Clarice Lispector
Clarice Lispector was a Ukrainian-born Brazilian novelist and short story writer. Her distinctive and innovative works delve into diverse narrative forms, weaving themes of intimacy and introspection, earning her subsequent international acclaim. Born to a Jewish family in Podolia in Western Ukraine, as an infant she moved to Brazil with her family, amidst the pogroms committed during the Russian Civil War.
Lispector grew up in Recife, the capital of the northeastern state of Pernambuco, where her mother died when Clarice was nine. The family moved to Rio de Janeiro when she was in her teens. While in law school in Rio, she began publishing her first journalistic work and short stories, catapulting to fame at the age of 23 with the publication of her first novel, Near to the Wild Heart, written as an interior monologue in a style and language that was considered revolutionary in Brazil.
Lispector left Brazil in 1944 following her marriage to a Brazilian diplomat, and spent the next decade and a half in Europe and the United States. After returning to Rio de Janeiro in 1959, she published the stories of Family Ties and the novel The Passion According to G.H.. Injured in an accident in 1966, she spent the last decade of her life in frequent pain, steadily writing and publishing novels and stories, including the celebrated Água Viva, until her premature death in 1977.
Lispector has been the subject of numerous books, and references to her and her work are common in Brazilian literature and music. Several of her works have been turned into films. In 2009, the American writer Benjamin Moser published Why This World: A Biography of Clarice Lispector. Since that publication, her works have been the object of an extensive project of retranslation, published by New Directions Publishing and Penguin Modern Classics, the first Brazilian to enter that prestigious series. Moser, who is also the editor of her anthology The Complete Stories, describes Lispector as the most important Jewish writer in the world since Franz Kafka.
Early life, emigration and Recife
Clarice Lispector was born Chaya Lispector in Chechelnyk, Podolia, a rural shtetl in the Ukrainian SSR. She was the youngest of three daughters of Pinkhas Lispector and Mania Krimgold Lispector. Her family suffered significantly in the pogroms that followed the collapse of the Russian Empire, circumstances later dramatized in her older sister Elisa Lispector's autobiographical novel No exílio. They left in the winter of 1921, and they eventually managed to flee to Romania, from where they emigrated to Brazil, where her mother Mania had relatives. They sailed from Hamburg and arrived in Brazil in the early months of 1922, when Chaya was little more than one year old.The Lispectors changed their names upon arrival. Pinkhas became Pedro; Mania became Marieta; Leah became Elisa, and Chaya became Clarice. Only the middle daughter, Tania, kept her name. They first settled in the northeastern city of Maceió, Alagoas. Her mother, who was paralyzed, was in rapidly declining health during this period, possibly due to trauma-related hemiplegia, and, later, with tremors caused by Parkinson's disease. After three years, the Lispector family moved to the city of Recife, Pernambuco, settling in the neighbourhood of Boa Vista, where they lived at number 367 in the Praça Maciel Pinheiro and later in the Rua da Imperatriz.
In Recife, where her father continued to struggle economically, her mother finally died on September 21, 1930, aged 42, when Clarice was nine. Clarice attended the Colégio Hebreo-Idisch-Brasileiro, which taught Hebrew and Yiddish in addition to the usual subjects. In 1932, she gained admission to the Ginásio Pernambucano, then the most prestigious secondary school in the state. A year later, strongly influenced by Hermann Hesse's Steppenwolf, she "consciously claimed the desire to write".
In 1935, Pedro Lispector decided to move with his daughters to the then-capital, Rio de Janeiro, where he hoped to find more economic opportunity and also to find Jewish husbands for his daughters. The family lived in the neighborhood of São Cristóvão, north of downtown Rio, before moving to Tijuca. In 1937, she entered the Law School of the University of Brazil, then one of the most prestigious institutions of higher learning in the country. Her first known story, "Triunfo", was published in the magazine Pan on May 25, 1940. Soon afterwards, on August 26, 1940, as a result of a botched gallbladder operation, her father died, aged 55.
While still in law school, Clarice began working as a journalist, first at the official government press service the Agência Nacional and then at the important newspaper A Noite. Lispector would come into contact with the younger generation of Brazilian writers, including Lúcio Cardoso, with whom she fell in love. Cardoso was gay, however, and she soon began seeing a law school colleague named Maury Gurgel Valente, who had entered the Brazilian Foreign Service, known as Itamaraty. In order to marry a diplomat, she had to be naturalized, which she did as soon as she came of age. On January 12, 1943, she was granted Brazilian citizenship. Eleven days later she married Gurgel.
