Boris Marshak


Boris Ilich Marshak was an archeologist who spent more than fifty years excavating the Sogdian ruins at Panjakent, Tajikistan.

Biography

Boris Ilich Marshak was born in Luga, Leningrad Oblast, Russian SFSR 9 July 1933. He received an MA in archaeology from Moscow University in 1956, his PhD in archaeology from the Institute of Archaeology, Leningrad in 1965 and a doctorate of historical sciences from Moscow University in 1982.
Marshak began his work at the Sogdian ruins at Panjakent, which date from the 5th-8th century, in 1954. He became director of the archaeological expedition in 1978, a position he held until his death. Marshak was a leading authority on the history of Panjakent, the archaeology and art history of Central Asia, and medieval eastern silverware. In 1979 he became head of the Department of Central Asia and Caucasus at the Hermitage Museum, in Leningrad.
After the fall of the Soviet Union in 1991, Marshak's job became significantly more difficult. Funding for fieldwork dried up and he instantly became a foreigner in the new state of Tajikistan at a time when ethnic Russians were fleeing Central Asia en masse. Marshak stayed on as director of the excavation of the Panjakent ruins, even during the years of civil war in Tajikistan from 1992 to 1997, while other archeological sites in the former Soviet Union were plundered by looters. Through close cooperation with the government of Tajikistan, Marshak ensured protection and continued excavation of the Panjakent site. In the 1990s and first decade of the 21st century Marshak received numerous honorariums from international organizations and taught, lectured and conducted fellowships in Italy, the United States, Austria and elsewhere.
Marshak died 28 July 2006 on the site of the Panjakent ruins. He was buried at the site, as requested in his will. His wife, the noted archeologist and Marshak's frequent professional collaborator, Valentina I. Raspopova, later resumed her excavation work at the site.

Honorary awards and memberships

Publications authored or edited by Marshak are listed by publishers under several variants of his name. These include: Boris Ilich Marshak, B. I. Marshak, and other combinations of names and initials. In addition, his family name is sometimes rendered in Roman script as Maršak, while his patronymic is sometimes transliterated, Il'ich.

Books

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  • Chapters in edited works

  • "Sogd". In . Dushanbe. 2000.
  • "Sogd V-VIII w. Ideologiia po pamiatnikam isskustva". In Brykina, G., ed. Arkheologija. Srednjaja Azija i Dal'nii Vostok v epokhu srednevekov'ia. Srednjaja Azija v rannem srednevekov'e. Moscow: . pp. 175–191.
  • In Chapters —
  • * "Sogdian Art". pp. 207–218
  • * "Shogakukan". pp. 386–395
  • "Sughd". In History of Civilization of Central Asia. Vol. III. UNESCO Publishing. 1996. pp. 233–258.
  • "Iskusstvo Sogda". In Tsentral'naia Aziia'. Novye Pamiatniki pis'mennosti i iskusstva. Moscow. 1987. pp. 233–248.
  • "Oriental Analogien zu den Bauwerken von Typus des eingeschriebenen Kreuzes: Pendzikent und Bamian, V-VII Jh". In B. Brentjes, ed., Probleme der Architektur des Orients Halle. 1983. pp. 53–64. In German.
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    Journal articles

  • "Une peinture kouchane sur toile". Académie des Inscriptions & Belles-lettres, Comptes rendus des séances de l'année 2006 avril-juin. Paris 2006. pp. 947–963.
  • "The Archaeology of Sogdiana". The Silk Road, 1/2. December 2003. pp. 3–8
  • "A Sogdian Silver Bowl from the Freer Gallery of Art". Ars Orientalis XXIX, 1999.
  • "L'Art Sogdien ". Les Arts de 1' Asie Centrale. Paris. 1999. pp. 114–163.
  • "The Tiger, Raised from the Dead: Two Murals from Panjikent". Bulletin of the Asia Institute. Vol. 10. 1996. pp. 207–217.
  • "On the Iconography of Ossuaries from Biya Naiman". Silk Road Art and Archaeology. Kamakura. Vol 4. 1995. pp. 299–321.
  • "Le programme iconographique des peintures de la 'Salle des Ambassadeurs' Afrasiab ". Arts Asiatiques. Vol. XLIX. 1994. pp. 1–20.
  • "The Historico-Cultural Significance of the Sogdian Calendar". Iran. Vol. XXX. London. 1992. pp. 145–154.
  • "A Hunting Scene from Panjikent". Bulletin of the Asia Institute. Vol. 4. 1990. pp. 77–94.
  • "Les fouilles de Pendjikent". . 1990. pp. 286–313.
  • "Wall Painting from a House with a Granary. Panjikent, 1st Quarter of the Eighth Century A.D.". Silk Road Art and Archaeology. Vol. 1 1990. pp. 123–176.
Coauthored
  • "Le mythe de Nana dans l'art de la Sogdiane". Arts Asiatiques. 1998. pp. 5–18.
  • "Worshippers from the Northern Shrine of Temple II, Panjikent". Bulletin of the Asia Institute Vol. 8. 1994. pp. 187–207.
  • "Cultes communautaires et cultes prives en Sogdiane". Histoire et cultes de 1'Asie Centrale preislamique. Paris, CNRS. 1991. pp. 187–195.
  • "Some Notes on the Tomb of Li-Xian and his Wife under Northern Zhou Dynasty at Guyuan, Ningxia and its Gold-Gilt Silver Ewer with Greek Mythological Scenes Unearthed There". Cultura Antiqua. Vol. 4. 1989. pp. 49–57. In Japanese with English subtitles.
  • "Une image sogdienne du dieu-patriarche de I'agriculture". Studia Iranica, Vol. 6: 2. 1987. pp. 193–199.
  • "Raskopki gorodishcha drevnego Pendzhikenta". v 1977 g. Arkheologicheskie raboty v Tadzhikistane. Vol. XVII. 1977. Dushanbe. 1984. pp. 187–229.
  • "Stennye rospisi, obnaruzhennye v 1970 gody na gorodishche drevnego Pendzhikenta". Soobshcheniya Gosudarstvennogo E˜rmitazha. 36. Leningrad. 1973. pp. 58–64.
  • "L'art de Piandjikent aà la lumiére des derniéres fouilles ". Arts Asiatiques. Vol. 23. 1971. pp. 3–39.