Sonata in G major for two flutes and basso continuo, BWV 1039
The Sonata in G major for two flutes and basso continuo, BWV 1039, is a trio sonata by Johann Sebastian Bach. It is a version, for a different instrumentation, of the Gamba Sonata, BWV 1027. The first, second and fourth movement of these sonatas also exist as a trio sonata for organ.
Historical context
This sonata, scored for two transverse flutes and continuo, is one of the few trio sonatas that can genuinely be attributed to Bach. Although traditionally thought to have been composed during Bach's period in Weimar or Cöthen, Bach scholars have revised that dating based on an analysis of the extant manuscripts and on stylistic considerations. According to, the trio sonata was composed between 1736 and 1741 in Leipzig, where, since 1729, Bach had been director of the Collegium Musicum, a chamber music society performing weekly at the Café Zimmermann. The version for viola da gamba and harpsichord, BWV 1027, as well as the other two Viola [da Gamba Sonatas (Bach)|sonatas for this ensemble], are dated by Laurence Dreyfus, Christoph Wolff and others to the same period.Movements
BWV 1039 has four movements:- Adagio
- Allegro ma non presto
- Adagio e piano
- Presto
Trio sonata for organ
Apart from the sonata for viola da gamba and the trio sonata for two flutes and continuo, there is a third version of the sonata for organ—the trio sonata in G major in three movements. The first two movements are organ transcriptions of the first two movements of BWV 1039; while its last movement is a transcription of the fourth movement of BWV 1027. According to the Bach scholar Russell Stinson, the transcription for organ was not made by Bach, but probably by Johann Peter Kellner. Pieter Dirksen has surmised that although the Gamba sonata BWV 1027 corresponds to one of Bach's own autograph manuscript from 1740, the other sources, one of them with Bach's son Johann Gottfried Bernhard as scribe, probably date from 1735 or later. Stinson also thinks it possible that the organ arrangement could originate from a lost trio sonata in G major for two violins and basso continuo.Selected recordings
Two transverse flutes
- Bart Kuijken, Marc Hantai, Sigiswald Kuijken, Gustav Leonhardt, Deutsche Harmonia Mundi
- James Galway, Jeanne Galway, Sarah Cunningham, Phillip Moll, RCA
- Alain Marion, Jean-Pierre Rampal, Jordi Savall, Robert Veyron-Lacroix, Erato
- Frans Brüggen, Leopold Stastny, Nikolaus Harnoncourt, Herbert Tachezi, Teldec
- Ashley Solomon, Andrew Crawford, Daniel Yeadon, Neal Peres da Coasta : Florilegium, Channel Productions
- Petri Alanko, Hanna Juutilainen, Jukka Rautasalo, Anssi Mattila, Naxos Records
- Lisa Beznosiuk, Stephen Preston, Charles Medlam, John Toll : London Baroque, Harmonia Mundi
- Maxence Larrieu, Kristian Nyquist, Jean-Michel Tanguy, Pavane Records.
- Peter-Lukas Graf, Gaby Pas-Van Riet, Bruno Canino, Claves.
- Lisa Beznosiuk, Rachel Brown, Richard Tunnicliffe, Paul Nicholson, Hyperion Records.
- Emmanuel Pahud, Silvia Careddu, Jonathan Manson, Trevor Pinnock, Warner Classics
- Philippe Suzanne, Wilbert Hazelzet, Jaap Ter Linden, Henk Bouman : Musica Antiqua Köln, Archiv Produktion
Organ
- Kevin Bowyer, four movements, Vol. 8, Complete Organ Works of J. S. Bach, Nimbus Records
- Günther Fetz, Rudolf Scheidegger, Edition Clarino
Other instruments
- Elisabeth Ingenhousz, Abigail Graham, Barbara Kernig Miwako Hannya : Ensemble Il Quadrifoglio, Brilliant Classics
- James Galway, Kyung-Wha Chung, Moray Welsh, Phillip Moll, RCA
- Ashley Solomon, Bojan Čičić, Reiko Ichise, Terence Charlston ; Florilegium, Channel Productions
- Maria Tecla Andreotti, Christophe Coin, Sergio Azzolini, Jan Willem Jansen, Laborie
- Marc Hantaï, Jérôme Hantaï, Ageet Zweistra, Pierre Hantaï, Veritas
- Walter van Hauwe, Lorenzo Cavasanti, Caroline Boersma, Sergio Ciomei : Tripla Concordia, Arcana
- Ramon Ortega Quero, Tamar Inbar, Luise Buchberger, Peter Kofler, Berlin Classics