Bianca Scacciati


Bianca Scacciati was an Italian operatic dramatic soprano, noted for her prominence in verismo.

Biography

Born into a family of opera-loving railwaymen, she showed her talents at singing from a very early age. Her abilities as a soprano was first recognised by the singing teacher Ernesta Bruschini, sister of the more famous Matilde Bruschini.
On 1 November 1917, only just turned 24, she made her debut at the Teatro della Pergola in Florence in the role of Margherita in Faust by Charles Gounod in the, going on with the same role at the Teatro Comunale di Bologna, with such names as Alessandro Bonci, Vincenzo Bettoni and Luigi Piazza.
On 27 July 1920, she sang at the Arena di Verona, in one of the first seasons of the theatre, in Boito's Mefistofele, alongside Nazzareno De Angelis, Aureliano Pertile, Linda Barla Ricci, directed by Piero Fabbroni.
In 1922 she played three important roles in the season of the Teatro Regio in Parma: Desdemona in Otello by Verdi, La Wally by Catalani and Margherita in Mefistofele. In the same year she played Margherita again in Mefistofele at the Teatro Carlo Felice in Genoa, with De Angelis and Pertile, conducted by Gino Marinuzzi.
In 1922 she made the first of her six tours in South America where, in order to replace an indisposed colleague, she had to perform Aida; in spite of the initial complexity, she obtained a resounding success with the critics and the audience.
At the Teatro alla Scala in Milan she performed, among other operas: in 1926 Turandot by Giacomo Puccini, in the title role, alongside the tenor Francesco Merli. In the same year also, in the role of Santuzza in Cavalleria rusticana, later Don Carlo, again Cavalleria rusticana, Siberia by Umberto Giordano, and Verdi's I Lombardi alla prima crociata.
In 1927 she made her debut at Covent Garden, London for the first London performance of Turandot by Giacomo Puccini, in the title role, alongside the tenor Merli.
At the Teatro Costanzi in Rome she triumphed in Tosca 1924, then also Turandot again in 1928, and again at the Teatro San Carlo, Naples in 1929.
On her debut in Rome with Turandot, she was invited by Mussolini to the Palazzo Venezia to be given a signed photograph by the Duce. She declined the invitation, stating her belief in her family's socialist viewpoint.
This 'disrespect' got her ostracised by theatres, so she was forced to continue her career singing mainly in South American theatres.
She also sang at the Teatro Colòn, Buenos Aires, in 1928, in Aida, Il Trovatore, Manon Lescaut and Un Ballo in Maschera. While in South America, she also sang in Rio de Janeiro and São Paulo, Brazil, in the late 1920s, alongside other famous singers.
In 1933 she married Giulio Poli and settled in Brescia, his hometown.
She retired in 1942, after finally having sung as Tosca at the Brescia Theatre.

List of operas at La Scala

A regular presence at La Scala, she had been called by Arturo Toscanini for an audition in 1926, but had proudly refused, inviting the Maestro to the premiere of Don Carlo in Rome. The charm of her voice and her excellent stage presence impressed him, so much so that he immediately cast her.
The following are the operas performed by Scacciati at La Scala in the various years:
  • December 1926 - Turandot - Scacciati , Franco Lo Giudice , Zamboni , Walter - Dir. Panizza
  • December 1927 - Cavalleria Rusticana - Merli, Scacciati - Dir. Toscanini
  • January 1928 - Turandot - Scacciati, Merli , Pampanini, Walter - Dir. Panizza
  • April 1928 - Don Carlo - Trantoul, Pasero, Stignani, Galeffi, Walter - Dir. Toscanini
  • December 1928 - Tosca - Pertile , Stabile , Baccaloni - Dir. Santini
  • March 1929 - Turandot - Scacciati, Favero, Thill, Walter - Dir. Panizza
  • March 1929 - Un Ballo in Maschera - Pertile, Scacciati, Minghini Cattaneo, Galeffi, Baccaloni - Dir. Santini
  • December 1929 - La Vestale - Arangi-Lombardi Molinari, Scacciati, Vaghi - Dir. Guarnieri
  • December 1929 - La Forza del Destino - Scacciati, Pertile, Stignani, Molinari, Marone - Dir. Del Campo
  • January 1930 - Turandot - Scacciati, Thill, Saraceni, Walter - Dir. Del Campo
  • February 1930 - Il Trovatore - Lauri-Volpi , Scacciati, Franci, A. Dal Monte - Dir. Guarnieri
  • December 1930 and January 1931 - I Lombardi alla Prima Crociata - Merli, Scacciati, Ciani, Sabat, Vaghi
  • December 1930 - La Forza del Destino - Scacciati, Merli, Galeffi, Vaghi - Dir. Del Campo
  • January 1931 - Aida - Scacciati , Stignani, Merli , Galeffi, Righetti - Dir. Del Campo
  • March 1931 - Norma - Scacciati, Mirassou , Pasero, Stignani - Dir. Del Campo
  • December 1931 and January 1932 - Norma - Scacciati, Pertile, Stignani, De Angelis - Dir. Panizza.
  • April 1933 - Aida - Scacciati , Pertile, Buades, Franci, Santiago Font - Dir. de Sabata

