Anthony Burgess
John Anthony Burgess Wilson was an English writer and composer.
Although Burgess was primarily a comic writer, his dystopian satire A Clockwork Orange remains his best-known novel. In 1971, it was adapted into a controversial film by Stanley Kubrick, which Burgess said was chiefly responsible for the popularity of the book. Burgess produced a number of other novels, including the Enderby quartet, and Earthly Powers. He wrote librettos and screenplays, including the 1977 television mini-series Jesus of Nazareth. He worked as a literary critic for several publications, including The Observer and The Guardian, and wrote studies of classic writers, notably James Joyce. A versatile linguist, Burgess lectured in phonetics, and translated Cyrano de Bergerac, Oedipus Rex, and the opera Carmen, among others. Burgess was nominated and shortlisted for the Nobel Prize in Literature in 1973.
Burgess also composed over 250 musical works; he considered himself as much a composer as an author, although he achieved considerably more success in writing.
Biography
Early life
Burgess was born on 25 February 1917 at 91 Carisbrook Street in Harpurhey, a suburb of Manchester, England, to Catholic parents, Joseph and Elizabeth Wilson. He described his background as lower middle class; growing up during the Great Depression, his parents, who were shopkeepers, were fairly well off, as the demand for their tobacco and alcohol wares remained constant. He was known in childhood as Jack, Little Jack, and Johnny Eagle. At his confirmation, the name Anthony was added and he became John Anthony Burgess Wilson. He began using the pen name Anthony Burgess upon the publication of his 1956 novel Time for a Tiger.His mother Elizabeth died at the age of 30 at home on 19 November 1918, during the 1918 flu pandemic. The causes listed on her death certificate were influenza, acute pneumonia, and cardiac failure. His sister Muriel had died four days earlier on 15 November from influenza, broncho-pneumonia, and cardiac failure, aged eight. Burgess believed he was resented by his father, Joseph Wilson, for having survived, when his mother and sister did not.
After the death of his mother, Burgess was raised by his maternal aunt, Ann Bromley, in Crumpsall with her two daughters. During this time, Burgess's father worked as a bookkeeper for a beef market by day, and in the evening played piano at a public house in Miles Platting. After his father married the landlady of this pub, Margaret Dwyer, in 1922, Burgess was raised by his father and stepmother. By 1924 the couple had established a tobacconist and off-licence business with four properties. Burgess was briefly employed at the tobacconist shop as a child. On 18 April 1938, Joseph Wilson died from cardiac failure, pleurisy, and influenza at the age of 55, leaving no inheritance despite his apparent business success. Burgess's stepmother died of a heart attack in 1940.
Burgess has said of his largely solitary childhood "I was either distractedly persecuted or ignored. I was one despised. ... Ragged boys in gangs would pounce on the well-dressed like myself." Burgess attended St. Edmund's Elementary School, before moving on to Bishop Bilsborrow Memorial Elementary School, both Catholic schools, in Moss Side. He later reflected "When I went to school I was able to read. At the Manchester elementary school I attended, most of the children could not read, so I was ... a little apart, rather different from the rest." Good grades resulted in a place at a grammar school, Xaverian College, which he attended from 1928 to 1936.
Music
Burgess was indifferent to music until he heard on his home-built radio "a quite incredible flute solo", which he characterised as "sinuous, exotic, erotic", and became spellbound. Eight minutes later the announcer told him he had been listening to Prélude à l'après-midi d'un faune by Claude Debussy. He referred to this as a "psychedelic moment ... a recognition of verbally inexpressible spiritual realities". When Burgess announced to his family that he wanted to be a composer, they objected as "there was no money in it". Music was not taught at his school, but at the age of about 14 he taught himself to play the piano.University
Burgess had originally hoped to study music at university, but the music department at the Victoria University of Manchester turned down his application because of poor grades in physics. Instead, he studied English language and literature there between 1937 and 1940, graduating with a Bachelor of Arts degree. His thesis concerned Marlowe's Doctor Faustus, and he graduated with upper second-class honours, which he found disappointing. When grading one of Burgess's term papers, the historian A. J. P. Taylor wrote: "Bright ideas insufficient to conceal lack of knowledge."Marriage
