Boris Pasternak
Boris Leonidovich Pasternak was a Russian and Soviet poet, novelist, and literary translator.
Composed in 1917, Pasternak's first book of poems, My Sister, Life, was published in Berlin in 1922 and soon became an important collection in the Russian language. Pasternak's translations of stage plays by Goethe, Schiller, Calderón de la Barca and Shakespeare remain very popular with Russian audiences.
Pasternak was the author of Doctor Zhivago, a novel that takes place between the Russian Revolution of 1905 and the Second World War. Doctor Zhivago was rejected for publication in the USSR, but the manuscript was smuggled to Italy and was first published there in 1957.
Pasternak was awarded the Nobel Prize in Literature in 1958, an event that enraged the Communist Party of the Soviet Union, which forced him to decline the prize. In 1989, Pasternak's son Yevgeny finally accepted the award on his father's behalf. Doctor Zhivago has been part of the main Russian school curriculum since 2003.
Early life
Pasternak was born in Moscow on into a wealthy, assimilated Jewish family. His father was the post-Impressionist painter Leonid Pasternak, who taught as a professor at the Moscow School of Painting, Sculpture, and Architecture. His mother was Rosa Kaufman, a concert pianist and the daughter of Odessa industrialist Isadore Kaufman and his wife. Pasternak had a younger brother, Alex, and two sisters, Lydia and Josephine. The family claimed descent on the paternal line from Isaac Abarbanel, the famous 15th-century Sephardic Jewish philosopher, Bible commentator, and treasurer of Portugal.Early education
From 1904 to 1907, Boris Pasternak was the cloister-mate of Peter Minchakievich in Holy Dormition Pochayev Lavra. Minchakievich came from an Orthodox Ukrainian family and Pasternak came from a Jewish family. Some confusion has arisen as to Pasternak attending a military academy in his boyhood years. The uniforms of their monastery Cadet Corp were only similar to those of The Czar Alexander the Third Military Academy, as Pasternak and Minchakievich never attended any military academy. Most schools used a distinctive military-looking uniform particular to them as was the custom of the time in Eastern Europe and Russia. Boyhood friends, they parted in 1908, friendly but with different politics, never to see each other again. Pasternak went to the Moscow Conservatory to study music, and Minchakievich went to Lvov University to study history and philosophy. The good dimension of the character Strelnikov in Dr. Zhivago is based upon Peter Minchakievich. Several of Pasternak's characters are composites. After World War One and the Revolution, fighting for the Provisional or Republican government under Kerensky, and then escaping a Communist jail and execution, Minchakievich trekked across Siberia in 1917 and became an American citizen. Pasternak stayed in Russia.In a 1959 letter to Jacqueline de Proyart, Pasternak recalled:
Shortly after his birth, Pasternak's parents had joined the Tolstoyan Movement. Novelist Leo Tolstoy was a close family friend, as Pasternak recalled, "my father illustrated his books, went to see him, revered him, and the whole house was imbued with his spirit."
In a 1956 essay, Pasternak recalled his father's feverish work creating illustrations for Tolstoy's novel Resurrection. The novel was serialized in the journal Niva by the publisher Fyodor Marx, based in St Petersburg. The sketches were drawn from observations in such places as courtrooms, prisons and on trains, in a spirit of realism. To ensure that the sketches met the journal deadline, train conductors were enlisted to personally collect the illustrations. Pasternak wrote,
According to Max Hayward, "In November 1910, when Tolstoy fled from his home and died in the stationmaster's house at Astapovo, Leonid Pasternak was informed by telegram and he went there immediately, taking his son Boris with him, and made a drawing of Tolstoy on his deathbed."
Regular visitors to the Pasternaks' home also included Sergei Rachmaninoff, Alexander Scriabin, Lev Shestov, and Rainer Maria Rilke. Pasternak aspired first to be a musician. Inspired by Scriabin, Pasternak briefly was a student at the Moscow Conservatory. In 1910, he abruptly left for the University of Marburg in Germany, where he studied under neo-Kantian philosophers Hermann Cohen, Nicolai Hartmann, and Paul Natorp.
Life and career
Olga Freidenberg
In 1910 Pasternak was reunited with his cousin Olga Freidenberg. They had shared the same nursery but had been separated when the Freidenberg family moved to Saint Petersburg. They fell in love immediately but were never lovers. The romance, however, is made clear from their letters, Pasternak writing:The cousins' initial passion developed into a lifelong close friendship. From 1910 Pasternak and Freidenberg exchanged frequent letters, and their correspondence lasted over 40 years until 1954. The cousins last met in 1936.
