Results May Vary
Results May Vary is the fourth studio album by American nu metal band Limp Bizkit, released on September 23, 2003, through Flip and Interscope Records. It is the band's only release under the sole-leadership of vocalist Fred Durst after the temporary departure of guitarist Wes Borland, who left in 2001. Guitarist Mike Smith of Snot was brought in to replace Borland, although his time with the band was brief, and Durst along with a number of guests ended up handling the majority of the album's guitar work.
The album differed from Limp Bizkit's established sound up until that point; although the album still featured elements of hip hop and nu metal, it also branched out into other musical styles, including alternative rock, acoustic, funk and jazz. It also featured less rapping and more introspective lyrics related to heartbreak, bullying, and self-pity. An alleged affair with Britney Spears by Durst during collaborating sessions for her 2003 album In the Zone and resulting rejection by Spears was also cited as an inspiration for some of the album's material. To promote the album, music videos featuring high-profile actors were created for "Eat You Alive" and a cover of the Who's "Behind Blue Eyes"; the former featuring Thora Birch and Bill Paxton and the latter featuring Halle Berry.
Upon its release, Results May Vary peaked at number 3 on the US Billboard 200, selling at least 325,000 copies in its first week of sales. While the album still eventually went platinum, both the debut and lifetime sales were still well below prior albums Significant Other and Chocolate Starfish and the Hot Dog Flavored Water. Results May Vary sold at least 1.3 million copies in the United States, and received mainly negative critical reception as well. Results May Vary was Limp Bizkit's last studio album released before they went on hiatus for the three years between 2006 and 2009.
Background and recording
In October 2001, Fred Durst posted on the band's website: "Limp Bizkit and Wes Borland have amicably decided to part ways. Both Limp Bizkit and Borland will continue to pursue their respective musical careers. Both wish each other the best of luck in all future endeavors." Borland explained why he left Limp Bizkit; he said: "I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit."According to Durst, Limp Bizkit would "comb the world for the illest guitar player known to man" to replace Borland. After holding a nationwide audition for a new guitarist, "Put Your Guitar Where Your Mouth Is", the band recorded with Snot guitarist Mike Smith. "Mike brought in a breath of fresh air," Durst said. "Creatively, it fit like a glove. It made life easier and more positive. It made us look forward to getting together as a band so much more. The positive effect he had on me just made the whole experience of Limp Bizkit feel like a brand-new entity." Before Smith replaced Borland, Durst originally attempted to write and play a great deal of the guitar tracks before resorting to hire session musician Elvis Baskette to help with writing and recording the majority of the album. Jon Wiederhorn of MTV wrote, "Limp Bizkit jammed with four finalists after their much-publicized guitarist audition tour, but now it looks like Fred Durst might be taking a cue from his Puddle of Mudd pal Wes Scantlin and handling both vocal and guitar duties himself."
After a later falling-out with Smith, Durst told a fansite: "We are the type of people that stay true to our family and our instincts and at any moment will act on intuition as a whole. Mike wasn't the guy. We had fun playing with him but always knew, in the back of our minds, that he wasn't where we needed him to be mentally." Limp Bizkit scrapped many of Smith's sessions, recording another album that was also scrapped.
Before the introduction of Results May Vary track listing, Page Hamilton of Helmet and Rivers Cuomo of Weezer recorded songs with Limp Bizkit for the album; Al Jourgensen of Ministry also joined the band in the studio. The contributions of all three were omitted from the finished album for unknown reasons. Rappers Jay Z and Bubba Sparxxx both joined Durst in a Los Angeles studio to record various songs respectively, but contributions from either also did not appear on the album. Durst wrote over 30 songs with Limp Bizkit drummer John Otto and the band's bassist, Sam Rivers. During production of Results May Vary, Durst claimed he listened to such artists as the Cure, Patsy Cline, Mazzy Star and classical music for inspiration.
