52nd Academy Awards


The 52nd Academy Awards ceremony, organized by the Academy of Motion Picture Arts and Sciences, honored films released in 1979 and took place on April 14, 1980, at the Dorothy Chandler Pavilion in Los Angeles, beginning at 6:00 p.m. PST / 9:00 p.m. EST. During the ceremony, AMPAS presented Academy Awards in 22 categories. The ceremony, televised in the United States by ABC, was produced by Howard W. Koch and directed by Marty Pasetta. Comedian and talk show host Johnny Carson hosted the show for the second consecutive year. Three days earlier, in a ceremony held at The Beverly Hilton in Beverly Hills, California, on April 11, the Academy Scientific and Technical Awards were presented by hosts Cloris Leachman and William Shatner.
Kramer vs. Kramer won five awards, including Best Picture, Best Director for Robert Benton, Best Actor for Dustin Hoffman, and Best Supporting Actress for Meryl Streep. Sally Field received Best Actress honors for Norma Rae, and Melvyn Douglas won Best Supporting Actor for Being There. The telecast received a mixed reception, with critics praising Carson's hosting performance but criticising the pacing and predictability of the ceremony. It garnered 49 million viewers in the United States, which was a 6% increase from the previous year.

Winners and nominees

The nominees for the 52nd Academy Awards were announced on February 25, 1980, by Academy president Fay Kanin and actors Ed Asner and Yvette Mimieux. All That Jazz and Kramer vs. Kramer tied for the most nominations, with nine each. The winners were announced at the awards ceremony on April 14. At age eight, Best Supporting Actor nominee Justin Henry became the youngest person nominated for an Oscar.

Awards

Winners are listed first and highlighted in boldface.