Burgess met Llewela "Lynne" Isherwood Jones at the university where she was studying economics, politics and modern history, graduating in 1942 with an upper second-class. Burgess and Jones were married on 22 January 1942. She was the daughter of secondary school headmaster Edward Jones and Florence, and reportedly claimed to be a distant relative of Christopher Isherwood, although the Lewis and Biswell biographies dispute this. According to Burgess's own account, it was not from his wife that the alleged connection to Christopher Isherwood originated: "Her father was an English Jones, her mother a Welsh one. Of Christopher Isherwood neither the Jones father or daughter had heard. She was unliterary ..." Biswell identifies Burgess as the origin of the alleged relationship with Christopher Isherwood—"if the rumour of an Isherwood affiliation signifies anything, it is that Burgess wanted people to believe that he was connected by marriage to another famous writer"—and notes that "Llewela was not, as Burgess claims in his autobiography, a 'cousin' of the writer Christopher Isherwood"; referring to a pedigree owned by the family, Biswell observes that "Llewela's father was descended from a female Isherwood" ... "which means going back four generations ... before encountering any Isherwoods", making any connection "at best" "tenuous and distant". He also establishes that per official records, "Llewela's family name was Jones, not 'Isherwood Jones' or 'Isherwood-Jones'."Military service
Burgess spent six weeks in 1940 as a British Army recruit in Eskbank before becoming a Nursing Orderly Class 3 in the Royal Army Medical Corps. During his service, he was unpopular and was involved in incidents such as knocking off a corporal's cap and polishing the floor of a corridor to make people slip. In 1941, Burgess was pursued by the Royal Military Police for desertion after overstaying his leave from Morpeth military base with his future bride Lynne. The following year he asked to be transferred to the Army Educational Corps and, despite his loathing of authority, he was promoted to sergeant. During the blackout, his pregnant wife Lynne was raped and assaulted by four American deserters; perhaps as a result, she lost the child. Burgess, stationed at the time in Gibraltar, was denied leave to see her.At his stationing in Gibraltar, which he later wrote about in A Vision of Battlements, he worked as a training college lecturer in speech and drama, teaching alongside Ann McGlinn in German, French and Spanish. McGlinn's communist ideology would have a major influence on his later novel A Clockwork Orange. Burgess played a key role in "The British Way and Purpose" programme, designed to introduce members of the forces to the peacetime socialism of the post-war years in Britain. He was an instructor for the Central Advisory Council for Forces Education of the Ministry of Education. Burgess's flair for languages was noticed by army intelligence, and he took part in debriefings of Dutch expatriates and Free French who found refuge in Gibraltar during the war. In the neighbouring Spanish town of La Línea de la Concepción, he was arrested for insulting General Franco but released from custody shortly after the incident.
Early teaching career
Burgess left the army in 1946 with the rank of sergeant-major. For the next four years he was a lecturer in speech and drama at the Mid-West School of Education near Wolverhampton and at the Bamber Bridge Emergency Teacher Training College near Preston. Burgess taught in the extramural department of Birmingham University.In late 1950, he began working as a secondary school teacher at Banbury Grammar School teaching English literature. In addition to his teaching duties, he supervised sports and ran the school's drama society. He organised a number of amateur theatrical events in his spare time. These involved local people and students and included productions of T. S. Eliot's Sweeney Agonistes. Reports from his former students and colleagues indicate that he cared deeply about teaching.
With financial assistance provided by Lynne's father, the couple was able to put a down payment on a cottage in the village of Adderbury, close to Banbury. He named the cottage "Little Gidding" after one of Eliot's Four Quartets. Burgess cut his journalistic teeth in Adderbury, writing several articles for the local newspaper, the Banbury Guardian.
Malaya
In 1954, Burgess joined the British Colonial Service as a teacher and education officer in Malaya, initially stationed at Kuala Kangsar in Perak. Here he taught at the Malay College, modelled on English public school lines. In addition to his teaching duties, he was a housemaster in charge of students of the preparatory school, who were housed at a Victorian mansion known as "King's Pavilion". A variety of the music he wrote there was influenced by the country, notably Sinfoni Melayu for orchestra and brass band, which included cries of Merdeka from the audience. No score, however, is extant.Burgess and his wife had occupied a noisy apartment where privacy was minimal, and this caused resentment. Following a dispute with the Malay College's principal about this, Burgess was reposted to the Malay Teachers' Training College at Kota Bharu, Kelantan. Burgess attained fluency in Malay, spoken and written, achieving distinction in the examinations in the language set by the Colonial Office. He was rewarded with a salary increase for his proficiency in the language.
He devoted some of his free time in Malaya to creative writing "as a sort of gentlemanly hobby, because I knew there wasn't any money in it," and published his first novels: Time for a Tiger, The Enemy in the Blanket and Beds in the East. These became known as The Malayan Trilogy and were later published in one volume as The Long Day Wanes.