Antoine de Galbert


Antoine de Galbert-Defforey, born in Grenoble, is a French collector of contemporary art and patron of the arts.
He is primarily known for being the creator of the Antoine de Galbert Foundation, a not-for-profit public utility foundation in France, whose mission is to promote different forms of modern and contemporary art through temporary exhibitions, and through his exhibition hall, La Maison Rouge.
On October 28, 2018, the establishment closed its doors for good, but the Antoine de Galbert Foundation continues to support the arts.

Biography

Great-grandson of an industrialist from the Isère department of France and orphaned at three years old, Antoine de Galbert-Defforey was adopted by his step-father, Charles Defforey. In addition to taking the Defforey name, Antoine inherited Charles Defforey's fortune.
A graduate of the Institut d'études politiques de Grenoble in 1979 and heir to the Carrefour group, he became the financial controller of supermarkets in 1980 before opening an art gallery in Grenoble in 1987. Over time he formed a collection, and after this gallery closed, he dreamed of organizing a not-for-profit foundation the Antoine de Galbert Foundation in order to maintain his engagement with contemporary art. In 2001, he acquired a derelict industrial area of on the Boulevard de la Bastille in Paris and filed for public utility status. In 2004, he opened La Maison Rouge, the foundation's exhibition hall, with the mission of promoting different forms of modern and contemporary art through temporary exhibits.
Anxious about the financial explosion of contemporary art, he does not consider himself an investor-collector and asserts that the human side of his foundation is almost more important than what is exhibited there.
In April 2018, he announced that he was donating his collection of 500 ethnic headdresses from hunters, warriors, shamans, and witch doctors to the Musée des Confluences in Lyon
On October 28, 2018, Antoine de Galbert announced the final closure of La Maison Rouge after having proved in 2017 that an eventual end of the adventure was inevitable, while the public utility foundation continues to support the arts by assisting, promoting and defending creation in the field of modern and contemporary art. The foundation's mission is to support art history education and the training of future artists. It also acquires works for the purposes of enriching the collections of certain museums. It funds grants for research, residencies or portfolio projects.

Exhibitions of the collection

Other roles

Awards

Decorations