Ida Wissotzkaya
Pasternak fell in love with Ida Wissotzkaya, a girl from a notable Moscow Jewish family of tea merchants, whose company Wissotzky Tea was the largest tea company in the world. Pasternak had tutored her in the final class of high school. He helped her prepare for finals. They met in Marburg during the summer of 1912 when Boris' father, Leonid Pasternak, painted her portrait.Although Professor Cohen encouraged him to remain in Germany and to pursue a Philosophy doctorate, Pasternak decided against it. He returned to Moscow around the time of the outbreak of the First World War. In the aftermath of events, Pasternak proposed marriage to Ida. However, the Wissotzky family was disturbed by Pasternak's poor prospects and persuaded Ida to refuse him. She turned him down and he told of his love and rejection in the poem "Marburg" :
I shook. I had made a proposal—but late,
Too late. I was scared, and she had refused me.
I pity her tears, am more blessed than a saint.
Around this time, when he was back in Russia, he joined the Russian Futurist group Centrifuge as a pianist; poetry was still only a hobby for him at that time. It was in their group journal, Lirika, where some of his earliest poems were published. His involvement with the Futurist movement as a whole reached its peak when, in 1914, he published a satirical article in Rukonog, which attacked the jealous leader of the "Mezzanine of Poetry", Vadim Shershenevich, who was criticizing Lirika and the Ego-Futurists because Shershenevich himself was barred from collaborating with Centrifuge, the reason being that he was such a talentless poet. The action eventually caused a verbal battle amongst several members of the groups, fighting for recognition as the first, truest Russian Futurists; these included the Cubo-Futurists, who were by that time already notorious for their scandalous behaviour. Pasternak's first and second books of poetry were published shortly after these events.
Another failed love affair in 1917 inspired the poems in his third and first major book, My Sister, Life. His early verse cleverly dissimulates his preoccupation with Immanuel Kant's philosophy. Its fabric includes striking alliterations, wild rhythmic combinations, day-to-day vocabulary, and hidden allusions to his favourite poets such as Rilke, Lermontov, Pushkin and German-language Romantic poets.
During World War I, Pasternak taught and worked at a chemical factory in Vsevolodo-Vilva near Perm, which undoubtedly provided him with material for Dr. Zhivago many years later. Unlike the rest of his family and many of his closest friends, Pasternak chose not to leave Russia after the October Revolution of 1917. According to Max Hayward,
File:Mayakovsky Pasternak.jpg|thumb|Pasternak in 1924, with friends including Lilya Brik, Sergei Eisenstein and Vladimir Mayakovsky
When it finally was published in 1922, Pasternak's My Sister, Life revolutionised Russian poetry. It made Pasternak the model for younger poets, and decisively changed the poetry of Osip Mandelshtam, Marina Tsvetayeva and others.
Following My Sister, Life, Pasternak produced some hermetic pieces of uneven quality, including his masterpiece, the lyric cycle Rupture. Both Pro-Soviet writers and their White émigré equivalents applauded Pasternak's poetry as pure, unbridled inspiration.
In the late 1920s, he also participated in the much celebrated tripartite correspondence with Rilke and Tsvetayeva. As the 1920s wore on, however, Pasternak increasingly felt that his colourful style was at odds with a less educated readership. He attempted to make his poetry more comprehensible by reworking his earlier pieces and starting two lengthy poems on the Russian Revolution of 1905. He also turned to prose and wrote several autobiographical stories, notably "The Childhood of Luvers" and "Safe Conduct".
In 1922 Pasternak married Evgeniya Lurye, a student at the Art Institute. The following year their son Yevgeny was born.
Evidence of Pasternak's support of still-revolutionary members of the leadership of the Communist Party as late as 1926 is indicated by his poem "In Memory of Reissner" presumably written upon the premature death from typhus of Bolshevik leader Larissa Reissner aged 30 in February of that year.
By 1927, Pasternak's close friends Vladimir Mayakovsky and Nikolai Aseyev were advocating the complete subordination of the arts to the needs of the Communist Party of the Soviet Union. In a letter to his sister Josephine, Pasternak wrote of his intentions to "break off relations" with both of them. Although he expressed that it would be deeply painful, Pasternak explained that it could not be prevented. He explained:
By 1932, Pasternak had strikingly reshaped his style to make it more understandable to the general public and printed the new collection of poems, aptly titled The Second Birth. Although its Caucasian pieces were as brilliant as the earlier efforts, the book alienated the core of Pasternak's refined audience abroad, which was largely composed of anti-communist émigrés.
In 1932, Pasternak fell in love with Zinaida Neuhaus, the wife of the Russian pianist Heinrich Neuhaus. They both got divorces and married two years later.
Pasternak continued to change his poetry, simplifying his style and language through the years, as expressed in his next book, Early Trains.