''Near to the Wild Heart''
In December 1943, Lispector published her first novel, Perto do coração selvagem. The novel, which tells of the inner life of a young woman named Joana, caused a sensation. In October 1944, the book won the prestigious Graça Aranha Prize for the best debut novel of 1943. One critic, the poet Lêdo Ivo, called it "the greatest novel a woman has ever written in the Portuguese language." Another wrote that Lispector had "shifted the center of gravity around which the Brazilian novel had been revolving for about twenty years". "Clarice Lispector's work appears in our literary world as the most serious attempt at the introspective novel," wrote the São Paulo critic Sérgio Milliet. "For the first time, a Brazilian author goes beyond simple approximation in this almost virgin field of our literature; for the first time, an author penetrates the depths of the psychological complexity of the modern soul."This novel, like all of her subsequent works, was marked by an intense focus on interior emotional states. When the novel was published, many claimed that her stream-of-consciousness writing style was heavily influenced by Virginia Woolf or James Joyce, but she only read these authors after the book was ready. The epigraph from Joyce and the title, which is taken from Joyce's A Portrait of the Artist as a Young Man, were both suggested by Lúcio Cardoso.
Shortly afterwards, Lispector and Maury Gurgel left Rio for the northern city of Belém, in the state of Pará, at the mouth of the Amazon. There, Maury served as a liaison between the Foreign Ministry and the Allies who were using northern Brazil as a military base in World War II.
Europe and the United States
On July 29, 1944, Lispector left Brazil for the first time since she had arrived as a child, destined for Naples, where Gurgel was posted to the Brazilian Consulate. Naples was the staging post for the troops of the Brazilian Expeditionary Force whose soldiers were fighting on the Allied side against the Nazis. She worked at the city's military hospital, taking care of wounded Brazilian troops In Rome, Lispector met the Italian poet Giuseppe Ungaretti, who translated parts of Near to the Wild Heart, and had her portrait painted by Giorgio de Chirico. In Naples, she completed her second novel, O Lustre, which like the first focused on the interior life of a girl, this time one named Virgínia. This longer and more difficult book also met with an enthusiastic critical reception, although it had a lower impact than Near to the Wild Heart. Gilda de Melo e Sousa wrote, "Possessed of an enormous talent and a rare personality, she will have to suffer, fatally, the disadvantages of both, since she so amply enjoys their benefits." After a short visit to Brazil in 1946, Lispector and Gurgel returned to Europe in April 1946, where he was posted to the embassy in Bern, Switzerland. This was a time of considerable boredom and frustration for Lispector, who was often depressed. "This Switzerland," she wrote her sister Tania, "is a cemetery of sensations." Her son Pedro Gurgel Valente was born in Bern on September 10, 1948, and in the city she wrote her third novel, A cidade sitiada.The book Lispector wrote in Bern, The Besieged City, tells the story of Lucrécia Neves, and the growth of her town, São Geraldo, from a little settlement to a large city. The book, which is full of metaphors of vision and seeing, met with a tepid reception and was "perhaps the least loved of Clarice Lispector's novels", according to a close friend of Lispector's. Sérgio Milliet concluded that "the author succumbs beneath the weight of her own richness." And the Portuguese critic João Gaspar Simões wrote: "Its hermeticism has the texture of the hermeticism of dreams. May someone find the key."
After leaving Switzerland in 1949 and spending almost a year in Rio, Lispector and Gurgel traveled to Torquay, Devon, where he was a delegate to the General Agreement on Tariffs and Trade. They remained in England from September 1950 until March 1951. Lispector liked England, though she suffered a miscarriage on a visit to London.
In 1952, back in Rio, where the family would stay about a year, Lispector published a short volume of six stories called Alguns contos in a small edition sponsored by the Ministry of Education and Health. These stories formed the core of the later Laços de família, 1960. She also worked under the pseudonym Teresa Quadros as a women's columnist at the short-lived newspaper Comício.
In September 1952, the family moved to Washington, D.C., where they would live until June 1959. They bought a house at 4421 Ridge Street in the suburb of Chevy Chase, Maryland. On February 10, 1953, Lispector gave birth to her second son, Paulo. She grew close to the Brazilian writer Érico Veríssimo, then working for the Organization of American States, and his wife Mafalda, as well as to the wife of the ambassador,, daughter of the former Brazilian dictator Getúlio Vargas. She also began publishing her stories in the new magazine Senhor, back in Rio. But she was increasingly discontented with the diplomatic milieu. "I hated it, but I did what I had to I gave dinner parties, I did everything you're supposed to do, but with a disgust…" She increasingly missed her sisters and Brazil, and in June 1959, she left her husband and returned with her sons to Rio de Janeiro, where she would spend the rest of her life.