The Fifth Element
The Fifth Element is a 1997 English-language French science fiction-action film conceived and directed by Luc Besson, and co-written by Besson and Robert Mark Kamen. It stars Bruce Willis, Milla Jovovich, Gary Oldman, Ian Holm, and Chris Tucker. Primarily set in the 23rd century, the plot involves the survival of planet Earth, which becomes the responsibility of Korben Dallas, a taxi driver and former special forces major, after a young woman named Leeloo falls into his cab. Dallas joins forces with her to recover four mystical stones essential for the defence of Earth against the impending attack of a malevolent cosmic entity.
Besson started writing the story that was developed as The Fifth Element when he was 16 years old; he was 38 when the film opened in cinemas. Besson wanted to shoot the film in France, but suitable facilities could not be found; filming took place in London and Mauritania, instead. He hired comic artists Jean "Moebius" Giraud and Jean-Claude Mézières, whose books inspired parts of the film, for production design. Costume design was by Jean Paul Gaultier.
The Fifth Element received mainly positive reviews, although some critics were highly negative. The film won in categories at the British Academy Film Awards, the César Awards, the Cannes Film Festival, and the Lumière Awards, but also received nominations at the Golden Raspberry and Stinkers Bad Movie Awards. The Fifth Element was a strong financial success, earning more than US$263million at the box office on a $90-million budget. At the time of its release, it was the most expensive European film ever made, and it remained the highest-grossing French film at the international box office until the release of The Intouchables in 2011.
Plot
In 1914, aliens known as Mondoshawans meet their contact on Earth, a priest of a secret order, at an ancient Egyptian temple. They take the only weapon capable of defeating a great evil that appears every 5000 years, promising to protect it and return it before the great evil's re-emergence. The weapon consists of the four classical elements, as four engraved stones, plus a sarcophagus containing a "fifth element".In the 23rd century, the great evil appears in deep space as a giant living fireball. It destroys an armed Earth spaceship as it heads to Earth. The Mondoshawans' current human contact on Earth, priest Vito Cornelius, informs the president of the Federated Territories of the great evil's history and the weapon that can stop it.
On their way to Earth, a Mondoshawan spacecraft carrying the weapon is ambushed and destroyed by a crew of Mangalores, alien mercenaries hired by Earth industrialist Jean-Baptiste Emanuel Zorg, who is working for the great evil. A severed hand in metal armor from the wreckage of the spacecraft is brought to New York City. From this, the government uses biotechnology to recreate the original occupant of the sarcophagus, a humanoid woman named Leeloo, who remembers her previous life. Alarmed by the unfamiliar surroundings and high security, she escapes and jumps off a ledge, crashing into the flying taxicab of Korben Dallas, a former major in Earth's special forces.
Dallas delivers Leeloo to Cornelius and his apprentice, David, who recognizes her as the fifth element. As Leeloo recuperates, she tells Cornelius that the stones were not on board the Mondoshawan ship. Simultaneously, the Mondoshawans inform Earth's government that the stones were entrusted to an alien opera singer, the diva Plavalaguna. Zorg reneges on his deal with the Mangalores for failing to obtain the stones, and kills some of them. Earth's military sends Dallas to meet Plavalaguna; a rigged radio contest provides a cover, awarding Dallas a luxury vacation aboard a flying hotel on planet Fhloston, accompanied by flamboyant talk-show host Ruby Rhod. It includes a concert by Plavalaguna, and learning that Leeloo shares his mission, Dallas lets her accompany him. Cornelius instructs David to prepare the temple, then stows away on the luxury spaceship. The Mangalore crew, pursuing the stones for themselves, also illegally board the ship.
During the concert, the Mangalores attack, and Plavalaguna is killed. Dallas extracts the stones from her body and kills the Mangalore leader, causing the others to surrender. Zorg arrives, shoots Leeloo, and activates a time bomb. He flees with a carrying case he presumes contains the stones, but returns when he discovers it is empty. As Zorg's bomb causes the hotel's evacuation, Dallas finds Leeloo traumatized and escapes with her, Cornelius, Rhod, and the stones in Zorg's private spaceship. Zorg deactivates his bomb, but a dying Mangalore sets off his own, destroying the hotel and killing Zorg.