  • Robert BentonKramer vs. Kramer
  • *Bob FosseAll That Jazz
  • *Francis Ford CoppolaApocalypse Now
  • *Peter YatesBreaking Away
  • *Édouard MolinaroLa Cage aux Folles
  • Dustin HoffmanKramer vs. Kramer as Ted Kramer
  • *Jack LemmonThe China Syndrome as Jack Godell
  • *Al Pacino...And Justice for All. as Arthur Kirkland
  • *Roy ScheiderAll That Jazz as Joseph "Joe" Gideon
  • *Peter SellersBeing There as Chance
  • Sally FieldNorma Rae as Norma Rae Webster
  • *Jill ClayburghStarting Over as Marilyn Holmberg
  • *Jane FondaThe China Syndrome as Kimberly Wells
  • *Marsha MasonChapter Two as Jennie MacLaine
  • *Bette MidlerThe Rose as Mary Rose "The Rose" Foster
  • Melvyn DouglasBeing There as Ben Rand
  • *Robert DuvallApocalypse Now as Lieutenant Colonel William "Bill" Kilgore
  • *Frederic ForrestThe Rose as Huston Dyer
  • *Justin HenryKramer vs. Kramer as Billy Kramer
  • *Mickey RooneyThe Black Stallion as Henry Dailey
  • Meryl StreepKramer vs. Kramer as Joanna Kramer
  • *Jane AlexanderKramer vs. Kramer as Margaret Phelps
  • *Barbara BarrieBreaking Away as Evelyn Stoller
  • *Candice BergenStarting Over as Jessica Potter
  • *Mariel HemingwayManhattan as Tracy
  • Breaking AwaySteve Tesich
  • *All That JazzRobert Alan Aurthur and Bob Fosse
  • *...And Justice for All.Valerie Curtin and Barry Levinson
  • *The China SyndromeMike Gray, T. S. Cook, and James Bridges
  • *ManhattanWoody Allen and Marshall Brickman
  • Kramer vs. KramerRobert Benton based on the novel by Avery Corman
  • *Apocalypse NowFrancis Coppola and John Milius based on the novel Heart of Darkness by Joseph Conrad
  • *La Cage aux FollesFrancis Veber, Édouard Molinaro, Marcello Danon and Jean Poiret based on the play by Jean Poiret
  • *A Little RomanceAllan Burns based on the novel E=mc2 mon amour by Patrick Cauvin
  • *Norma RaeIrving Ravetch and Harriet Frank Jr. based on the book Crystal Lee, a Woman of Inheritance by Hank Leiferman
  • The Tin Drum in German – directed by Volker Schlöndorff
  • *The Maids of Wilko in Polish – directed by Andrzej Wajda
  • *Mama Turns 100 in Spanish – directed by Carlos Saura
  • *A Simple Story in English and French – directed by Claude Sautet
  • *To Forget Venice in Italian – directed by Franco Brusati
  • Best BoyIra Wohl
  • *Generation on the Wind – David A. Vassar
  • *Going the DistancePaul Cowan, Robert Verrall and Jacques Bobet
  • *The Killing Ground – Steve Singer and Tom Priestley
  • *The War at Home – Glenn Silber and Barry Alexander Brown
  • Paul Robeson: Tribute to an ArtistSaul J. Turell
  • *Dae – Risto Teofilovski
  • *Koryo Celadon – Donald A. Connolly and James R. Messenger
  • *NailsPhillip Borsos
  • *Remember MeDick Young
  • Board and Care – Sarah Pillsbury and Ron Ellis
  • *Bravery in the FieldRoman Kroitor and Stefan Wodoslawsky
  • *Oh Brother, My Brother – Carol Lowell and Ross Lowell
  • *The Solar FilmSaul Bass and Michael Britton
  • *Solly's Diner – Harry Mathias, Jay Zukerman and Larry Hankin
  • Every ChildDerek Lamb
  • *Dream DollBob Godfrey and Zlatko Grgić
  • *It's So Nice to Have a Wolf Around the HousePaul Fierlinger
  • A Little RomanceGeorges Delerue
  • *10Henry Mancini
  • *The Amityville HorrorLalo Schifrin
  • *The ChampDave Grusin
  • *Star Trek: The Motion PictureJerry Goldsmith
  • All That JazzRalph Burns
  • *Breaking AwayPatrick Williams
  • *The Muppet Movie – Songs by Paul Williams and Kenny Ascher; Adaptation by Paul Williams
  • "It Goes Like It Goes" from Norma Rae – Music by David Shire; lyrics by Norman Gimbel
  • *"I'll Never Say Goodbye" from The Promise – Music by David Shire; lyrics by Alan and Marilyn Bergman
  • *"It's Easy to Say" from 10 – Music by Henry Mancini; lyrics by Robert Wells
  • *"Rainbow Connection" from The Muppet MovieMusic and lyrics by Paul Williams and Kenny Ascher
  • *"Through the Eyes of Love" from Ice Castles – Music by Marvin Hamlisch; lyrics by Carole Bayer Sager
  • Apocalypse NowWalter Murch, Mark Berger, Richard Beggs and Nat Boxer
  • *1941Robert Knudson, Robert Glass, Don MacDougall and Gene Cantamessa
  • *The Electric HorsemanArthur Piantadosi, Les Fresholtz, Michael Minkler and Al Overton Jr.
  • *MeteorWilliam McCaughey, Aaron Rochin, Michael J. Kohut and Jack Solomon
  • *The RoseTheodore Soderberg, Douglas Williams, Paul Wells and Jim Webb
  • All That JazzAlbert Wolsky
  • *AgathaShirley Russell
  • *Butch and Sundance: The Early DaysWilliam Ware Theiss
  • *The EuropeansJudy Moorcroft
  • *La Cage aux FollesPiero Tosi and Ambra Danon
  • All That Jazz – Art Direction: Philip Rosenberg and Tony Walton; Set Decoration: Edward Stewart and Gary J. Brink
  • *Alien – Art Direction: Michael Seymour, Leslie Dilley and Roger Christian; Set Decoration: Ian Whittaker
  • *Apocalypse Now – Art Direction: Dean Tavoularis and Angelo P. Graham; Set Decoration: George R. Nelson
  • *The China Syndrome – Art Direction: George Jenkins; Set Decoration: Arthur Jeph Parker
  • *Star Trek: The Motion Picture – Art Direction: Harold Michelson, Joe Jennings, Leon Harris and John Vallone; Set Decoration: Linda DeScenna
  • Apocalypse NowVittorio Storaro
  • *1941William A. Fraker
  • *All That JazzGiuseppe Rotunno
  • *The Black HoleFrank Phillips
  • *Kramer vs. KramerNéstor Almendros
  • All That JazzAlan Heim
  • *Apocalypse NowRichard Marks, Walter Murch, Gerald B. Greenberg and Lisa Fruchtman
  • *The Black StallionRobert Dalva
  • *Kramer vs. KramerJerry Greenberg
  • *The RoseRobert L. Wolfe and C. Timothy O'Meara
  • AlienH. R. Giger, Carlo Rambaldi, Brian Johnson, Nick Allder and Dennis Ayling
  • *1941Gregory Jein, William A. Fraker and A. D. Flowers
  • *The Black HolePeter Ellenshaw, Art Cruickshank, Eustace Lycett, Danny Lee, Harrison Ellenshaw and Joe Hale
  • *MoonrakerDerek Meddings, Paul Wilson and John Evans
  • *Star Trek: The Motion PictureDouglas Trumbull, John Dykstra, Richard Yuricich, Robert Swarthe, Dave Stewart and Grant McCune
  • Special Achievement Award (Sound Editing)

    The Black StallionAlan Splet.

