional Tuscan Orchestra, the Orchestra of the Lyric Theatre in Cagliari, the Qatar Symphony Orchestra, the Berliner Symphoniker, the Ra’anana Symphonette and the Orchestre Lyrique et Symphonique de Nancy.
Works
Stage work
- Sola Beatitudo
- Cindarella
- Faust
- Canzone dei luoghi comuni
- Il giocatore. Soliloquio dalla fossa
- Oliver Twist
- La Piccola Vedetta Lombarda
Solo instrument
- Neve corrente
- Carillon
- A piano diary
Soloist and orchestra
The Waste Land, viola concerto Machpela, dialogue for violin, cello and orchestra- War silence
- A peace overture
- Liber mundi
- Magnificat
- Face to face
- East West Romance
- Destinazione del sangue
- Infinito silenzio
- Cantico dei cantici
Orchestra
- Eveline
- Vivaldi. In memoriam
- Alto sui pedali . Suite for bicycle and orchestra
- Ondanomala, Vajont, 9 Ottobre 1963
- Alto sui pedali
- Visioni romane
- Tales from the underground
- Mater
- Icone
Chamber
- Le Petit Prince
- Ludus
- A little tango to my wife
- Memorie dal sottosuolo
- Trilogia della bellezza
- Pater
- Quartet no. 2
- Com’è l’aldilà
- Sonata
- Quartet no. 1
Discography
Monographies
- Faust in the sky, Warner Classics, 2017
- Magnificat and other orchestral works, with Orchestre symphonique et lyrique de Nancy, dir. Carlo Guaitoli, Brilliant Classics, 2015
- La Piccola Vedetta Lombarda, Ed. Tactus, DDD TC 970303, 2012
- Ludus, Amadeus Art AAP13001, 2013
- Liber Mundi, Arts Music/ Curci edition, 2012
- A piano diary, Incipit Records / Egea Music, 2011
- Destinazione del sangue- Icone
Collaborations
- Bianco, in A tribute to Alberto Burri, ed. A Simple lunch, 2015
- Luce, in Crossroads, Vdm records, 2007
- Infnito silenzio, in Tra le tue braccia, series of Solidarity art, Curci 2005
- Canzone tra le guerre, in Souvenir d'Italie, Liber@, 2007
Critical opinions
Positive opinions have been made on his compositions by several personalities.- "He is an author who composes easily" – Giorgio Battistelli
- "I know that I'd like to share his music with others and listen to it over and over again" – Rob Haskins
- "His music is close to the heart, it's clear, but not simple, it's direct but it speaks a language full of mistery: the language of poetry" – Elena Formica
- "the writing is very attentive to the balance and the delicacy of the harmonic texture, but it's great in its creative intentions for which the whole context manifests itself solid and clear, capable of revealing – beyond the curtain of apparently simple music – the terrible question of the ominous outcome of what is declared to be good, that is what a war, any war, brings about." – Claudio Strinati
- "Carrara shows, in his music, the Italian quality, a lyric expression full of beautiful sentiments." – Jorge Coli
- "In Carrara's music there's an aware recovery of consonance and melody, which recall the archaic Mediterranean tradition with the precise intention of making a profound descriptive ability emerge, the ability to create in the mind of a listener the innovative images and visions of a continuous timbre flow mixture that become 'characters' right away." – Flavio Emilio Scogna
- "With the extreme coherency, the evocation of this music results very transparent and direct, especially because it is free of the rule of originality at all costs, the one pursued even when there's nothing original to show." – Federico Capitoni
- "The music of Cristian Carrara has a precious gift, a very rare one for our time and for contemporary composers: it speaks directly to the heart of a listener, crosses the high barriers of decades of complex intellectual ponderings and cultural dogmas imposed by sterile logic of the party. Andrea Milanesi, Liber Mundi by Cristian Carrara, the music of our day that speaks to everyone."