Takeshi Kitano
Takeshi Kitano, also known as Beat Takeshi in Japan, is a Japanese comedian, actor, and filmmaker. While he is known primarily as a comedian and TV host in his native Japan, he is better known abroad for his work as a filmmaker and actor as well as TV host.
During his time as a student at Meiji University, he became a comedian at the strip theater France-za in Asakusa, Tokyo. In 1973, he formed a comedy duo called Two Beat with Kiyoshi Kaneko, who later became Beat Kiyoshi. Kitano adopted the stage name Beat Takeshi. Riding the wave of the comedy boom, he gained popularity with satirical and sharp-tongued black humor. In the 1980s, he appeared in TV shows such as Oretachi Hyōkin-zoku which recorded the highest viewership rating of 29.1%, and Takeshi's Castle which recorded 24.7%, becoming explosively popular on television. He gained recognition as an actor in director Nagisa Ōshima's film Merry Christmas, Mr. Lawrence. In 1989, he made his directorial debut with the film Violent Cop after Kinji Fukasaku stepped down. He won the Golden Lion at the Venice Film Festival for his film Hana-bi, becoming the third Japanese director to receive this honor after Akira Kurosawa and Hiroshi Inagaki. In October 2017, Kitano completed his Outrage crime trilogy with the release of Outrage Coda. He is also known internationally for hosting the game show Takeshi's Castle and starring in the film Battle Royale.
He has received critical acclaim for his idiosyncratic cinematic work, winning numerous awards with Japanese film critic Nagaharu Yodogawa having once dubbed him "the true successor" to influential filmmaker Akira Kurosawa. Many of Kitano's films are dramas about yakuza gangsters or the police. Described by critics as using an acting style that is highly deadpan or a camera style that approaches near-stasis, Kitano often uses long takes during which little appears to be happening, or editing that cuts immediately to the aftermath of an event. Many of his films express a bleak worldview, but are also filled with humor and affection for their characters.
Life and career
Early life
Takeshi Kitano was born in Adachi, Tokyo, with two older brothers and an older sister. His father worked as a house painter, with Kitano revealing that he used to live like a yakuza, while his mother was a strict disciplinarian and educator who worked in a factory. In his working-class neighborhood, the children looked up to baseball players and yakuza, with many of his neighbors being the latter. Kitano entered Meiji University and studied engineering, before dropping out at age 19. He went to the Asakusa district in 1972 to become a comedian. While working as an elevator operator at the Asakusa France-za strip club, he became an apprentice of its comedian Senzaburo Fukami and eventually the theater's MC.Comedy career and success
In the 1970s, he formed a comedy duo with his friend Nirō Kaneko. They took on the stage names Beat Takeshi1 and Beat Kiyoshi; together referring to themselves as Two Beat. This sort of duo comedy, known as manzai in Japan, usually features a great deal of high-speed back-and-forth banter between the two performers. Kiyoshi played the straight man against Takeshi's funny man. In 1976, they performed on television for the first time and became a success, propelling their act onto the national stage. The reason for their popularity had much to do with Kitano's material, which was much more risqué than traditional manzai. The targets of his jokes were often the socially vulnerable, including the elderly, the handicapped, the poor, children, women, the ugly and the stupid. Complaints to the broadcaster led to censorship of some of Kitano's jokes and the editing of offensive dialogue. Kitano confirmed in a video interview that he was forbidden to access the NHK studios for five years for having exposed his body during a show when it was totally forbidden.Although Two Beat was one of the most successful acts of its kind during the late 1970s and early 1980s, Kitano decided to go solo and the duo was dissolved. Together with Sanma Akashiya and Tamori, Kitano is said to be one of the "Big Three" television comedians of Japan. Some autobiographical elements relating to his manzai career can be found in his 1996 film Kids Return. Beat Kiyoshi has a bit part in Kitano's 1999 film Kikujiro, as "Man at the Bus Stop". Kitano had also become a popular television host. Takeshi's Castle was a game show hosted by Kitano in the 1980s, featuring slapstick-style physical contests. It was broadcast years later in the United States under the title Most Extreme Elimination Challenge, with Takeshi renamed "Vic Romano".
Many of Kitano's routines involved him portraying a gangster or other harsh characters. Kitano said that after playing comedy clubs he would be invited to drink with yakuza, who would tell him stories about the big crime bosses. His first major film role was in Nagisa Oshima's Merry Christmas, Mr. Lawrence. Kitano said that he was happy with his performance and snuck into a showing of the film to see how the audience would accept him as a serious actor instead of a comedian. He was devastated when the audience burst into laughter upon his appearing on screen, but vowed to stick to serious and dark characters in film.
