Anandabhairavi
Anandabhairavi or Ananda Bhairavi is a very old melodious ragam of Carnatic music. This rāgam also used in Indian traditional and regional musics. Ānandam means happiness and the rāgam brings a happy mood to the listener.
It is a janya rāgam of the 20th Melakarta rāgam Natabhairavi.
Its structure is as follows :
- [Arohana|] :
- [Avarohana|] :
Anandabhairavi ragam is also a rāgam, since it uses more than one anya swaram. Anya swaram of a rāgam is the swaram which does not belong to the arohana or avarohana of its melakarta, but it is sung in . It is also classified as a "rakti" raga.
Swara phrases
The three of are, and kakali nishadham. All of these anya swaras occur only in . "G3" occurs in "ma pa ma ga ga ma", and "D1" occurs in "ga ma pa da". Subtler than the first two, "N3" occurs in "sa da ni sa."It is said that Tyagaraja and Muthuswami Dikshitar do not use any of the in their compositions.
Anandabhairavi also has unique swara patterns both in manodharma and in its compositions. The popular patterns are "sa ga ga ma", "sa pa", and "sa ga ma pa". The musician isn't allowed to stay long on nishadam, this characteristic distinguishes it from Reetigowla. Few allied ragas to this are Reetigowla and Huseni.
Popular compositions
Anandabhairavi is one of the favourite ragams of Syama Sastri. He is said to have made this a popular rāgam and also to have given the present form for this rāgam. More or less Anandabhairavi's synonym is "Marivere gati" by Syama Sastri. In "Mariverae" and in "O Jagadhamba" Syama Sastri uses the anya swara "ga".Musicologist N. Mammathu identifies the song Yaadhum Oore from the album Sandham: Symphony Meets Classical Tamil by composer Raleigh Rajan as a defining illustration of Anandabhairavi, because it explores a wide range of phrases, rules, and exceptions characteristic of the ragam.
A very life changing incident is said to have happened in Tyagaraja's life. Once he is said to have attended a Kuchipudi Bhagavata artists dance-drama recital, a ballad between mythological characters Radha and Krishna, and he is said to have highly praised their performance, especially a particular song Madhura Nagarilo, which was again set in Ananda Bhairavi. Tyagaraja wanting to acknowledge them offered to give them a gift, of anything that they may desire, that he could possibly give. After much thought they demanded him the Ragam Ananda Bhairavi itself as a gift, so that when someone in the near future spoke of Tyagaraja or Ananda Bhairavi's legacy they would also remember the Kuchipudi dancers too.
- Marivere Gati, Mahilo Amba, O Jagadhamba, Pahi Sri Girijasuthe, Himachala Tanaya, Adinamuninchi Pogadi and Sami nee Rammaanave by Syama Sastri in Telugu
- Neeke Teliyaka, Nee Balama Nama Balama, Rama Rama Neevaramu and Ksheera Sagara Vihara by Tyagaraja in Telugu
- Maanasa Guruguha, Dandayudhapanim, Kamalamba Samrakshatu, Anandeswarena, Paradevathe Namaste, Abhayamba Nayaka Hari Sayaka and Thyagaraja Yoga Vaibhavam by Muthuswami Dikshitar in Sanskrit
- Singāra Vēlavan Vanthān, Nanganallūr Ezhundharul, Vānōr Vanangum Annaiyē, Swāmī Charanam and Ānandabhairavī Annaiyum by Papanasam Sivan in Tamil
- Sami ni pai by Tiruvottriyur Tyagayyar
- Raveme Maguva by Melattur Venkataramana Sastri
- Madhura Nagarilo by Chittoor Subramaniam Pillai
- Vanitaro by Dasu Sriramulu
- Rave Na Cheli by Pattabhiramayya
- Yathum oore Anthem by Composer Rajan, the theme song of 10th World Tamil Conference from Sandham: Symphony Meets Classical Tamil
- Paavanasuguna by Swathi Thirunal in Sanskrit
- by Ponniah Pillai in Tamil
- Itti Muddulaadi and Merugu Vantidi by Annamacharya in Telugu
- Kamti SukravAramu by Annamacharya in Telugu
- Neene Dayalu, Veera Hanuma Bahu, Hodi Nagari Mele, Summane Baruvude Mukti, Srinivasa neene, by Purandaradasa in Kannada
- Etthanai Thaan Viddhai by Anai Ayya in Tamil
- Laali Govinda Laali By Sripadaraja in Kannada
- Palayachyutha Palayajitha, By Vadiraja Tirtha in Sanskrit
- Smarasi Puraguru from the Kuchelaupakyanam by Swathi Thirunal
- Paluke Bangaramayena by Bhadrachala Ramadasu in Telugu
- Krishna Karuna, Pahi Tharakshupuralaya, Varija Vadana by Swathi Thirunal in Sanskrit
- Bharathi pankaja by Mannargudi Sambasiva Bhagavatar
- Poonthen Nermozhi, Balike Moham, Maanini Vamata are three padams by Swathi Thirunal in Malayalam
- Andolika Vahane by Swathi Thirunal in Malayalam
- Samaganapriye by Periyasaamy Thooran in Tamil
- Poo Mel Valarum Annaiye by Mazhavai Chidambara Bharathi in Tamil
- Raghudvaha Dâsa by Kalyani Varadarajan
- Kamalasulochana, a popular Geetam composed by Purandara Dasa
- Pahi Sri Ramachandra, a rare Geetam composed by Paidala Gurumurti Sastri
- Tillana by Swathi Thirunal
- Tillana by Thanjavur Sankara Iyer
- Tillana by Dr Lalgudi Jayaraman
- Ehi Mudam Dehi by Narayana Teertha
- Sadbhakthiyu Galga by Poochi Srinivasa Iyengar
- Mari Marine Ninne by Akella Achyuta Ramam
- Kaapaduve by Tanjore Quartet
- Pattakura by Sarangapani
- Manchi Dinamu, Sripathi Sutubariki and Emani Telupudu by Kshetrayya
- Sari Niga Samamana Deivam by Madurai R. Muralidaran
- Bhagyam Ullore Vaarungal by Sri Sri Mualidhara Swamiji
- Chapala Chittuda and Pantamela by Ponniah Pillai
- Paradevi Tiruppaarkkadal by Neelakanta Sivan
- Sami Ninne by Nagapattinam Veerasamy Pillai
- Neemaditsallaga by Mathrubhoothayya
- Ninne Valachi by Puranam Kanakaiah
- Panthamu Jesithi and Chalamu Jesithe by Tanjore Quartet