Archaeology of Malawi
People first began to be interested in Malawi's prehistoric past in the 1920s. Excavations of sites in nearby countries, Tanzania and Zambia, made archaeologists believe that they may find the same type of material culture in Malawi. In the 1920s, a series of lacustrine deposits was found at the northwest end of Lake Malawi. These beds contained fragmentary fossils and were mapped by Dr. F. Dixey. These findings sparked an interest to excavate more locations in Malawi.
Early Stone Age
Uraha
Uraha is an Early Stone Age site in Uraha Hill, northern Malawi. It is part of the Chiwondo Beds site which is where the fossil remains were found on the lake beds. It is known for the discovery of a jawbone of an ancient human dating to 2.4 million years ago. This specimen is one of the oldest occurrences of the genus Homo and is assumed to be of the species Homo rudolfensis. The recovery of this bone helped create a connection between sites of East and South Africa. There were no stone tools found but, animal fossils revealed a pattern of habitat change between about 4 and 1.5 million years ago when the land became more of a grassland.Middle Stone Age
Mwanganda's Village
Mwanganda's Village is one of the few Middle Stone Age archaeological sites in Malawi and it is found in Karonga. This site was first known for the findings of an elephant butchery site. At this site, archaeologists have found associated animal bones and stone artifacts. In Area 1 of the village, there was evidence of a single elephant carcass. The elephant bones were broken and dispersed into three main concentrations. These bones have been dated back to the late Middle or early Upper Pleistocene times. This evidence resulted in J. Desmond Clark's hypothesis about the site being a butchery site. Area 2 of the village contained evidence for other hunting activities, presumably on different occasions. Current research indicates that this site is not an elephant butchery site but evidence for successive colonization of riparian corridors by Middle Stone Age hunter-gatherers focused on exploiting localized resources during periods of humidity while other lakes dried up across Africa.Chaminade I
Chaminade I is an open-air, late Middle Stone Age site in Karonga, Malawi. It dates to 43,400 - 21,000 years ago and is one of only a few sites that date to that period in east-central Africa. When the site was discovered, stone tools were eroding out of the ground; the site was excavated in 2011 which recovered phytoliths, pollens, and stone tools mostly made from fine-grained quartzite and coarse-grained quartz, but occasionally chert or other minerals. These artefacts and ecofacts have been analysed in order to understand what the site was used for and what it would have looked like at the time it was being used. Palaeoenvironmental reconstruction has revealed that the area would have been a savanna-woodland at the time it was used and relatively stable; resources would have been dependable and easy to access. This is an unusual phenomenon as during this time, north Africa was in a period of intense aridification. Most of the rocks that the stone tools were made from are local and some of the stone tools fit back together like puzzle pieces, suggesting that this was a workshop site where stone tools were made. The specific methods used to make the stone tools are unusual for the time period. The uncharacteristic methods used to make stone tools in combination with the unexpectedly stable environment of the area indicates that this site was in a special area that did not require dramatic changes in stone tool technologies in order for people to survive there.Later Stone Age
The earliest Later Stone Age occurrences in Malawi are dated between 17,000 and 10,000 BP. Most of the Later Stone Age sites in Malawi are rock shelters, which is a pattern throughout Africa as well.Chongoni Rock Art Area
The Chongoni Rock Art Area is located in the Central Region of Malawi consisting of 127 sites and possibly more. These sites have art depictions of rock art and paintings from the Later Stone Age and Iron Age.Central African rock art traditions
The current understanding of Central African rock art is using Benjamin Smith's division of the art by certain characteristics. His analysis led him to divide the rock art into four traditions based on the certain motifs and symbols used within the art itself. The two red traditions listed belonged to the hunter-gatherers that continued to use Later Stone Age technology, such as microlithic tools. They became known as the BaTwa, they continued to use the same technology into the Iron Age. The two white traditions belonged to the Chewa people. This is known because the white traditions cover an area almost identical to the extent of spread of the modern Chewa people as well as the symbols used in the paintings are still used in their rituals today.The Red Animal tradition
This tradition comprises the depiction of animals and human figures always in red. Animals are usually outlined and filled completely and tend to naturalistic in style. There is usually stylization that does not allow the viewer to recognize the species of the animal.The Red Geometric tradition
This tradition comprises the depiction of simple geometric forms. Common shapes consist of circles, concentric circles, divided circles, ladders, lines, and parallel lines. Red and white pigments were used for painting but, the white has disappeared from most of the sites because of its momentary nature.The White Zoomorphic tradition
This tradition was executed by finger-painting. It comprises stylized animals and human figures. The paintings are usually done in white but, sometimes they were done in charcoal. This art belongs to the Chewa men, it depicts masked men and animals from the ceremonies performed by the Nyau association at rites of passage including Chinamwali and funerals.The White Spread-eagled tradition
This tradition is for the art that contained a figure that resembles a stretched hide. These figures almost always had snake-like motifs and other geometric designs like circles and lines of dots. The primary color used is white but, black and red paintings are also present. These figures are the works of Chewa women and the art was produced during the CHinamwali ceremonies which are performed when a girl is coming of age. The symbolism represents water and fertility.This area is an UNESCO World Heritage Site because of the traditions of rock art and its continued link to the present society.