    Discography

Columbia

Some discs recorded by Columbia of Bianca Scacciati:
:
  • D 12475 - Aida - Duet Rivedrai le foreste I | Aida - Rivedrai le foreste II.a parte
  • D 12476 - Il Trovatore - Tacea la notte placida | Il Trovatore - D'amor sull'ali rosee - Ø 25
  • D 12491 - Mefistofele - L'altra notte in fondo al mare | Mefistofele - Spunta l'aurora pallida - Ø 25
  • D 12517 - Turandot - In questa reggia I part | Turandot - In questa reggia II part - Ø 25
  • D 12518 - Cavalleria Rusticana - Voi lo sapete | Tosca - Vissi d'arte - Ø 25
  • D 12519 - Manon Lescaut - In quelle trine morbide | Un ballo in maschera - Ma dall'arido stelo - Ø 25
  • D 12555 - La Bohème - Donde lieta uscì | Otello - Ora e per sempre - Ø 25
  • D 12576 - La Gioconda - Suicidio! | La Wally - Ebben, ne andrò lontana - Ø 25
  • D 12605 - Il Trovatore - Tacea la notte placida | Il Trovatore - Cabaletta
  • D 14712 - Andrea Chenier - Act IV Duet La nostra morte | Cavalleria Rusticana - Voi lo sapete o mamma - Ø 30
  • D 14714 - Andrea Chenier - La mamma morta | Andrea Chenier - Un di m'era di gioia - Ø 30
  • D 14691 - La Bohème - Si, mi chiamano Mimì | Il Barbiere di Siviglia - La Calunnia - Ø 30
  • D 15256 - Aida - Ritorna vincitor I | Aida - Ritorna vincitor II.a parte
  • D 18023 - Tosca - O dolci mani | Tosca - Amaro sol per te - - Ø 30
  • D 18027 - Un ballo in maschera - Morrò, ma prima in grazia | Tosca - Vissi d'arte - Ø 30
  • D 18064 - Il Guarany - Sento una forza indomita I | Il Guarany - Sento una forza indomita II.a parte - Ø 30
  • D 18069 - La Forza del Destino - Me pilgrim and orphan | Peace my God
  • D 18076 - La Forza del Destino - Terzetto Finale | Loreley - O forze recondite - Ø 30
  • GQX 10202 - Ruy Blas - Duetto Io che tentai | followed by Duetto O dolce voluttà - Ø 30
  • GQX 10203 - Lorely - Deh Ti rammento | Loreley - Vieni Deh Vieni - Ø 30
  • GQX 10206 - La Forza del Destino - Me pellegrina ed orfana | Pace mio Dio - Ø 30
  • GQX 10212 - Andrea Chenier - Duet "Vicino a te" | cont'd Duet "La nostra morte" - Ø 30
  • GQX 10521 - I Lombardi alla Prima Crociata - Terzetto Qui posa il fianco | seguito Terzetto Qual voluttà trascorre - Ø 30
  • N.B.
  • La Cigale" London records
  • D 12713 - Cavalleria Rusticana - Voi lo sapete o mamma | Tosca - Vissi d'arte
  • D 12719 - Turandot - In questa reggia | Turandot - Enigmi II.a parte

    Complete Works Columbia

  • Puccini - Tosca - Bianca Scacciati, Alessandro Granda, Enrico Molinari, Salvatore Baccaloni, Aristide Baracchi, E.Venturini, T.Cortellino - Dir. Lorenzo Molajoli - M° del Coro V. Veneziani - 1929 - Double 78rpm records Columbia D 14594/14607 - Ø 30
  • Verdi - Il Trovatore - Francesco Merli, Bianca Scacciati, Enrico Molinari, Giuseppina Zinetti, Corrado Zambelli - Dir. Molajoli - Orchestra e Coro del Teatro alla Scala di Milano - Studio, 1930 - 78rpm double discs Columbia GQX 10047/10060, reissued in 33rpm Mono Columbia QCX 10143/4, EMI "Discoteca Classica" 3 C 153 03024/25 and Rodolphe RPC 32 539/550 ;

    Other labels

Excelsius - Edizioni Ricordi

  • RI 8127 - Cavalleria Rusticana - Voi lo sapete o mamma | Tosca - Vissi d'arte - Matrici M/3636 and M/3637 - Ø 25