As the great evil approaches Earth, the four meet David at the temple. They deploy the stones, but Leeloo, having learned of humanity's history of cruelty, has given up on life. Dallas declares his love for her and kisses her. Leeloo combines the power of the stones, emitting divine light onto the great evil and defeating it. Dallas and Leeloo are hailed as heroes, and as dignitaries wait to greet them, the two passionately embrace in a recovery chamber.
Cast
Themes
In an interview, Besson stated, The Fifth Element was not a "big theme movie", although the film's theme was an important one. He wanted viewers to reach the point where Leeloo states, "What's the use of saving life when you see what you do with it?" and agree with her. Jay P. Telotte, writing in the book Science Fiction Film, credited the film with exploring the theme of political corruption.Brian Ott and Eric Aoki writing in the feminist journal Women's Studies in Communication considered gender to be one of the film's central themes. The authors criticized the film for erasing women from the introductory scenes, noting that only two appear in the first 20 minutes: an androgynous, mostly speechless presidential aide and Leeloo, undergoing reconstruction. When females appear in the film, they are presented as passive objects, such as the sexualised flight and McDonald's attendants, or stripped of their femininity, such as the "butch" Major Iceborg.
Stefan Brandt, in the book Subverting Masculinity, also said that the film "echoes stereotypical beliefs about gender" of all females in the film. He said that Leeloo left her passive role only during her fight with the Mangalores. Except for Tiny Lister's portrayal of the president, Brandt said that all males in the film were shown as unmanly as possible in various ways, such as Ruby Rhod's effeminacy, Vito Cornelius's clumsy form of speech, and General Munro's stupidity; their purpose was to make Korben's masculinity appear "god-like" by comparison.
In the book The Films of Luc Besson, Susan Hayward considered The Fifth Element to be a classic story of a man "making his break from the tribe, proving his manhood, overthrowing the malevolent forces, and killing the chief, finally to reap the rewards of security and marriage". Korben's journey, however, is threatened not only by the Mangalores and Zorg, but also by Leeloo, who does not relent or help him until the last minute, when she accepts his declaration of love. The love story within The Fifth Element was considered one of the main narratives in the film, and it faces the same deadline as the main storyline. Hayward also considered the film to grapple with environmental damage, in so far as waste and pollution are visible throughout the film. Whereas science-fiction films often show a world wherein some new technology or threat either surpasses or fails humanity, The Films of Luc Besson included The Fifth Element among the minority of science-fiction films that "hold up a mirror" and show humankind as responsible. Hayward said the film was skeptical of capitalist consumerism, in so far as the gadgets Zorg collected in his office suggested that he had an unhealthy obsession for technology. The tension between technology and man is treated as a problem requiring a final resolution.
Production
Development
As a teenager, Besson envisioned the world of The Fifth Element in an attempt to alleviate boredom. He began writing the script when he was 16, originally envisioning the story as a novel, though the film was not released in cinemas until he was 38. The original story was set in the year 2300 and was about a "nobody" named Zaltman Bleros, who wins a trip to the Club Med resort on the planet Fhloston Paradise in the Angel constellation. There, he meets Leeloo, a "sand-girl" who has the "beauty of youth" despite being over 2,000 years old. The name of the character Diva Plavalaguna was likely derived from the Plava Laguna resort in Poreč, Croatia, where Besson had vacationed several times.Besson continued to work on the story for years. By 1991, when his documentary film Atlantis was released, he had a 400-page script. Nicolas Seydoux and Patrice Ledoux from Gaumont were the first people to take on the project. In November 1991, while seeking actors for the film, Besson met French comic creators Jean Giraud and Jean-Claude Mézières and recruited them for the film's production design. Giraud and Mézières's comics inspired the look that Besson wanted for his futuristic New York City.