Blanche d'Antigny
Blanche d'Antigny was a French singer, actress and courtesan whose fame today rests chiefly on the fact that Émile Zola used her as the principal model for his novel Nana. She was one of the most famous courtesans in Paris during the Second Empire.
Early life
Blanche d'Antigny was born Marie Ernestine Antigny in Martizay, France. Her father, Jean Antigny, was the sacristan at a local church. By the time she reached her mid teenage years, the tales of her beauty and charm were quite known. She proudly kept the nickname given to her by other girls at the convent, who called her Blanche due to her beautiful complexion.At age 14, she ran off to Bucharest with a lover whom she then abandoned. When she eventually made her return to Paris, she worked in the circus and in various dance halls. She also posed for multiple artists, most famously appearing half-nude in Paul Baudry's Penitent Magdalene, which depicts the repentant saint Mary Magdalene.
D'Antigny became the mistress of the Russian police chief Mesentzov who took her to St. Petersburg in 1862 and in 1863 she was forced to leave Russia by special order of the Tsarina.
Career as actress and courtesan
When she set it into her head to become a star on the operetta stage, everything happened exactly as Zola later described it in Nana. She was an immediate success on the stage and attracted scores of wealthy lovers. Hervé brought her out as Frédégonde in Chilpéric, and he went on stage to play Faust to her Marguerite in his masterpiece Le petit Faust, a brilliant parody of both Goethe's play and Gounod's opera. Between 1870 and 1873, d'Antigny played the leading roles in many of the hits of Hervé, Offenbach, and their disciples . Her lovers showered her with gifts and spent enormous sums of money on her, but she was unable to hold on to any of it.D'Antigny was a charming woman who was able to make many men of high status become infatuated with her. Although she was called one of the most seductive women of her time, her relationships were not solely based on physical attraction. D'Antigny was known for captivating men emotionally and intellectually, making her a highly influential figure in the period.