In 1986, Kitano worked on the Family Computer video game Takeshi no Chōsenjō, as a consultant and partial designer. He was the first Japanese celebrity to actively contribute to the development of a video game and starred in several commercials promoting its release. Due to the title's difficulty and confusing gameplay mechanics, it was placed first in Famitsu magazine's kusoge ranking, and is often referred to as one of the worst video games of all time. Takeshi no Chōsenjō and its development was later the subject of the first episode of GameCenter CX, a gaming variety show hosted by Osaka comedian Shinya Arino. That same year, Kitano found himself in a legal incident when he stormed the editorial office of the weekly magazine Friday after it published an article accusing him of an affair.
In 1988, he published a memoir, Asakusa Kid. He has also published a number of novels and other books which have been translated into French. He co-founded the Agency Office Kitano with Masayuki Mori.
After several other acting roles, mostly comedic, in 1989 he was cast as the lead in Violent Cop. When director Kinji Fukasaku stepped down over scheduling conflicts with Kitano, due to Kitano's TV commitments, the distributor suggested the comedian direct it at his own pace. He also rewrote the script heavily, and this marked the beginning of Kitano's career as a filmmaker.
1990–2000: Film recognition
Kitano's second film as director and first as screenwriter was Boiling Point released in 1990. Mark Schilling cited it as the film in which Kitano defined his style with long takes, minimal camera movement, brief dialogue, sly humor, and sudden violence.Kitano's third film, A Scene at the Sea, was released in 1991. It follows a deaf garbage collector who is determined to learn how to surf after discovering a broken surfboard. Kitano's more delicate, romantic side came to the fore here, along with his trademark deadpan approach. The film garnered numerous nominations and awards, including Best Film at the prestigious Blue Ribbon Awards. It also started a long-running collaboration with composer Joe Hisaishi, which would last until 2002.
Although 1993's Sonatine did poorly in Japan, it received rave reviews in Europe when it was shown at the 1993 Cannes Film Festival. Kitano plays a Tokyo yakuza who is sent by his boss to Okinawa to help end a gang war there. He is tired of gangster life, and when he finds out the whole mission is a ruse, he welcomes what comes with open arms. All four of his films were screened at the 1994 London Film Festival.
In August 1994, Kitano was involved in a motorscooter accident and suffered injuries that caused partial paralysis of the right-side of his face. As reported by Dan Edwards, Kitano later said that the accident was an "unconscious suicide attempt". Kitano made Kids Return in 1996, soon after his recovery.
The 1995 release of Getting Any?, which was filmed before the accident, showed Kitano returning to his comedy roots. This Airplane!-like assemblage of comedic scenes, all centering loosely around a Walter Mitty-type character trying to have sex in a car, met with little acclaim in Japan. Much of the film satirizes popular Japanese culture, such as Ultraman or Godzilla and even the Zatoichi character that Kitano himself would go on to play eight years later. That year Kitano also appeared in the film adaptation of William Gibson's 1995 Johnny Mnemonic, credited by the mononym "Takeshi", although his on-screen time was greatly reduced for the American cut of the film.
After his motorscooter accident, Kitano took up painting. His paintings have been published in books, featured in gallery exhibitions, and adorn the covers of many of the soundtrack albums for his films. His paintings were featured prominently in his most critically acclaimed film, 1997's Hana-bi. Although for years already Kitano's largest audience had been the foreign arthouse crowd, Hana-bi cemented his status internationally as one of Japan's foremost modern filmmakers. Although it was not a big success financially, it won the Golden Lion award at the 1997 Venice Film Festival. Kitano himself said it was not until he won this award that he was accepted as a serious director in Japan; prior his films were looked at as just the hobby of a famous comedian.
Among his most significant acting roles were Nagisa Oshima's 1999 film Taboo, in which he played Captain Hijikata Toshizo of the Shinsengumi. Kikujiro, released in 1999 and named after his father, was a semi-comedy featuring Kitano as a ne'er-do-well crook who winds up paired up with a young boy looking for his mother, and goes on a series of misadventures with him.
He hosted Koko ga Hen da yo Nihonjin which was a Japanese TV show that was broadcast weekly from 1998 to 2002, a talk show on which a large panel of Japanese-speaking foreigners from around the world debate current issues in Japanese society. He currently hosts Unbelievable, which was relaunched in 2001, and the weekly television program Beat Takeshi's TV Tackle. TV Tackle is a kind of panel discussion among entertainers and politicians regarding controversial current events. Another of his shows is Sekai Marumie TV, a weekly collection of various interesting video clips from around the world, often focusing on the weird aspects of other countries. On this show, he plays a childlike idiot, insulting the guests, and usually appearing wearing strange costumes during the show.