    Honorary Awards

    Jean Hersholt Humanitarian Award

    The award recognizes individuals whose humanitarian efforts have brought credit to the motion picture industry.

    Irving G. Thalberg Memorial Award

    The award honors "creative producers whose bodies of work reflect a consistently high quality of motion picture production".

    Multiple nominations and awards

    NominationsFilm
    9All That Jazz
    9Kramer vs. Kramer
    8Apocalypse Now
    5Breaking Away
    4The China Syndrome
    4Norma Rae
    4The Rose
    31941
    3La Cage aux Folles
    3Star Trek: The Motion Picture
    2Alien
    2...And Justice for All.
    2Being There
    2The Black Hole
    2The Black Stallion
    2A Little Romance
    2Manhattan
    2The Muppet Movie
    2Starting Over
    210

    WinsFilm
    5Kramer vs. Kramer
    4All That Jazz
    2Apocalypse Now
    2Norma Rae

    Presenters and performers

    The following individuals, listed in order of appearance, presented awards or performed musical numbers:

    Ceremony information

    In September 1979, the academy hired film producer Howard W. Koch to produce the telecast for the sixth time. Upon being named producer, Koch responded in a press release, stating, "I plan to involve all the professional and creative talents of the motion picture community in this program, as the Academy Awards, in the public's mind, represents the entire field of filmmaking." Two months later, it was announced that comedian and The Tonight Show host Johnny Carson would preside over emceeing duties for the 1980 ceremony. "Johnny Carson is one of our national treasures. He was selected as this year's host because his wit and verve made him an outstanding master of ceremonies at last year's show," said Koch in a statement justifying his selection for host.
    Marty Pasetta directed the telecast. Henry Mancini served as musical director and conductor for the ceremony, where he conducted an overture performed by the orchestra at the beginning of the show. A song-and-dance number featuring actor and singer Donald O'Connor paid tribute to choreography in film.

    Critical reviews

    The ceremony received a mixed reception from critics. The Arizona Republic columnist Michael Maza wrote, "Watching last night's 52nd Annual Academy Award ceremonies was like sitting through three hours and 15 minutes of near-flawless close order drill. It wasn't long before the feet seemed to blur." Jack Mathews of the Detroit Free Press commented, "In any event, the 52nd Academy Awards presentation will stand as one of the smoothest, most predictable, and most reasonable Oscar nights in history. Also, alas, one of the most boring." The Baltimore Sun television critic Bill Carter quipped, "We found out Monday night when this year's edition of the Oscarcast streamlined to the point of emaciation, thudded along like some awards dinner of the meat-packing industry." He praised Carson's hosting performance, but said, "For all the excitement this parade of stars provided, they might as well have sent in their stand-ins, or maybe some robot, or well dressed mannequins from a boutique on Rodeo Drive. This just wasn't a little boring, this was mind-numbingly boring."
    Others received the broadcast more positively. Los Angeles Times film critic Charles Champlin mused, "As a show, the Marty Pasetta-Howard Koch special revealed again a gift for all that pizzazz." He added, "If nobody in fact was dozing, it was thanks to Carson's own relaxed and engaging presence. Among his virtues, he is an emcee who seems to love the movies." Film critic Gene Siskel from the Chicago Tribune commented, "The show was a visual delight, thanks to special electronic effects that presented scenes from each nominated film as its title was announced." Columnist Patrick Taggart of the Austin American-Statesman wrote, "Aren't we entitled to at least one upset victory among the nominees? The 52nd running of the Academy Awards was distinguished by the utter lack of any such color; but somehow, in spite of its slickness, Monday's show was a relatively good one."

    Ratings and reception

    The American telecast on ABC drew in an average of 49 million people over the length of the entire ceremony, which was a 6% increase from the previous year's ceremony. However, the show drew lower Nielsen ratings compared to the previous ceremony, with 33.7% of households watching with a 55% share. Furthermore, the ceremony presentation received five nominations at the 32nd Primetime Emmys, but failed to win any of its nominations.