Alexander Raskatov
Alexander Mikhailovich Raskatov is a Russian composer.
Life
Alexander Raskatov's father was a leading journalist of the magazine Krokodil, his mother was a medical doctor and war hero of World War II. Raskatov studied composition under Albert Leman and Tikhon Khrennikov at the Moscow Conservatory. In 1990 he was composer in residence at Stetson University and 1998 in Lockenhaus. Raskatov was a member of the Union of Soviet Composers; after the collapse of the Soviet Union he is a member of the Composers' Union of Russia. In the early nineties he moved to Germany, then to France in 2004. Raskatov is a member of the Russian Authors' Agency (RAO).Musical style
Raskatov’s music, especially his sound development, is influenced by Modest Mussorgsky and Anton Webern. His vocal works are often based on texts of Russian poets like Alexander Blok or Joseph Brodsky. His viola concerto 'Path-Put-Chemin-Weg' was commissioned on the occasion of the 50th birthdays of Yuri Bashmet and Valeri Gergiev and premiered in Le Chatelet in January 2003. A documentary on the concerto was recorded by the Dutch National Television and can be viewed via the linkIrina Schnittke, Alfred Schnittke’s widow, entrusted him with the reconstruction of Schnittke’s Ninth Symphony of 1998, which he finished in 2007.
In June 2010 his opera A Dog's Heart received its world premiere at the Dutch National Opera, Amsterdam, in a co-production with the English National Opera, where it was seen in November 2010. The production, by Simon McBurney, has also been staged at the Teatro alla Scala in Milan, and the Opéra National de Lyon.
One of his most recent musical pieces, entitled 'A White Nights Dream', was premiered at the Royal Festival Hall in September 2011. This led to the commission of another work, Green Mass, which was premiered by Jurowski and the LPO along with the Choir of Clare College, Cambridge in 2016.
Selected works
;OperaAnimal Farm, Opera in 2 acts, libretto in English by Ian Burton after a novella by George OrwellThe Pit and the Pendulum, Opera in 5 episodes ; libretto in Russian by Alexei Parin after the story by Edgar Allan PoeA Dog's Heart, Opera in 2 acts ; libretto in Russian by Cesare Mazzonis after the story by Mikhail Bulgakov;OrchestralXenia for chamber orchestra Steady Time, 3 Orchestral Interludes
; Wind ensembleParadise Lost? Pro–kofiev et Contra–kofiev
;ConcertanteNight Hymns, Chamber Concerto for piano and 11 instruments
- Concerto for oboe and 15 strings 6 Psalmodies for viola, harp and 15 strings Commentary on a Vision for solo percussion and orchestra Miserere for viola, cello and orchestra Farewell from the Birds of Passage for alto saxophone, percussion and string orchestra Primal Song for viola and 15 strings Blissful Music for cello and chamber orchestra Swinging the Dream Pendulum for violin, string orchestra, piano, celesta and harpsichord Ritual II for 4 saxophones, percussion, piano and string orchestra 5 Minuten aus dem Leben von W.A.M. for violin solo, string orchestra and percussion
- Concerto "Path" for viola and orchestra Gens extorris for piano and string orchestra Bel Canto for viola, string orchestra and temple gong In Excelsis, Concerto for violin and orchestra Night Butterflies, Concerto for piano and orchestra
;KeyboardTwo Pieces for piano Piano Sonata Consolation for piano Punctuation Marks for harpsichord Misteria brevis for piano and percussion Credo in Byzantinum for harpsichord or piano Recordare for piano
;VocalCourtly Songs for soprano and chamber ensemble Starry World for tenor and piano Circle of Singing for mezzo-soprano, cello, piano, harpsichord and celesta ; words by Vasily Zhukovsky and Evgeny BaratynskyElegies for high voice and piano Book of Spring for tenor and chamber ensemble ; words by Vasily ZhukovskyStabat mater, Five Fragments by Samuel Taylor Coleridge for counter-tenor and string trio Gra-ka-kha-ta for tenor and four percussionists ; text by Velimir KhlebnikovLet There Be Night, Five Fragments by Samuel Taylor Coleridge for counter-tenor and string trio "66" for soprano and twelve instruments on a Sonnet by William Shakespeare Txetru – Urtext for soprano and percussion, clarinet, bass clarinet, viola, cello and double bass Seven Stages of "Hallelujah" for soprano with percussion and piano Pas de deux for soprano with bells and saxophone ; words by Antonin ArtaudSonnenuntergangslieder for mezzo-soprano, viola and piano ; words by Friedrich HölderlinGebet for soprano and string quartet Resurrexi for soprano, mezzo-soprano and chamber ensemble Quasi Hamlet for soprano, flute, accordion, percussion and double bass Ritual for voice and percussion ; words by Velimir KhlebnikovPraise for 4 male voices and church bells Circle of Singing for baritone and piano ; texts by Alexander Pushkin and F. TyuchevVoices of a Frozen Land for 7 singers, wind ensemble and percussion In nomine for 8 singers, wind ensemble and percussion "... and meadows merge into the sky..." for soprano and string quartet ; words by Gennadi Aigi, Evgeny Baratynsky and Vasily ZhukovskyNunc dimittis "In Memoriam Alfred Schnittke" for mezzo-soprano, male voices and orchestra ; words by Joseph Brodsky and Starets SiluanGreen Mass, a work for soloists, choir and orchestra ; additional texts by various poets
;Arrangements and reconstructions
- Modest Mussorgsky – Songs and Dances of Death for bass and orchestra ; arranged 2007; words by Arseni Golenishchev-Kutuzov
- Sergei Prokofiev – Sonata for cello, wind ensemble and double bass ; arrangement of the Sonata No.2 in C major for cello and piano, Op.119
- Alfred Schnittke – Symphony No. 9, reconstruction
- Dmitri Shostakovich – String Quartet No.7 in F minor, Op.108 ; arrangement for string orchestra