Title
During production, the album's title changed from Bipolar to Panty Sniffer, and then to Results May Vary. Other working titles were Less Is More, Fetus More, Surrender and The Search for Teddy Swoes. The finished product assembled songs from a number of sessions. On August 20, 2003, Fred Durst posted on the Limp Bizkit website: "The album title is Results May Vary. Like a prescription drug, each persons reaction to the ingredients will be different."Music and lyrics
Results May Vary was recorded under the leadership of Durst, who influenced a direction differing from Limp Bizkit's established sound. Although the album features elements of rap metal and rap rock, it is noted for music experimenting with other genres: psychedelia, alternative rock, hard rock, jazz, acoustic and funk. The album is more melodic than Limp Bizkit's previous works, has been compared to John Mayer, Bon Jovi, Primus, Linkin Park, Staind and Jane's Addiction. With a change in the band's sound, Results May Vary has less rapping, more singing and more melody than previous Limp Bizkit albums. The Observer called the album Limp Bizkit's "safest, most pedestrian-sounding record yet", and Joe D'Angelo of MTV described the album as the band's "most personal album by far", adding it shows Durst "having actual feelings other than rage, angst and conceit under his omnipresent ball cap." Durst described the album as "more sad, more deep, drone-y", and the album demonstrates his "milder, more sensitive streak". Although the songs on Results May Vary are emotional and expressive, screaming is largely absent from most of the songs.Durst's controversy with Britney Spears provided lyrical inspiration for the album. There was rumors him and Spears were in a relationship, with him writing three songs for her 2003 album In the Zone, working on those songs in a studio. After she denied the relationship, he refused to allow those three songs to appear on the album. Results May Vary features a cover of The Who's "Behind Blue Eyes" with a Speak & Spell during the song's bridge. "Gimme the Mic" includes lyrics from the Beastie Boys' "Pass the Mic" and Eric B. & Rakim's "Microphone Fiend", and "Let Me Down" samples Steve Miller's "Take the Money and Run". "Head for the Barricade" borrows from the song "Stick 'Em" by the Fat Boys. "Phenomenon" borrows the line, "Once again back it's the incredible", from "Bring the Noise" by Public Enemy. The album demonstrates Limp Bizkit's gloomy side, with more-serious, less-confident lyrics than previous songs. Lyrical topics include bullying, Durst's past, self-pity, betrayal, childhood pain, heartbreak, feeling misunderstood, love and his views on MTV and radio. About "Down Another Day", Joe D'Angelo of MTV found it difficult to believe that lyrics that were similar to Mayer's could come from Durst, whom, according to him, had recently "likened himself to a chainsaw and threatened to skin your ass raw". "Eat You Alive" was reportedly about Britney Spears or Angelina Jolie. According to Durst, "the scream in 'Eat You Alive' is like an animalistic, sexual, crazy, primitive roar", and the desire which came with this behavior. He claimed that "Just Drop Dead" was not about Britney Spears, but was inspired by his experience with her and other women, also saying the song is "about a girl who acts like a whore". "Underneath the Gun" is about suicide and the struggle you can have when ending your life becomes an option, according to Durst.
Critical reception
Critical reception of Results May Vary was mainly negative. The album holds a score of 33 out of 100 on Metacritic, indicating "generally unfavorable reviews". This is the third lowest score on Metacritic, above The Bloodhound Gang's Hefty Fine and Kevin Federline's album Playing with Fire. According to AllMusic reviewer Stephen Thomas Erlewine, "the music has no melody, hooks, or energy, all attention is focused on the clown jumping up and down and screaming in front, and long before the record is over, you're left wondering, how the hell did he ever get to put this mess out?". In a review of Limp Bizkit's Greatest Hitz compilation, Erlewine called "Behind Blue Eyes" the worst in the band's "never-ending series of embarrassing covers". Caroline Sullivan of The Guardian wrote, "Durst's problems are ever-present—and does anybody still care?". Stylus criticized Results May Vary, calling it "an album that can only be described as abysmal". Rob O'Connor of Yahoo! Launch also criticized Results May Vary: "No, Fred, the results don't vary. The results are consistent throughout your new album—consistently crappy." Kitty Empire of The Guardian wrote, "Limp Bizkit have decided to expose their tender side. They really shouldn't have bothered having seen Limp Bizkit's 'other side', you want the old, unapologetic, meathead version back". Scott Mervis of the Pittsburgh Post-Gazette also criticized Results May Vary: "Results May Vary has a few highlights—'Almost Over' and 'Phenomenon' —but way too few to justify all the time and energy spent".Although Results May Vary received primarily negative reviews, according to Spin, the album "isn't all that horrible". Some others were not so negative towards Results May Vary. Tom Day of MusicOMH wrote, "Ultimately, this album is neither crap nor blindingly good, and results do indeed vary". The Sun-Sentinel gave Results May Vary a positive review, calling Lethal's work "phenomenal", and praising "Behind Blue Eyes" and the soft-to-heavy progression of "Build a Bridge". Steve Appleford of the Chicago Tribune gave Results May Vary a mixed review, writing: "The music achieves some surprising sophistication with new textures both acoustic and electronic. Durst also is not so obnoxious nearly so often; at the same time, his songs too often lack the harsh melodic spark that once turned his ravings into pop hits".